A dactyl is like a finger, having one long part followed by two short stretches.
Metrical feet and accents
◡ ◡pyrrhic, dibrach
◡ –iamb
– ◡trochee, choree
– –spondee
◡ ◡ ◡tribrach
– ◡ ◡dactyl
◡ – ◡amphibrach
◡ ◡ –anapaest, antidactylus
◡ – –bacchius
– ◡ –cretic, amphimacer
– – ◡antibacchius
– – –molossus
See main article for tetrasyllables.

A dactyl (/ˈdæktɪl/; Greek: δάκτυλος, dáktylos, “finger”) is a foot in poetic meter.[1] In quantitative verse, often used in Greek or Latin, a dactyl is a long syllable followed by two short syllables, as determined by syllable weight. The best-known use of dactylic verse is in the epics attributed to the Greek poet Homer, the Iliad and the Odyssey. In accentual verse, often used in English, a dactyl is a stressed syllable followed by two unstressed syllables—the opposite is the anapaest (two unstressed followed by a stressed syllable).[2]

An example of dactylic meter is the first line of Henry Wadsworth Longfellow's epic poem Evangeline (1847), which is in dactylic hexameter:

This is the / forest prim- / eval. The / murmuring / pines and the / hemlocks,

The first five feet of the line are dactyls; the sixth a trochee.

Stephen Fry quotes Robert Browning's poem "The Lost Leader" as an example of the use of dactylic metre to great effect, creating verse with "great rhythmic dash and drive":[3]

Just for a handful of silver he left us
Just for a riband to stick in his coat

The first three feet in both lines are dactyls.

Another example is the opening lines of Walt Whitman's poem "Out of the Cradle Endlessly Rocking" (1859), a poem about the birth of the author's poetic voice:

Out of the cradle, endlessly rocking [a dactyl, followed by a trochee ('cradle'); then another dactyl followed by a trochee ('rocking')]
Out of the mockingbird's throat, the musical shuttle [2 dactyls, then a trochee ('throat, the'); then another dactyl, followed by a trochee]
. . .

The dactyl "out of the..." becomes a pulse that rides through the entire poem, often generating the beginning of each new line, even though the poem as a whole, as is typical for Whitman, is extremely varied and "free" in its use of metrical feet.

Dactyls are the metrical foot of Greek and Latin elegiac poetry, which followed a line of dactylic hexameter with dactylic pentameter.

In the opening chapter of James Joyce's novel Ulysses (1922), a character quips that his name is "absurd": "Malachi Mulligan, two dactyls" (Mal-i-chi Mull-i-gan).

Dactyls in Contemporary Poetry

The anthology Measure for Measure: An Anthology of Poetic Meters collects a number of contemporary as well as classic poems in dactylic meter.[4] Recent dactylic poems in the meter online include "Moon for Our Daughters" and "Love in the Morning" by Annie Finch,[5][6] and "Song of the Powers" by David Mason[7]

See also



  1. ^ "Dactyl - Examples and Definition of Dactyl". Literary Devices. 2015-03-13. Retrieved 2021-06-02.
  2. ^ "What is Poetic Meter? Oregon State Guide to Literary Terms". College of Liberal Arts. 2020-04-19. Retrieved 2021-06-02.
  3. ^ Stephen Fry (2006), The ode less travelled: unlocking the poet within, Gotham, p. 84, ISBN 978-1-59240-248-9
  4. ^ Annie Finch and Alexandra Oliver (2023), Measure for Measure: An Anthology of Poetic Meters, Everymans Library, ISBN 978-0-375-71248-7
  5. ^ "Moon for Our Daughters? Academy of American Poets Poem-a-Day". poets.org. 2023-08-14.
  6. ^ "Love in the Morning Academy of American Poets Poem-a-Day". poets.org. 2023-08-14.
  7. ^ "Song of the Powers Poetry Foundation". poetryfoundation.org. 2023-08-14.
  8. ^ Kiparsky, Paul; Youmans, Gilbert (2014-05-10). Rhythm and Meter: Phonetics and Phonology, Vol. 1. Academic Press. ISBN 978-1-4832-1853-3.
  9. ^ Fraser, Nettie May (1930). A Study of Meter in Goethe's Faust. University of Wisconsin--Madison.
  10. ^ Finch, Annie (1993). The Ghost of Meter: Culture and Prosody in American Free Verse. University of Michigan Press. ISBN 978-0-472-10405-5.
  11. ^ Finch and A. Oliver, Annie (2015). Measure for Measure: An Anthology of Poetic Meters. Random House. ISBN 978-0-375-71248-7.