1897 French film
| Paulus chantant |
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| Directed by | Georges Méliès |
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| Starring | Paulus |
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Production
company | |
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Release date | |
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Running time | Five films of 20 meters (66 feet) each[1] |
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| Country | France |
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| Language | Silent |
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Comedian Paulus Singing (French: Paulus chantant) was a series of five French short silent films made in 1897 by Georges Méliès, starring the popular café-concert singer Paulus (real name Jean-Paul Habans, 1845–1908). The films were designed for a café-concert stunt in which Paulus would sing behind the screen as the films were projected, giving the illusion of a sound film.[2] All five films are currently presumed lost.[3]
Summary
The English and French release titles, as well as the Star Film Company catalog numbers, for the films were as follows:[3]
- Comedian Paulus Singing "Derrière l'Omnibus" (Paulus chantant: Derrière l'Omnibus, 88)
- Comedian Paulus Singing "Coquin de Printemps" (Paulus chantant: Coquin de Printemps, 89)
- Comedian Paulus Singing "Duelliste Marsellais" (Paulus chantant: Duelliste marseillais, 90)
- Paulus chantant: Père la Victoire (no English title or catalogue number)
- Paulus chantant: En revenant d'la revue (no English title or catalogue number)
Production and release
Paulus, then nearing the end of his long and celebrated career as a pro-Boulangist entertainer, approached Méliès with the concept for the stunt.[4] The series was filmed at Méliès's theater of illusions, the Théâtre Robert-Houdin in Paris.[2] In order to provide enough light for his film camera, Méliès included fifteen arc lamps and fifteen mercury-vapor lamps in his setup, making the Comedian Paulus Singing series the first known use of artificial light in a motion picture.[4]
Three of the films (Derrière l'Omnibus, Coquin de Printemps, and Duelliste Marsellais) were sold through the catalogs of Méliès's studio, the Star Film Company, for both French and American film markets.[3] The other two, which featured Paulus singing hymns of praise to the controversial political figure Georges Ernest Boulanger, were filmed for the café-concert performance but not included in the Star Film catalogs,[2] as Méliès himself was a fervent anti-Boulangist.[5]
