1982 Australian film
| Crosstalk |
|---|
 Film poster |
| Directed by | Mark Egerton |
|---|
| Written by | Mark Egerton
Linda Lane |
|---|
| Produced by | Errol Sullivan |
|---|
| Starring | Gary Day
Penny Downie
John Ewart |
|---|
| Cinematography | Vincent Morton |
|---|
| Edited by | Colin Waddy |
|---|
| Music by | Chris Neal |
|---|
Production
companies | Wall to Wall Ltd
NSW Film Corporation |
|---|
Release date | 1982 |
|---|
Running time | 83 minutes |
|---|
| Country | Australia |
|---|
| Language | English |
|---|
| Budget | A$1.2 million[1] |
|---|
| Box office | A$26,000 (Australia) |
|---|
Crosstalk is a 1982 science fiction thriller film made in Australia and produced by the New South Wales Film Corporation. Directed by Mark Egerton and starring Gary Day, the film's story bears a resemblance to Rear Window.
Plot
Ed Ballinger is an engineer who uses a wheelchair and is developing a computer system with artificial intelligence called the I-500. After moving into an apartment complex, Ed thinks he witnessed a murder in a neighbouring building.
Production
In 1979 Keith Salvat, who had made the film Private Collection (1972), wrote a script inspired by Rear Window (1954) called High Rise, about a man trapped in a high rise building because of an injury. He received from development money from the New South Wales Film Corporation and wrote early drafts with the assistance of Byron Kennedy. Then Ross Matthews became involved as producer, and the NSWFC agreed to finance the entire movie themselves under the title Wall to Wall...[2]
Just before filming commenced Ross Matthews got another film funded, Hoodwink (1981) and so brought in Errol Sullivan as co-producer. Filming began in 1981 and was marked by difficulties and tensions, particularly between Sullivan and Salvat. Salvat shot for 19 days, then on 31 May 1981 Sullivan and Matthews fired Salvat and replaced him with first assistant director Mark Egerton. Production was shut down for a week while Egerton and Denis Whitburn rewrote the script. Among the changes made were a new opening sequence and removing most of the exteriors so more scenes could be shot in the one set.[1]
Salvat requested that his name be taken off the film and that the title be changed. Errol Sullivan claims that only one or two scenes remain in the final film.[1]
Reception
Filmink magazine said "It’s a film best remembered for the fact that the director was sacked during production."[3]
The Bulletin said the parallels to Rear Window were "both brave and foolish which, for a while, shows signs of coming off. Vincent Monton’s glossy photography and the assurance with which director Mark Egerton frames each shot make Crosstalk a film of great visual flair. Its looks are consistently interesting; its story and performances, sadly, are not."[4]
Box office
Crosstalk grossed $26,000 at the box office in Australia.[5]
