Doris Emrick Lee (February 1, 1905 – June 16, 1983) was an American painter known for her figurative painting and printmaking. She won the Logan Medal of the Arts from the Chicago Art Institute in 1935. She is known as one of the most successful female artists of the Depression era in the United States.[1]
General Store and Post Office (1938), mural by Doris Emrick Lee at the Clinton Federal Building, Washington, D.C.
During the 1930s, she was commissioned to create several murals by the United States Treasury Department in Washington, DC. In 1937, Lee painted two murals in the Main Post Office in Washington, DC, and another in the Summerville, Georgia, Post Office.[3] That same year the Metropolitan Museum of Art acquired her 1936 painting Catastrophe for its permanent collection.[4] Her 1935 painting "Noon", was referenced in Vladimir Nabokov's book Lolita.[5][6] During the 1930s and 1940s she created a number of lithographs for the Associated American Artists. During the late 1940s and early 1950s, Lee undertook several commissions for Life magazine, including articles and illustrations on travel to such places as North Africa, Mexico, and Cuba. During this time, her work became much more stylized with more concern to color and pure forms.
During the 1960s, Lee retired from painting and later died in Clearwater, Florida, in 1983.[2] In addition to the Art Institute of Chicago, the Rhode Island School of Design, and The Metropolitan Museum of Art, Lee's work can be found in many public collections, including the Whitney Museum of American Art, Phillips Collection, Washington, DC, Cleveland Museum of Art, Pennsylvania Academy of the Fine Arts, National Museum of Women in the Arts,[7] and the Greenville County Museum of Art, Greenville, South Carolina. A traveling retrospective entitled "Simple Pleasures: The Art of Doris Lee", is planned for 2021-2023, and a related exhibit is at the Wigmore Fine Art Gallery in Manhattan in January 2022.[5]
Thanksgiving
In 1935, Doris Lee's bustling scene of women preparing a Thanksgiving feast became the object of national headlines when it was first exhibited at the Chicago Art Institute and won the prestigious Logan Medal of the Arts.[2] The themes of Thanksgiving, rural customs, and family life, which Lee painted in a deliberately folksy manner, would have had great appeal to a country still in the midst of the national devastation of the Great Depression.[8] Her painting offered a quaint model of domesticity that appealed to those who were tired of the complication of modern life in the 1930s.[2] To a generation exhausted with the trials of economic hard times, the return to a simpler past became more desirable as the search for a new national identity continued.[2] Her work received public and critical acclaim for its earthy qualities and sense of humor. One critic described her paintings as "fresh, with the charm of innocence". Thanksgiving celebrates the joys of family ties. The bustling kitchen is filled with life and love as a group of women prepares the annual feast.[8] Yet Josephine Logan, the donor of the prize, condemned the work's broad, exaggerated style and founded the conservative Society for Sanity in Art movement in response.[8] This controversy only brought Lee fame, and Thanksgiving has been recognized as one of the most popular nostalgic views of this American ritual.
^The Phillips Collection (2013). Made in the U.S.A.: American art from the Phillips Collection 1850-1970. Susan Behrends Frank. New Haven : Washington, D.C: Yale University Press ; The Phillips Collection. ISBN9780300196153.
^ abcdefgManhattan., D. Wigmore Fine Art, Inc. is an American art gallery located in Midtown. "Doris Lee | D. Wigmore Fine Art". www.dwigmore.com. Archived from the original on April 6, 2018. Retrieved April 5, 2018.((cite web)): CS1 maint: multiple names: authors list (link)
