Christiaan Tonnis | |
|---|---|
 Christiaan Tonnis, 2012 | |
| Born | 5 June 1956 |
| Education | Hochschule für Gestaltung Offenbach am Main |
| Known for | Painting, video art |
| Notable work | Ludwig Wittgenstein (1985),Virginia Woolf, William S. Burroughs (1998) |
| Movement | Contemporary art |
Christiaan Dirk Tonnis (born 5 June 1956) is a German symbolist/realist painter, draftsman, video artist and published author. He studied at the HfG Offenbach with Dieter Lincke and Herbert Heckmann, and lives in Frankfurt, Germany.
Tonnis' works are "supported with psychological knowledge"[1] His earliest drawings reflect his interest in psychoanalysis and psychopathology such as, catatonic rigidity or the postnatal psychosis depicted in his 1980–85 collection. To "show the psychic as a second face" he "uses stitchings, masks and fragments of masks—they are sometimes barely visible"[2]
... in his portraits the artist Christiaan Tonnis shows us the tears in the psyche that are written into faces. In these paintings these faces are, as it were, stage areas of a forgotten Drama, only readable as old and rigid courses of action but with traces of the internal (hidden) foreigner ...
— Kai Hoffmann, Frankfurter Rundschau, 1986-02-20
In 1986, he started to paint landscapes from literature like the "Magic Mountain (after Thomas Mann)" and portraits of writers and philosophers as William S. Burroughs, Virginia Woolf, Ludwig Wittgenstein, and more. His large scale triptych "Frost" is "a material image in harsh black and white which depicts a literary landscape of snow and ice in different viewpoints [...] a picturesque transformation of Thomas Bernhards 1963 novel".[3]
Since 2003 his work has become more meditative: "Geometric patterns in bright colors",[4] consistent with Tibetan Book of the Dead (Bardo Thodol) and New Testament—the series of minimalistic "Meditation pictures".
"Catwalk!" was exhibited at the Showroom Eulengasse in Frankfurt, Germany in 2007. The exhibition consisted of a series of collages created of cats' heads on women's bodies. The most recognizable bodies are those of Virginia Woolf "with big, sad eyes" and Kate Moss.[5]
In 2006 Tonnis set up a MySpace page dedicated to Thomas Bernhard, using pictures tell his biography. The theme of the page was Bernhard's motto "In the darkness everything becomes clear."
In 2008 Tonnis started to contribute reviews on art to the style magazine Dazed Digital, London.[6]
2009: During the "Sommeratelier" at Kunstverein Familie Montez, Frankfurt,[7] he created a painting for the performance "Who let the dogs out, Edith?". This "experimental collage of different media and arts" has been a dialogue with Heinrich von Kleist's play Penthesilea, directed by Hans-Jürgen Syberberg in 1988 with actress Edith Clever.[8]
With the mural of a golden cross on black and violet ground—divided into pixels—Tonnis has been one of 36 international artists who designed the "Pixelkitchen" in January 2013, a tiled room of 177.2 inches height at the Günes Theatre in Frankfurt.[9] "All these artworks are glued, painted or nailed onto the walls."[10]
On June 20, 2021, Tonnis performed "Novalis" as a live stream at the Eulengasse exhibition space. In his glowing hand he held a bouquet of blue flowers and used them to write two passages from Novalis' novel Heinrich von Ofterdingen on an large scale horizon. The inscription of a poetic text from the early Romantic period is to be read “as an alternative to our swaying world that has gotten out of joint”.[11][12]
Christiaan Tonnis is a member of the St. Paulsgemeinde Frankfurt, which is holding church service at the Old St Nicholas Church, and the Internationale Novalisgesellschaft.[13]
Tonnis started to make videos in 2006. His subjects have included William S. Burroughs, Thomas Bernhard and the poet Georg Trakl. Alongside these works stand the video series of "Dreams", "Electrical Pictures", and animals—exhibiting a pop, surreal pictorial language, often humorously staged.
Since 2009 Tonnis produced 133 short documentaries about art projects, exhibition setups, openings and interviews for the Kunstverein Familie Montez.[14] Of these, 16 works from December 2020[15] show the process of creating an 18 × 3.25 meter mural that was created by more than 40 artists in the joint project "Ein ganz normaler Herbst, nur anders ... 2020" ("A completely normal autumn, just different ... 2020).[16] The short documentaries go together with a "Family Album", created out of video stills.[17]
