The film was released on December 25, 2003, by 20th Century Fox and grossed $190 million worldwide against a $40 million budget. The Rotten Tomatoes critical consensus criticized the film for its lack of humor.[4]
Tom Baker is a college football coach in Midland, Indiana, where he raised twelve children, and his wife, Kate, has written her story in a book and hopes to send it to her friend to publish the book. One day, Tom unexpectedly receives an offer from his old friend and football teammate Shake McGuire to coach at his alma mater in his hometown of Evanston, Illinois. Tom accepts the offer, and demands all the children vote on moving. Despite losing the vote, Tom has the entire family return to Evanston for a better home and space. The atmosphere at the Bakers' new house is tense and the situation at school is even worse.
When her book is ready to pick up for publication, Kate is required to do a national book tour to promote it. Tom thinks that he can handle everything in the family's household while Kate is away, so he decides to hire his oldest daughter, Nora, and her self-absorbed boyfriend, Hank, to manage the children. When Nora and Hank arrive, the younger children plan to make Hank the target of their prank by soaking his underwear in meat and assisting the Bakers' pet dog Gunner to attack him by biting his buttocks, prompting him to refuse to assist in babysitting. As a result, Nora drives off, while Tom lectures them for their prank.
After Kate departs for her book tour, Tom realizes that he cannot handle the children on his own after a chaotic night. In reply to this revelation, Tom tries to hire a housekeeper, but nobody is willing to work with a family as large as the Bakers, so Tom decides to bring the football players from work into the family's house for game practicing in the living room to prepare for the Saturday night football game as the children perform chores and their household games. However, the children start causing trouble at school and Charlie, the Bakers' oldest son, is removed from the football team. Kate overhears from the children about the chaos and cancels the book tour to take charge of the situation. Kate's publisher decides to create an additional promotion for her book by inviting Oprah Winfrey to tape a segment about the Bakers in their home instead.
Despite much coaching from Kate, the Bakers are not able to demonstrate the loving, strongly bonded family that Kate described in her book. When Mark, one of the younger children, becomes upset that his pet frog, Beans, has died, a heated fight erupts moments before the segment starts, leading the cameramen to call Winfrey to cancel it. Mark runs away from home, prompting the Bakers to find him. Tom indulges a hunch that Mark is trying to run back to the Bakers' old home, and eventually finds Mark on an Amtrak train departing from Chicago to Midland.
Upon Tom and Mark's reunion with their family, they all begin to address their issues with each other, and Tom ultimately resigns from his position at his alma mater.
The film's director Shawn Levy makes a cameo as a reporter. Jared Padalecki has an uncredited cameo as an unnamed bully that causes problems for Charlie. Wayne Knight has an uncredited cameo as Pete, the electrician whose repairs on the family's chandelier cause him to fall off of his ladder in two different incidents.
On Rotten Tomatoes the film has a 24% rating based on reviews from 119 critics and an average score of 4.58/10. The site's consensus reads: "In this family of twelve children, much chaos ensues, but little hilarity."[4] On Metacritic, the film received a weighted average score of 46 out of 100 based on 30 reviews, indicating "mixed or average reviews".[5] Audiences polled by CinemaScore gave the film an A− grade.[6]
Despite this, the film was given "Two Thumbs Up" from Roger Ebert and Richard Roeper on their television show.[citation needed] Ebert in his review for the Chicago Sun-Times gave the film 3 out of 4 stars and called it "lighthearted fun".[7]
Robert Koehler of Variety was critical of the uneven tone of the film, varying between "schmaltzy/gooey and slapstick/gross-out" and wrote that it was "as far from the original pic and its autobiographical memoir source as it can be while retaining the same title" but predicted a wide-ranging audience for the film.[8]
Box office
The film ranked at #2 for the weekend, grossing $27,557,647 in its opening weekend ($35,397,241 including its Thursday Christmas Day gross of $7,839,594) from 3,298 theaters for an average of $8,356 per theater ($10,733 average per theater over four days), being kept from the top spot by The Lord of the Rings: The Return of the King. The film went on to gross $138,614,544 in North America, and an additional $51,597,569 internationally, for a total gross of $190,212,113 worldwide, nearly five times its $40 million budget.[3]
