Egon Wilden (8 December 1894, in Düsseldorf – 7 September 1931, in Ahlen, Westphalia) was a German painter and set-designer.
Wilden began his studies at the Kunstakademie Düsseldorf, but they were interrupted until 1919 by World War I. One of his most important teachers there was Heinrich Nauen, a proponent of Rhenish Expressionism. His work was influenced by that school and other trends of the time. Watercolours and pastels formed a major part of his oeuvre. He received early recognition as a set-designer around the time of the 1919–20 season at the Schauspielhaus Düsseldorf, which developed into one of the most modern theatres in the German-speaking world under the direction of Louise Dumont and Gustav Lindemann. He was later taken on by theatres in Herne, Gera, Hagen, Barmen-Elberfeld and Cologne, producing a total of around two hundred set designs, featuring vivid colours and often vertical emphases, front-facing architectural motifs and perspectives creating several illusory rooms.
He left the theatre behind in 1930 to work as an independent artist, though he did marry the actress Hedwig Sparrer.[1] He moved into a studio in an artists' house in Düsseldorf-Stockum in January 1931 but in the summer of that year his health began to deteriorate. He died soon afterwards whilst staying with friends in Ahlen.[2] His work remained largely unknown until 2005, when his niece donated a large collection of his paintings and drawings to the Förderkreis of the Kunstmuseum Ahlen. Since then his works have been the subject of several exhibitions.[3][4]
