.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}You can help expand this article with text translated from the corresponding article in French. (November 2014) Click [show] for important translation instructions. View a machine-translated version of the French article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 6,027 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing French Wikipedia article at [[:fr:Codex Chantilly]]; see its history for attribution. You should also add the template ((Translated|fr|Codex Chantilly)) to the talk page. For more guidance, see Wikipedia:Translation.
The chanson Belle, Bonne, Sage by Baude Cordier, written in the shape of a heart, with a red note coloration string of notes forming another heart

The Chantilly Codex (Chantilly, Musée Condé MS 564) is a manuscript of medieval music containing pieces from the style known as the Ars subtilior. It is held in the museum at the Château de Chantilly in Chantilly, Oise.[1]

Most of the compositions in the Chantilly Codex date from c. 1350–1400. There are 112 pieces total, mostly by French composers, and all of them polyphonic. The codex contains examples of many of the most popular courtly dance styles of its time, such as ballades, rondeaus, virelais, and isorhythmic motets. Some of the motets are rhythmically extremely complex, and are written in intricately exact musical notation. Two pieces by Baude Cordier were added at a slightly later date at the front of the manuscript, and use unusual shapes to reflect their musical contents. The piece "Belle, Bonne, Sage, Plaisant" (image right) was written to a special lady for the New Year, and reflects the shape of the notation with the text (Lovely, good, wise, and pleasant).[2] The graphic layout of the notation is a play on words on the "Cor" ("heart") in "Cordier".[3]

The Chantilly Codex is known to contain music from the composers Johannes Symonis, Jehan Suzay, P. des Molins, Goscalch, Solage, Baude Cordier, Grimace, Guillaume de Machaut, Jehan Vaillant, F. Andrieu, Magister Franciscus, Johannes Cuvelier, Rodericus, Trebor, and Jacob Senleches.

Editions

The majority of the 112 pieces are found in Willi Apel, ed., French Secular Compositions of the Fourteenth Century (American Institute of Musicology, 1970)[4]

Selected recordings

The following recordings include selections from the 112 pieces:

References

  1. ^ Uncle Dave Lewis. "Anonymous, Codex Chantilly". All Music. Retrieved 6 November 2020.
  2. ^ Kelly, Thomas Forrest. Capturing Music : the Story of Notation. First ed., W.W. Norton & Company, 2015.
  3. ^ Donald J. Grout and Claude V. Palisca, A History of Western Music. 5th edition, 1996, p. 120.
  4. ^ Emfaq
  5. ^ "Classical Net Review - Figures of Harmony". Classical Net. Retrieved 2020-03-11.

Further reading

External links

Ars subtilior
Ars nova
Medieval music manuscript sources
Authority control databases
Categories