Eldorado is the first complete ELO concept album; bandleader Jeff Lynne conceived the storyline before he wrote any music.[2] The plot follows a Walter Mitty-like character who journeys into fantasy worlds via dreams, to escape the disillusionment of his mundane reality. Lynne began to write the album in response to criticisms from his father, a classical music lover, who said that Electric Light Orchestra's repertoire "had no tune".[3] The influence of The Beatles is prevalent, especially in the melody of the verse of "Mister Kingdom" which to some degree resembles the Beatles' "Across the Universe".[citation needed]
Recording
Eldorado marks the first album on which Jeff Lynne hired an orchestra; on previous albums band members would play strings using multitracked overdubbing.[2]Louis Clark co-arranged, with Lynne (and keyboardist Richard Tandy), and conducted the strings. The group's three resident string players continued to perform on recordings, however, and can be heard most prominently on the songs "Boy Blue" and "Laredo Tornado". Mike de Albuquerque departed early on in the recording process, as touring made him feel separated from his family. Lynne plays most of, if not all, the bass tracks and backing vocals for the album, but de Albuquerque still featured on the final release as well as getting credited. Kelly Groucutt replaced him for the subsequent tour, when cellist Melvyn Gale also joined (replacing the departing Mike Edwards). "Eldorado Finale" is heavily orchestrated, much like "Eldorado Overture". Jeff Lynne said of the song, "I like the heavy chords and the slightly daft ending, where you hear the double bass players packing up their basses, because they wouldn't play another millisecond past the allotted moment."[2][verification needed]
Cover design
The cover, designed by John Kehe, is a mirrored still frame of Dorothy's ruby slippers from the 1939 movie The Wizard of Oz.[4]
Bruce Eder of Allmusic who gave a 5 out of 5 star rating opined "Eldorado was strongly reminiscent in some ways of Sgt. Pepper's Lonely Hearts Club Band. Not that it could ever have the same impact or be as distinctive, but it had its feet planted in so many richly melodic and varied musical traditions, yet made it all work in a rock context, that it did recall the Beatles classic."[5] Ken Barnes of Rolling Stone also noted "The Electric Light Orchestra has sometimes swamped itself in grandiose conceptions, and Eldorado (A Symphony) sounds like a prime opportunity to do it again. But thanks to strong original songs, Eldorado emerges as something of a triumph for the group."[8]
Chuck Hicks of PopMatters wrote in his retrospective review "Eldorado (named for the mythical, gilded king of a golden kingdom) struck a responsive chord, breaking through like sunlight on the buried desires of the discouraged and disillusioned ’70s audience. Thankfully, Sony’s Epic/Legacy label has reissued a gorgeous digital remaster of this album, which will carry its timeless message to another lost generation." Hicks continued saying "Eldorado was the first of many successful ELO albums that had in mind “the mission of the sacred heart”, a shimmering, purlined call to hold on tight to our dreams."[10]
Commercial reception
"Can't Get It Out of My Head" was released as a single (with "Illusions in G Major" as the B-side) and was a success in the US.[11] An edited version of "Boy Blue" was released as the album's second single, but failed to make any commercial impact. The album was certified Gold in the United States soon after its release. The album and singles, however, failed to find a wide audience in the band's native United Kingdom.[citation needed]
^Pennanen, Timo (2006). Sisältää hitin – levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 (in Finnish) (1st ed.). Helsinki: Kustannusosakeyhtiö Otava. ISBN978-951-1-21053-5.
