1995 single by Whigfield
"Close to You" is a song by Italian Eurodance project Whigfield, performed by Danish-born Sannie Charlotte Carlson[2] and released in August 1995 as the fourth single from her first album, Whigfield (1995). It was her first ballad and a top-20 hit in Denmark, Ireland, Spain and the United Kingdom. On the Eurochart Hot 100, it reached number 67.
Critical reception
Larry Flick from Billboard wrote about the song, "Wisely, Whigfield broadens its stylistic palette slightly by issuing a jam fueled by a chugging faux-funk beat. The wall of glistening keyboards raises the sugar quotient of the song's cutie-pie vocals and "ooh-baby-baby" lyrics to potentially diabetic heights. Is it good for ya? Nah! But what guilty pleasure ever is?"[3] James Masterton for Dotmusic viewed it as "a soaring romantic ballad which calls for a powerful voice that Whigfield just about manages to supply."[4] Ross Jones from The Guardian described it as a "Streisand-esque slowie".[5] A reviewer from Music Week gave it two out of five, saying that "after a trio of delightful frothy pop successes, Whigfield goes balladeering but her harsh voice jars with the undoubted sweetness of the song."[6] Johnny Cigarettes from NME called it a "robo-ballad".[7]
Chart performance
Not as successful as her first three singles, "Close to You" still was a moderate hit in Europe. It was a top 20 hit in Denmark (18), Ireland (18), Spain (19) and the United Kingdom. In the latter, the single peaked at number 13 on 10 September 1995, during its second week on the UK Singles Chart.[8] It also entered the top 40 in Iceland (33) and top 100 in Germany (90). On the Eurochart Hot 100, "Close to You" reached number 67.
Music video
A music video was produced to promote the single. It pays homage to the paintings of American artist Edward Hopper such as Automat, Morning Sun, and Office in a Small City. It begins with Carlson glancing and singing at an open window without glass while she is lounging in bed. Other scenes are showing her performing at a grand piano while a man is playing on it. Occasionally, several different people are seen lying, sitting or standing alone on their own by the open window. All of them in the same old style. In the end, these people are sitting next to each other outside, all of them lounging in the sun, finally slowly fading away until the chairs are empty and leaves are blowing in the wind.[9]
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