Cem Karaca | |
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| Background information | |
| Birth name | Muhtar Cem Karaca |
| Also known as | Cem Ağabey |
| Born | 5 April 1945 Bakırköy, Turkey |
| Died | 8 February 2004 (aged 58) Istanbul, Turkey |
| Genres | |
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| Instrument(s) | |
| Years active | 1961–2004 |
| Website | www.cemkaraca.com |
Muhtar Cem Karaca (5 April 1945 – 8 February 2004) was a prominent Turkish rock musician and one of the most important figures in the Anatolian rock movement.[1] He was a graduate of Robert College. He worked with various Turkish rock bands such as Apaşlar, Kardaşlar, Moğollar and Dervişan. With these bands, he brought a new understanding and interpretation to Turkish rock.[2]
He was the only child of Mehmet İbrahim Karaca, a theatre actor of Azerbaijani origin,[3] and İrma Felekyan, a popular opera, theatre, and movie actress[3] of Armenian origin.[4] His first group was called Dynamites and was a classic rock cover band. Later he joined Jaguars, an Elvis Presley cover band. In 1967, he started to write his own music, joining the band Apaşlar (The Rowdies), his first Turkish language group. The same year, he participated in the Golden Microphone (Turkish: Altın Mikrofon) contest, a popular music contest in which he won second place with his song Emrah. In 1969, Karaca and bass-player Serhan Karabay left Apaşlar and started an original Anatolian group called Kardaşlar (The Brothers).
In 1972, Karaca joined the group Moğollar (The Mongols) and wrote one of his best-known songs, "Namus Belası". However, Cahit Berkay, the leader of Moğollar, wanted an international reputation for his band, and he left for France to take the group to the next level. Karaca, who wanted to continue his Anatolian beat sound, left Moğollar and started his own band Dervişan (Dervishes) in 1974. Karaca and Dervişan sang poetic and progressive songs.
In the 1970s, Turkey was dealing with political violence between supporters of the left and the right, separatist movements and the rise of Islamism. As the country fell into chaos, the government suspected Cem Karaca of involvement in rebel organisations. He was accused of treason for being a separatist thinker and a Marxist-Leninist. The Turkish government tried to portray Karaca as a man who was unknowingly writing songs to start a revolution. One politician was quoted as saying, "Karaca is simply calling citizens to a bloody war against the state." Dervişan was ultimately dissolved at the end of 1977. In 1978, he founded Edirdahan, an acronym for "from Edirne to Ardahan"; the westernmost and the easternmost provinces of Turkey. He recorded one LP with Edirdahan.
In early 1979, Karaca left for West Germany for business reasons. In 1980 he began singing in German with the song Nazim Hikmet - Kız Çocuğu (in English: Little girl): Cem performed the German verses alternating with his friend, manager, arranger and bandleader/musician Ralf Mähnhöfer accompanying him on grand piano, solo or with the band Anatology, singing the song in the Turkish language.
Turkey continued to spin out of control with military curfews and the 1980 Turkish coup d'état on September 12, 1980. General Kenan Evren took over the government and temporarily banned all the nation's political parties. After the coup, many intellectuals, including writers, artists and journalists, were arrested. A warrant was issued for the arrest of Karaca by the government of Turkey.
The state invited Karaca back several times, but Karaca, not knowing what would happen upon his return, decided not to come back.
While Karaca was in Germany his father died, but he could not return to attend the funeral. After some time, the Turkish government decided to strip Cem Karaca of his Turkish citizenship, keeping the arrest warrant active.
Several years later, in 1987, the prime minister and leader of the Turkish Motherland Party, Turgut Özal, issued an amnesty for Karaca. Shortly afterwards, he returned to Turkey. His return also brought a new album with it, Merhaba Gençler ve Her Zaman Genç Kalanlar ("Hello, The Young and The Young at Heart"), one of his most influential works. His return home was received cheerfully by his fans, but during his absence Karaca had lost the young audience and acquired only a few new listeners. He died of a heart attack on February 8, 2004, and was interred at Karacaahmet Cemetery in the Üsküdar district of Istanbul.
