1986 opera by Krzysztof Meyer
| Cyberiada |
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 Krzysztof Meyer, the composer of Cyberiada |
| Other title | Kyberiade |
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| Librettist | Krzysztof Meyer |
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| Language | |
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| Based on | The Cyberiad, short stories by Stanisław Lem |
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| Premiere | |
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Cyberiada (also known by its German title Kyberiade) is an opera in three acts (11 scenes) composed by Krzysztof Meyer to a Polish-language libretto by the composer himself, based on The Cyberiad, a series of science fiction short stories by Stanisław Lem. It won the Grand Prix of the Prince Pierre of Monaco composers' competition in 1970 and was first performed in its entirety on 11 May 1986 at the Opernhaus Wuppertal.
Background and performance history
Meyer's first (and only) opera, Cyberiada was composed between 1967 and 1970. The composer himself wrote the libretto which is based on Stanisław Lem's The Cyberiad, a darkly comic series of science fiction short stories.[1][2][3] The revolutionary approach by Meyer in terms of music included the incorporation of chance into the process of creation known as aleatoricism, and the use of sonorism in orchestration, based on inventing new types of sounds on individual instruments.[2] The opera won the Grand Prix of the Prince Pierre of Monaco composers' competition in 1970. The first act was premiered on Polish television in 1971. The first complete performance of the work took place at the Opernhaus Wuppertal on 11 May 1986 conducted by Jean-François Monnard [fr]. On that occasion, it was performed as Kyberiade in a German translation by Jörg Morgener (pseudonym of Jürgen Köchel). The stage director was Friedrich Meyer-Oertel.[4][5]
The opera was given its Polish premiere and sung in the original Polish at the Grand Theatre, Poznań, on 25 May 2013 in honour of Meyer's 70th birthday. It was the first time the opera had been revived since its premiere in Wuppertal. The Poznań production was directed by Ran Arthur Braun and conducted by Krzysztof Słowiński,[6][7] with space-scenography by Justin C. Arienti.[8]
Synopsis
The setting of the opera is described in German as "Auf der Erde in der Zukunft, im kybernetischen Zeitalter" (On Earth in the future, in the cybernetic era).[9] The libretto follows the "nested stories" ("nested fairy tales") format, with the internal stories corresponding to Lem's original texts.[10]
Queen Genia (Genialina) suffers from melancholy. To cheer herself up, she asks her android Trull (a robotic engineer and a powerful supercomputer, a counterpart of Lem's Trurl) to construct robots who can invent fairytales for her amusement. Three machines each entertain her by telling a different story. This is where fairytales inside a tale begin. However, Trull makes sure that he himself is featured in every one of them.[10]
The first story recounts how Trull builds a supercomputer for Mondrylion (the name is kind of "Smarty-boots" in Polish, named Mandrilius in the German version), the King of the FarTooMany folk.[11] When the King tries to get his new computer to destroy Trull, the wily engineer saves himself by a clever trick.
The second story recounts how the subject of King Voluptatus (Król Rozporyk in Polish, i.e. Zipperupus), a constructor named Chytrian (Listig in German), tries to get rid of him because he has completely lost touch with reality after spending too much time in special giant cupboards which generate erotic dreams.[8]
The third story recounts how Automatthias loses his faith in computers after being shipwrecked on a deserted island. He can find no way to escape, even with help of his miniature computer named "Im Ohr" ("In the Ear"). By the time he is eventually rescued, he has become a lifelong foe of technology.
The final insight resulting from these "ironic utopian reflections" on human existence is that only wisdom and truth can save the world, not the pursuit of progress, perfection, and wealth.[11] In the finale, Trull kills a clone of himself.[1]
