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((More citations needed|date=January 2021))
((italic title))
((Use dmy dates|date=September 2022))
'''''De natura sonoris''''' (''On the nature of sound'') is the title of three works by the Polish composer [[Krzysztof Penderecki]].

''De natura sonoris no. 1'' (the number was appended later) was composed in 1966. The title was inspired by [[Lucretius]]'s ''[[De rerum natura]]'' (''On the nature of things''). As the title suggests, it is a vigorous exploration of wildly divergent orchestral effects and dynamics. It was premiered on 7 April 1966 at the International Festival of Contemporary Art in the [[France|French]] town of [[Royan]].

''De natura sonoris no. 2'' was composed five years later to a commission by the [[Juilliard School of Music]] in [[New York City|New York]]. Penderecki again took up the theme of vividly contrasting orchestral colouration, including unusual [[percussion|percussive]] effects: an iron bar is struck by implements such as a [[hammer]] and a [[saw]]. It was premiered on 3 December 1971 at Juilliard under the conductor [[Jorge Mester]].

Both pieces are approximately eight minutes in length each, with ''De natura sonoris no. 2'' being the longer of the two. In 1975 the composer recorded both works with the [[Polish Radio National Symphony Orchestra]] for [[EMI Classics|EMI]]. Both of these pieces featured in the Stanley Kubrick film ''[[The Shining (1980 film)|The Shining]]''.<ref>((cite web |url=http://www.archiviokubrick.it/risorse/saggi/The_Music_in_The_Shining.pdf |title=The Music in The Shining |first=Valerio |last=Sbravatti |access-date=30 August 2022))</ref>

In 2012, Penderecki composed ''De natura sonoris no. 3''.

==References==
((Reflist))

((Krzysztof Penderecki))

[[Category:1966 compositions]]
[[Category:1971 compositions]]
[[Category:Compositions by Krzysztof Penderecki]]
[[Category:Compositions that use extended techniques]]

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