It is a film adaptation of the pansoriChunhyangga, one of the most notable works in the pansori tradition. To date, there have been more than sixteen works based on this narrative, including three North Korean films. Im Kwon-taek's Chunhyang presents a new interpretation of this oral tradition with a focus towards a more global audience.[2] It is the first Chunhyang adaptation that uses lyrics of pansori as a major part of the screenplay. The film uses the framing device of a present-day pansori narrator who, accompanied by a drummer, sings the story of Chunhyang in front of a responsive audience. The film flashes back and forth between the singer's presentation and scenes of Mongryong.
The film is told through pansori, a traditional Korean form of storytelling that seeks to narrate through song. It is based on Chunhyangga, a traditional Korean folktale and is set in 18th century Korea.
Lee Mongryong, a governor's son, falls in love and marries a beautiful girl Chunhyang Sung, the daughter of a courtesan. Their marriage is kept a secret from the governor who would immediately disown Lee if he found that his son married beneath him. The governor gets posted to Seoul and Mongryong is forced to leave his young wife behind, promising to come back for her when he passes the official exam.
After Mongryong leaves Namwon where Mongryong and Chunhyang first meets, new governor, Byun Hakdo, comes and wants Chunhyang for himself. When she refuses, stating that she already has a husband and will forever remain faithful to her beloved, the governor punishes her by flogging. Meanwhile, back in Seoul, Lee passes the test with the highest score and becomes an officer. Three years have passed and Lee Mongryong returns to the town on the King's mission. There, he finds out that his wife is to be beaten to death on the governor's birthday as a punishment for disobeying his lust. The governor, very corrupted and greedy, is arrested by Mongryong. The two lovers are finally united.[7]
The bed scene between Chunhyang and Mongryong took two days to film because Cho Seung-woo and Hyo-jeong Lee, who had no experience at all, were shy. The two of them didn't know there was a love scene until they started filming, and they were scared, and director Im Kwon-taek gave them homework to come after seeing 'Yellow Hair'.[8]
Critical reception
According to Elvis Mitchell of The New York Times, "Instead the story is freshened through the use of a Korean singing storyteller, a pansori singer, to provide a narration, belting out the song from a stage in front of an audience. The pansori, or song, is performed under a proscenium arch to highlight the ritual elements of folk tales. Even though much of what the pansori tells us unfolds before the cameras at the same moment, the forcefulness of the performance lends another layer of feeling to the picture."[9]
