Debravation is the fourth solo album by American singer Deborah Harry, released in July 19, 1993. It was the final album Harry made whilst signed to the Chrysalis label, thus ending a successful partnership that began with her time as a member of Blondie and had endured for over 15 years. The album reached No. 24 in the UK Albums Chart.
The US version of the album contains two additional tracks, including "My Last Date (With You)", which features instrumental backing from R.E.M.
Speaking of the album, Harry told Melody Maker in 1993, "The album I originally wanted to make was quite different from the one that came out in the end. There were lots of people involved in producing and arranging it and it became perhaps a bit too polished. It was supposed to be a lot more raw. It's come out kind of interesting, though."[8]
Single releases
The first single from the album was the dance track "I Can See Clearly", which reached No. 23 in the UK.[9] The second single, ballad "Strike Me Pink", had a controversial promotional video that was banned[citation needed] for being too disturbing – it featured a man in a glass tank filled with water, as Harry sits and watches him drown.
Critical reception
In the UK, Chris Roberts of Melody Maker considered Debravation to be a "sensible attempt to consolidate fields ploughed" by Harry's previous album Def, Dumb & Blonde (1989), but also noted the lack of cohesion, calling it "something of a Jill of all trades – rock, pop, dance, rap etc". He felt the album's "great moments" were "as good as anything in the history of pop" and selected "Communion" as the album's "zenith", noting it boasts the "most irresistible chorus" since the Bee Gees' "Tragedy". He also praised "Stability", calling it the "Nineties kid sister" to Blondie's "Rapture", and "Strike Me Pink", with its "hovering 'Brite Side' haze".[10] Stephen Dalton of NME described the album as a "saddening affair" on which Harry "too often seems to be imitating her imitators". He felt it is "poorly stocked with effortless techno gliders" such as the "svelte" "Lip Service" and "top-heavy with rock-funk chuggers" like the "middling, could-do-better first single", "I Can See Clearly". He noted that the "sweet pop-rap confection" "Stability" recalls Blondie's "Rapture", but added that the song, along with "a handful of New Wave guitar gushers" are "all stamped with a desperate longing for past glory", and that "even potentially oddball experiments like the William Gibson collaboration ["Dog Star Girl"] sound graceless and mechnical".[4]
In 1994, Harry released independently a different version of the album, entitled Debravation (8½) Producer's (Director's) Cut.[11] According to her official website, this was the original version of the album, which was presented to Sire and rejected. When they opted for a different track listing and different mixes, Harry had a limited number of copies of Debravation (8½) Producer's (Director's) Cut pressed and sold them at her concerts and through her website. It contained two identical tracks to the official release, but also included alternate versions, as well as tracks that were used as B-sides, and some previously unreleased material.
The musicians for the Producer's Cut were Chris Stein (guitar and programming), Pete Min (guitar), Leigh Foxx (bass) and Geoff Dugmore (drums). On the live version of "Black Dog", the musicians were Steve Barnacle (bass); Carrie Boothe (keyboards); Geoff Dugmore (drums); Karl Hyde (guitar); and Melissa Poole-Stein (backing vocals). This version was engineered and mixed by Adam Yellin and produced by Chris Stein.
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