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Christina Pluhar, with Philippe Jaroussky, Misteria Paschalia 2011

Christina Pluhar (Graz, 1965) is an Austrian theorbist, harpist, conductor, and director of L'Arpeggiata ensemble.[1]

After studies at the University of Graz, Christina Pluhar recognised her passion for ancient music. From then on, she devoted herself to playing the lute, theorbo and baroque guitar. She gained her knowledge at the Royal Conservatory of The Hague and at the Schola Cantorum Basiliensis. Her teachers included Toyohiko Satoh, Eugen Dombois, Hopkinson Smith, Paul O'Dette, Pat O'Brian and Jesper Bøje Christensen. She learned to play the baroque Arpa Doppia at the Scuola Civica di Milano with Mara Galassi.

In 1992, as a member of the Ensemble La Fenice, she received the first prize at the Festival of Early Music in Malmö. Since then she has been living in Paris and performing as a soloist and as a basso continuo player in the baroque scene. With her ensemble L'Arpeggiata, founded in 2000, she plays at international festivals and makes recordings.

In addition to her activities as a musician and ensemble director, Christina Pluhar has been teaching baroque harp at the Royal Conservatory of The Hague since 1999 and gives master classes at the University of Graz.

Discography

Albums

.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}You can help expand this article with text translated from the corresponding article in German. (March 2013) Click [show] for important translation instructions. View a machine-translated version of the German article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 8,953 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing German Wikipedia article at [[:de:Christina Pluhar]]; see its history for attribution. You should also add the template ((Translated|de|Christina Pluhar)) to the talk page. For more guidance, see Wikipedia:Translation.
You can help expand this article with text translated from the corresponding article in French. (March 2013) Click [show] for important translation instructions. View a machine-translated version of the French article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 5,971 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing French Wikipedia article at [[:fr:Christina Pluhar]]; see its history for attribution. You should also add the template ((Translated|fr|Christina Pluhar)) to the talk page. For more guidance, see Wikipedia:Translation.
  1. ^ Herz Europas "Christina Pluhar ist eine der innovativsten Musikerinnen der Alte-Musik-Szene, die in ihren Projekten die Grenzen der Musikstile überschreitet und damit wie kaum ein anderer Künstler überzeugt."
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