Deirdre Heddon (born 1969), is Professor of Contemporary Performance at the University of Glasgow (UK). She is a practice-based researcher and has published articles in peer-reviewed journals, as well as academic monographs and book-chapters. She is well known for her interest in autobiographical performance, site-specific performance and walking art.
Heddon is the author of multiple books, book chapters and journal articles. She authored Autobiography and Performance, and co-author of Devising Performance: A Critical History (both published by Palgrave Macmillan).[1][2] Her edited collection, Histories and Practices of Live Art, co-edited with Jennie Klein, was published in 2012 by Palgrave Macmillan.[3]
Heddon has written a number of texts about walking and performance, and is connected with the Walking Artists Network.[4] She contributed a chapter to Walking, Writing and Performance: Autobiographical Texts,[5] and has written a number of articles about walking and performance, including, ‘Walking and Friendship’ (2012);[6] Walking Women: Interviews with Artists on the Move;[7] Women Walking: Shifting the Tales and Scales of Mobility (2012), with Cathy Turner;[8] and The Horizon of Sound: Soliciting the Earwitness (2010).[9] She also co-edited a themed edition of RIDE: A Journal of Applied Drama, which focused on applied theatre and environmentalism (2012). Heddon is co-editing a newly launched series for Palgrave Macmillan, Performing Landscapes, for which she is writing Performing Landscapes: Forests.
Heddon undertakes practice-based research, much of it in relation to walking. Her project, Walking Interconnections, extends her interest in walking and environmentalism to questions around disability as well.[10] With Misha Myers she created The Walking Library (2012-ongoing),[11] an artwork and research project that 'brings libraries into the landscape through site-specific walks.'[4]:287 In recognition of her fortieth birthday she devised 40 Walks, for which she organised forty walks with forty different people.[12]
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