Closer received positive reviews and grossed $115 million at the box office. It was recognized with a number of awards and nominations, including Academy Award nominations and Golden Globe wins for both Portman and Owen for their performances.
Plot
During a busy morning in London, writer Dan Woolf meets a beautiful American woman after she is hit by a car, not used to the direction of traffic in England. On their walk back from the hospital, they stop by Postman's Park. Dan asks her name, which she gives as Alice Ayres. They soon become lovers.
A year later, Dan has written a novel based on Alice's life. While being photographed to publicise it, he flirts with the American photographer Anna Cameron. They share a kiss before Alice arrives. While she uses the bathroom, Dan tries to persuade Anna to have an affair with him but their conversation is cut short by Alice's return.
Alice then asks Anna if she can have her portrait taken as well. She agrees, so Alice asks Dan to leave them alone during the photoshoot. While being photographed, she reveals to Anna that she overheard them, and she is photographed while crying. Alice does not tell Dan what she heard and their relationship continues, but he spends a year brooding over Anna.
Another year later, Dan enters a cybersex chat room and converses with Larry Gray, a British dermatologist. Still Anna obsessed, Dan pretends to be her, and invites Larry to meet at the aquarium, where he knows Anna often goes. Larry goes to the rendezvous, where he happens to meet her and learns that he is the victim of a prank. Anna tells Larry that Dan was most likely to blame for the setup. Soon, Anna and Larry become a couple.
Four months later at Anna's photo exhibition, Larry meets Alice, whom he recognises from the photograph of her in tears on display. Anna told him that she and Dan are a couple. Dan persuades Anna to become involved with him, and they cheat on their respective lovers for a year, even though Anna and Larry marry halfway through the year. Eventually Anna and Dan each confess the affair to their respective partners, leaving their relationships for one another.
Heartbroken, Alice again becomes a stripper. One day, Larry runs into her by surprise at the strip club. When he asks her real name, she tells him it is Jane Jones. He asks her to have sex with him, but she refuses.
Later, Larry and Anna meet for coffee so he can sign their divorce papers. He bargains with her- if she sleeps with him he will sign the documents and thereafter leave her alone. Anna and Dan later meet and, once she reveals the divorce papers have been signed, he realizes she has had sex with Larry. She did it so he would leave them alone, but Dan is furious and does not trust her.
A distraught Dan later confronts Larry to get Anna back. Larry tells him Anna never filed the signed divorce papers and suggests that he return to Alice. When she takes Dan back and they plan a visit to the United States for a vacation. While in a hotel room at Gatwick Airport celebrating being back together, they talk about how they met. Bringing up Larry, Dan then asks if she had sex with him. She initially denies it but a short while later, she says she does not love him anymore and that she did sleep with Larry. Dan forgives her but Alice insists that it is over and tells him to leave. The argument culminates in Dan slapping Alice.
At the film's end, Larry and Anna are together, and Alice returns to New York City alone. As she passes through the immigration checkpoint on her way back into the States, a shot of her passport shows her real name to be Jane Jones, revealing she had lied about her name during her entire four-year relationship with Dan but had told the truth to Larry, even though he did not believe her. Back in London, Dan returns to Postman's Park and notices the name Alice Ayres on the tiles of the Memorial to Heroic Self-Sacrifice. The Ayres dedication is to a young woman, "who by intrepid conduct" and "at the cost of her own young life," rescued three children from a fire.
The final scene, which resembles the first, shows Jane walking on a New York street alone being stared at by several of the men around her. She crosses a crosswalk that appears to have a "Don't Walk" signal up.
The main theme of the film follows Mozart's opera Così fan tutte, with references to that opera in both the plot and the soundtrack.[2] One of the pivotal scenes develops to the background of the overture to Rossini's opera La Cenerentola ("Cinderella"). The soundtrack also contains songs from Jem, Damien Rice and Lisa Hannigan, Bebel Gilberto, the Devlins, the Prodigy and the Smiths.
The music of Irish folk singer Damien Rice is featured in the film, most notably the song "The Blower's Daughter," whose lyrics has parallels to many of the themes in the film.[5] The opening notes from Rice's song "Cold Water" are also used repeatedly, notably in the memorial park scenes. Rice wrote a song titled "Closer" which was intended for use in the film but was not completed in time.[citation needed]
Reception
Critical reaction
The review aggregator website Rotten Tomatoes gives the film an approval score of 68% based on 212 reviews, and an average rating of 6.60/10. The website's critical consensus states, "Closer's talented cast and Mike Nichols' typically assured direction help smooth a bumpy journey from stage to screen."[6] Another review aggregator, Metacritic, shows a weighted average score of 65 out of 100, based on 42 reviews, indicating "generally favorable reviews".[7]
Roger Ebert, writing for the Chicago Sun-Times, said of the people involved with the film, "[t]hey are all so very articulate, which is refreshing in a time when literate and evocative speech has been devalued in the movies."[8]Peter Travers, writing for Rolling Stone, said, "Mike Nichols' haunting, hypnotic Closer vibrates with eroticism, bruising laughs and dynamite performances from four attractive actors doing decidedly unattractive things."[9]Kenneth Turan of the Los Angeles Times wrote, "[d]espite involved acting and Nichols' impeccable professionalism as a director, the end result is, to quote one of the characters, 'a bunch of sad strangers photographed beautifully'."[10]
The New York Times'A. O. Scott wrote, "[u]nlike most movie love stories, Closer does have the virtue of unpredictability. The problem is that, while parts are provocative and forceful, the film as a whole collapses into a welter of misplaced intensity."[11] In a review on The Atlantic website, Christoper Orr described the film as "flamboyantly bad" and "irretrievably silly, a potty-mouthed fantasy that somehow mistakes itself for a fearless excavation of the dark recesses of the human soul", suggesting that what might have worked on stage came across as "ostentatious melodrama" on film.[12]
In a review from Allmovie, Perry Seibert praised the acting, the direction and the screenwriting, stating that Clive Owen "finds every dimension in his alpha-male character", Julia Roberts "shows not an ounce of movie-star self-consciousness", Natalie Portman "understands [her character] inside and out" and affirming that "[w]ith his superior timing, Nichols allows each of these actors to hit every funny, cruel, and intimate moment in the script". The Guardian's Peter Bradshaw gave Closer a one-star review and stated that Clive Owen was the only actor that portrayed "real emotions" in the film, saying that the other three lead actors could have just been "advertising perfume".[13]
Box office
Closer was released on December 3, 2004 in North America. Closer opened in 476 theaters, but the theater count was increased after the film was released. The film was domestically a moderate financial success, grossing $33,987,757.[1] Huge success followed in the international market, where the film grossed an additional $81,517,270; over 70% of its $115,505,027 worldwide gross. The film was produced on a budget of US$27 million.[1]
