|Cheung Chau Bun Festival|
|Date(s)||April / May|
|Location(s)||Cheung Chau, Hong Kong|
|Cheung Chau Bun Festival|
|Cheung Chau Da Jiu Festival|
Cheung Chau Bun Festival or Cheung Chau Da Jiu Festival is a traditional Chinese festival on the island of Cheung Chau in Hong Kong. Held annually, and with therefore the most public exposure, it is by far the most famous of such Da Jiu festivals, with Jiu (醮) being a Taoist sacrificial ceremony. Such events are held by mostly rural communities in Hong Kong, either annually or at a set interval of years ranging all the way up to once every 60 years (i.e. the same year in the Chinese astrological calendar). Other places that may share the folk custom include Taiwan, Sichuan, Fujian and Guangdong.
Cheung Chau's Bun Festival, which draws tens of thousands of local and overseas tourists every year, is staged to mark the Eighth day of the Fourth Month, in the Chinese calendar (this is usually in early May). It coincides with the local celebration of Buddha's Birthday.
The Cheung Chau Bun Festival began as a fun and exciting ritual for fishing communities to pray for safety from pirates. Today this religious origin has largely been forgotten, and the festival has mainly become a showcase of traditional Chinese culture.
Kwok Kam Kee, the official bun supplier for the festival which was opened 40 years ago, makes over 60,000 buns for the festival.
One story of the origin of the festival is that in the 18th century, the island of Cheung Chau was devastated by a plague and infiltrated by pirates until local fishermen brought an image of the god Pak Tai to the island. Paraded through the village lanes, the deity drove away evil spirits. Villagers also disguised themselves as different deities and walked around the island to drive away the evil spirits. Hailufeng people on Cheung Chau worshipped Pak Tai at first. Then, Cantonese and Tanka on the island also worshipped Pak Tai. Gradually, all dialect groups on the island took part in the Cheung Chau Bun Festival which integrates different folk elements.
Every year on the 8th day of the fifth month of the lunar calendar, the islanders organise a weeklong thanksgiving, the Cheung Chau Bun Festival usually in April or May. The festival lasts for seven days. On three of these days the entire island goes vegetarian; most of the island's famous seafood restaurants adhere to this tradition. The local McDonald's also takes meat off the menu and instead sells veggie burgers made of mushrooms.
In addition to traditional lion dances and dragon dances, children dressed as legendary and modern heroes are suspended above the crowd on the tips of swords and paper fans (飄色). They form the parade-in-the-air and are all secured within steel frames, though they appear to glide through the air. Parents consider it a great honour for their offspring to be part of the parade.
This fascinating procession is accompanied by the bedlam of musicians loudly beating gongs and drums to scare away evil spirits. It is led by a spectacular image of Pak Tai, the God of Water and Spirit of the North, to whom the island's Temple of the Jade Vacuity is dedicated.
Here are some divinities Cheung Chau people celebrate in the festival:
Since Cheung Chau is traditionally an island of fisherfolk, Pak Tai is its most revered divinity, since it is believed he has the power to confer smooth sailing for the fishing boats as well as providing good catches for their crews. Pious believers recognise him as "Pei Fang Chen Wu Hsuan T'ien Shang Ti" (True Soldier and Superior Divinity of the Deep Heaven of the North).
The second of the significant deities involved in the pageant is the much-revered Tin Hau, Goddess of the Seas and protector of all fishermen and boat people. Celebrated for providing warnings of imminent storms and saving countless lives from wreckage, she is in many ways Pak Tai's competitor for the fondness of the fisherfolk.
Two more gods complete the celestial divinities taking part in the parade: Kuan Yin, the Goddess of Mercy with her tranquil and ever compassionate smile; and Hung Hsing, the terrifying God of the South with his menacing head-dress, unkind face, bushy black beard, and stave at the ready to chastise all enemies
The centrepiece of the festival is at Pak Tai Temple where the "Bun Mountains" or "Bun Towers" (包山) stand. These are three giant 60-feet bamboo towers covered with buns. It is these bun-covered towers that give the festival its name. It originates from the custom in Southern Fujian and Chaozhou known as qianggu (Chinese: 搶孤; Pe̍h-ōe-jī: chhiúⁿ-ko·), where people snatch food that has been offered to the lonely spirits. Historically, young men would race up the tower to get hold of the buns; the higher the bun, the better fortune it was supposed to bring to the holder's family; the race was known as "Bun-snatching" (搶包山). However, during a race in 1978 one of the towers collapsed, injuring more than 100 people. In subsequent years, three designated climbers (one climber to each tower) raced up their respective towers and having cleared the top buns proceeded to strip the towers of their buns as they descended.
The three "Bun Mountains" are still placed in the area in front of Pak Tai Temple, and are constructed using the traditional fixation method — bamboo scaffolding.
In 2005, a single tower climbing event in the adjacent sports ground was revived as a race—with extra safety precautions including proper mountain-climbing tools as well as tutorials for participants (which now include women). A teamwork version of the event was added in 2006. The revised version of "Bun-snatching" as well as the traditional three "Bun Mountains" still have their buns removed from the towers at midnight of the Festival.
In February 2007, it was further announced that the buns on the single-tower construct will henceforth be made of plastic. During the festival, Chinese operas, lion dances, and religious services also take place on the island.
|Cheung Chau Bun Festival|
|Yale Romanization||Gwok Gāa mìhng|
|Jyutping||Gwok3 Gaa1 ming4|
Kwok Ka-Ming, born in Cheung Chau, is a physical trainer and 4 times winner of the Cheung Chau bun-scrambling competition in Cheung Chau, Hong Kong. The Bun Scrambling Event has been a traditional activity of the Cheung Chau Bun Festival. Kwok is a resident of Cheung Chau Island and works as a physical trainer for Shatin firefighters.
In 2005, in the first year of the modern competition, the trophy eventually went to Mr Kwok Ka-ming, who led a narrow edge of 30 marks over the first runner-up, Mr Yau Hung-ming, who scored 423 marks. In 2006, after an exciting round of the competition, Kwok Ka-ming retains the trophy by scoring 705 marks.
In 2007, Kwok Ka-Ming won by scoring 648 marks. Kwok Ka-Ming lost his title in 2008, when he scored 715 marks. In 2009, Kwok Ka-Ming did not feature in the top 3. But Kwok was the bun-scrambling king again in 2010, when he won the game by scoring 939 points. In 2011 he failed to make it to the finals.
At a quarter to midnight a paper effigy of the King of the Ghosts is set ablaze, enormous incense sticks are lit and the buns are harvested and distributed to the villagers, who, pleased to be sharing in this propitious good fortune, rejoice late into the night.
As mentioned above, the bun-snatching ritual was abandoned by government decree due to the 1978 collapse of a tower. Still, many Cheung Chau villagers regard this celebration as part and parcel of their life, and also as an example of the precious culture of Hong Kong. In addition to the villagers' immense urge to resume the ritual, a local cartoon movie My life as McDull recalled the abandoned ceremony, giving rise to nostalgia in its viewers. Because of its great popularity, the long-awaited ritual was reintroduced on 15 May 2005. Safety measures were intensified: only 12 well-trained athletes selected from preliminary competitions were permitted to climb on one single "Bun Mountain", and instead of bamboo, the framework of the "Bun Mountains" was made of steel.
My life as McDull was a sizable hit in Christmas 2001. This Hong Kong animated feature was primarily targeted at children. Aside from the cute character designs, however, My Life as McDull had also shown many renowned qualities of Hong Kong people—hard-working, carefree, and never giving up. The "Hong Kong dream" depicted in the film charmed much of its audience. The animation is aided by computer-generated backgrounds, but it retains a delightful hand-drawn look that is pleasing to movie-goers. In a part of the film, McDull decides to train to be an Olympic-level athlete like the Hong Kong Olympian Lee Lai-shan. However, the trade he learns is Cheung Chau bun-snatching. Realising that bun-snatching is not a formal sporting event in the Olympic games, McDull's mother writes a letter to the chairman of the International Olympic Committee (IOC), asking him/her with her limited proficiency of English to sanctify the so-called sport event.