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Christopher Williams (born 1956) is an American conceptual artist and fine-art photographer.[1] He lives in Cologne and works in Düsseldorf.[2]
Williams was born in 1956 in Los Angeles, California. In the 1970s and early 1980s, he studied at the California Institute of the Arts where he received his B.F.A. and M.F.A. under the first generation of West Coast conceptual artists.[3][4]
Writing in Artforum in 2007, art critic Tim Griffin described Williams's approach as "sociophotographic."[5] It has been said that Williams works within the tradition of institutional critique within what Sven Lütticken describes as an informal group, along with Willem de Rooij, Jeroen de Rijke and Mathias Poledna, that investigates the "parameters of the exhibition space."[6] Chronologically, however, he belongs to The Pictures Generation.[7] In 1982 Williams had his first solo exhibition at Jancar Kuhlenschmidt Gallery in Los Angeles.
Angola to Vietnam is a photography portfolio of glass flowers.[8][9]
In 2000, at an exhibition at David Zwirner Gallery, in New York, Williams showed twenty photographs including a series of pictures of a 1964 Renault automobile on its side. Writing in The New York Times, Ken Johnson said, "the Renault was made in a French factory where significant revolutionary activities took place in 1968; hence it is tipped up like a barricade."[3]
Williams' photographs oftentimes show increasingly obsolescent film-based equipment—cameras, lenses and darkroom gear—as beautiful and precise as catalog product shots. The accompanying text adds detail about how the equipment was used.[10] Made by a professional photographer who follows Williams's directions,[2] the conventionally scaled pictures have the glossy lucidity of excellent commercial photographs.[3]
Since October 2008 he has been a professor in photography at the Kunstakademie Düsseldorf.
Williams' wife is curator and former Stedelijk Museum director Ann Goldstein.[11]
