.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}@media all and (max-width:500px){.mw-parser-output .hidden-begin{width:auto!important;clear:none!important;float:none!important))You can help expand this article with text translated from the corresponding article in Dutch. (May 2009) Click [show] for important translation instructions. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Dutch Wikipedia article at [[:nl:Dood water]]; see its history for attribution. You may also add the template ((Translated|nl|Dood water)) to the talk page. For more guidance, see Wikipedia:Translation.
Dood Water
Directed byGerard Rutten
Written bySimon Koster, Gerard Rutten
Distributed byMetro-Goldwyn-Mayer
Release date
  • 26 October 1934 (1934-10-26)
Running time
106 minutes
CountryNetherlands
LanguageDutch

Dood Water is a 1934 Dutch drama film directed by Gerard Rutten.

Cast

Reception

The film won the Coppa Istituto Luce at Venice Film Festival (1934), for best cinematography, by Andor von Barsy.

Writing for The Spectator, Graham Greene praised the film's documentary prologue as "an exciting piece of pure cinema", and commented that the story which follows "has some of the magnificent drive one felt behind the classic Russian films, behind Earth and The General Line: no tiresome 'message', but a belief in the importance of a human activity truthfully reported". Greene also noted, however, that "the photography is uneven: at moments it is painfully 'arty', deliberately out of focus".[1]

References

  1. ^ Greene, Graham (6 September 1935). "Dood Wasser/Me and Marlborough". The Spectator. (reprinted in: Taylor, John Russell, ed. (1980). The Pleasure Dome. pp. 18–19. ISBN 0192812866.)