Eclipsed is a play written by Danai Gurira. It takes place in 2003 and tells the story of five Liberian women and their tale of survival near the end of the Second Liberian Civil War. It became the first play with an all-black and female creative cast and team to premiere on Broadway.
Eclipsed premiered at Woolly Mammoth Theatre Company[1] in Washington, DC in 2009, then opened in London at the Gate Theatre in April 2015 in a production starring Letitia Wright.[2] An American Off-Broadway production followed shortly afterwards at The Public Theater in October 2015 with positive reviews and ran until November 2015. The following year, it transferred to Broadway, premiering at the John Golden Theatre with an opening on March 6, 2016. Its Broadway run closed on June 19, 2016.[3]
Synopsis
Eclipsed takes place in the country of Liberia in 2003 at a bullet-ridden one room shack, which serves as an army camp for the rebel group called Liberians United for Reconciliation and Democracy (LURD), which aimed to depose Charles Taylor, the then president of Liberia. The unseen Commanding Officer kidnaps two young women (Helena & Bessie) and makes them his "wives" by forcing them to have sex with him whenever he wants it. The women are helping to care for a bright 15-year-old (The Girl), who has also been abducted and raped after being discovered by the C.O.. Soon, Maima returns from the battlefield, where she was fighting as a soldier. She tries to convince The Girl to leave the C.O. and become a soldier with her. Rita, who works for a peace organization, makes occasional visits at the compound to end conflict. The Girl now seems to resign herself to her new life in the compound with limited options to choose from—stay with an abusive C.O. or become a soldier, while the others will try to make sense of this difficult situation.
Development and productions
Eclipsed was penned by Zimbabwean American actress and playwright Danai Gurira.
Gurira's inspiration for the play was a photo of Black Diamond, a female Liberian freedom fighter, in The New York Times. The image prompted curiosity about Liberia's fourteen-year civil wars and a trip to Liberia in 2007. Gurira interviewed more than 30 women—who had been raped, among whose daughters that had been taken by rebel fighters and turned into sex slaves. She also spoke to female peace activists who were instrumental in ending the violence. The names of the women in Eclipsed come from the people Gurira met during her travels, whereas the fifth character is unnamed.[4]
While filming The Walking Dead in Atlanta, Georgia, Gurira traveled back and forth to New York City, where she was preparing for The Public Theater's run of Eclipsed.[4] The production was added to The Public Theater's 2015–16 season and it began Off-Broadway previews on September 29 with an opening night for October 14 at The Public's LuEsther Theater. The play was directed by Liesl Tommy and it starred Lupita Nyong'o as The Girl, Saycon Sengbloh as Helena, Akosua Busia as Rita, Zainab Jah as Maima, and Pascale Armand as Bessie.[8]Eclipsed was extended several times until the play closed on November 29, 2015.[9] It became The Public's fastest-selling new production in recent history.[10]
The Off-Broadway production of Eclipsed transferred to Broadway at the John Golden Theatre, with cast reprising their respective roles. Tommy, who directed The Public Theater's production, directed the Broadway production. Eclipsed began previews on February 23, 2016, with an official opening on March 6, 2016. The play marked the Broadway debut for Nyong'o, who turned down Hollywood films to bring the production to Broadway.[9][11] The production was a limited engagement and closed on June 19, 2016, after 14 previews and 121 regular performances.[3]
Gurira and Tommy joined the cast of Eclipsed in June 2016, where they surprised the audience during the curtain call live on Facebook to announce plans for Carole Shorenstein Hays to bring the production to the West Coast at the Curran Theatre in San Francisco, California for a limited engagement in Spring 2017.[12]
Sengbloh left the Off-Broadway show and was replaced by Stacey Sargeant on November 3 until the end of the production.[16] She made her return as the role of Helena in the Broadway production.
The production received positive reviews On and Off-Broadway. Charles Isherwood of The New York Times wrote a rave review, stating "The superlative performances from all five actors, under Ms. Tommy's sensitive direction, draw us so deeply into the lives of the women that this darkness nevertheless flickers with glimmers of light, humanity and even hope." Isherwood went on to praise Nyongo's performance: "Ms. Nyong'o delivers this harrowing monologue with a disoriented sense of helplessness and shame that cuts to the bone."[26] Adam Feldman of Time Out New York gave the play four stars and wrote that "all four of the actors portraying these women are superb; Nyong'o is as radiant as one would expect from this rising star, but the others shine as brightly".[27]Marilyn Stasio ofVariety wrote: "...the play gives voice to women ranging from the wives of warlords to activists in Women of Liberia Mass Action for Peace..."[28]
Robert Kahn of NBC New York described Eclipsed as a "colorful and fiery drama".[29] Jeremy Gerald of Deadline wrote: "Eclipsed is a major achievement - a scorching work about women and war whose humor burnishes rather than undermines its seriousness of purpose. And it features a ferociously committed ensemble performances staged with power and finesse by Leisl Tommy".[30] Leah Greenblatt of Entertainment Weekly felt the script didn't match up to the cast. However, she went on and praised the performances: "Nyong'o is captivating to watch, as are all the women in the cast....the overall impact is still startling..."[31]Los Angeles Times critic Charles McNulty praised Nyong'o's performance as: "This is an ensemble piece, not a star vehicle, but Nyong'o can't help standing out even as the girl becomes a fully fledged member of this unenviable community of war-ravaged women. Her plight is terrifying, and Nyong'o makes the tragedy achingly personal."[32]
