Elizabeth Fritsch
Born
Elizabeth Hughes

1940 (age 83–84)
Whitchurch, Shropshire,England
NationalityBritish
Education
Known for
Movement
Spouse
Jean Mathis-Fritsch
​
​
(m. 1966; div. 1971)​
Children2
AwardsCBE
ElectedSenior Fellow Royal College of Art
Websitewww.elizabethfritsch.com

Elizabeth Fritsch CBE (born 1940) is a British studio potter and ceramic artist born into a Welsh family in Whitchurch on the Shropshire border.[1] Her innovative hand built and painted pots are often influenced by ideas from music, painting, literature, landscape and architecture.[2]

Biography

Hand-built pot by Elizabeth Fritsch

Elizabeth Fritsch is a studio potter and ceramic artist. She uses fine technically proficient hand built coiling techniques; architectural ceramic form, optical effects and surface design which, are usually hand painted with coloured slips.[3] The stoneware are biscuit fired and often re-fired a number of times. Each Fritsch pot is unique, individual and distinctive. They are usually displayed in selected groups and themes set to the artist's requirements.

Fritsch initially studied at the Birmingham School of Music studying harp, and then piano at the Royal Academy of Music from 1958 to 1964; but she later took up ceramics under Hans Coper and Eduardo Paolozzi at the Royal College of Art from 1968 to 1971.[4] Adopting her career name from her marriage to Jean Mathis-Fritsch (m.1966-71) she had a son Bertie born in 1966. In the seventies Fritsch, was one of the first of a group of progressive 'New Ceramics' to emerge from the Royal College of Art, along with other ceramicists including Alison Britton, Carol McNicoll and Jacqueline Poncelet. Under David Queensbury, the group formed a shift and influence in British ceramic art, breaking away from the more traditional forms, colour, design and function of the more utilitarian ceramics that had preceded. Fritsch lived and worked at Digswell Arts Trust from 1975 to 1983. Her daughter Ruby Hughes was born in 1980 and in the same year was awarded the John Ruskin Bursary for a fictional archaeology project. This project went into developing an important new body of work and shift in the artist career.'Pots from Nowhere'(fictional archaeology) was shown at the Royal College of Art by Queensberry Hunt in 1984.

In 1985, Fritsch set up a studio in London.[5] Since her first show in 1972, Fritsch has had a number of solo shows. In 1996 and 2001 she was shortlisted for the Jerwood Prize for Ceramics. Fritsch's work is represented in major art collections and museums in more than nine countries and her work is represented in major British art museum collections.[6][7] A major retrospective was held at the National Museum Cardiff, in 2010, featuring a complete range of her most significant studio pottery and recent pieces. Since the late 1970s Fritsch has considered "the space between the second and third dimensions", in her work; a concept she first described as "two-and-a-half dimensions" with her distinctive rhythmic patterns and optical effects.[8] Dynamic Structures: Painted Vessels also marked her 70th birthday.[9] A co-curated solo exhibition of selected studio works was presented at Frieze Masters - Frieze Art Fair in October 2023 at Regents Park, London by Adrian Sassoon Gallery, October 11-15th 2023 within Luke Syson's Stand Out section exploring the juxtapositions and use of colour.

Awards

Museum and public collections

Solo exhibitions

Bibliography

  1. Edward Lucie-Smith on Elizabeth Fritsch: Vessels from another World, Metaphysical pots Painted Stoneware, Bellew Publishing, 1993. ISBN 1-85725-098-2 ISBN 978-1-85725-098-5
  2. Peter Dormer and David Cripps “Elizabeth Fritsch in Studio – A view”, In Studio Series, Bellew, London, 1985. ISBN 978-0-947792-04-6
  3. Elizabeth Fritsch, pots about music. Authors: Elizabeth Fritsch, David Cripps, Leeds City Art Gallery (England), David Queensberry, Alison Britton, Ian Bennett. Publisher, Leeds Art Galleries, 1978, ASIN B0007AT9X2
  4. E. Cameron & P. Lewis, Potters on Pottery, Elizabeth Fritsch, pgs. 62-69 Evans Brothers, London 1976. ISBN 0-312-63280-0

Articles

  1. The Wall Street Journal "A New Spin on Ceramics" by Margaret Studer, 18 May 2006
  2. Moira Vincentelli Women & Ceramics, Gendered Vessels, Manchester University Press, 2000, p. 249. ISBN 0-7190-3840-5, ISBN 978-0-7190-3840-2
  3. Garth Clark The Potter's Art, Phaidon 1995, pp. 200–201. ISBN 0-7148-3202-2, ISBN 978-0-7148-3202-9
  4. John Houston The Abstract Pot forms of expression and decoration by nine artist potters, Bellew Publishing, 1991.
  5. Fischer Fine Art (1986) Nine Potters: Bernard Leach, Katherine Pleydell-Bouverie, Michael Cardew, Hans Coper, Lucie Rie, Elizabeth Fritsch, Ewen Henderson, Elizabeth Raeburn, Claudi Casanovas, Catalogue of an exhibition held at Fisher Fine Art, 1986. ASIN B001ON0RX2
  6. John Russell Taylor, "Elizabeth Fritsch: Pots About Music" Ceramic Review, 58 Jul/Aug 1979 pgs 30–33.
  7. J.D.H. Catleugh "Recent Pots: Improvisations from Earth to Air", Ceramic Review, 44 Mar/Apr 1977 pg 7.

Broadcasts and podcasts

British library, Sounds Oral History, On 6 July 2004, (1 of 14) National Life Stories Collection: Crafts' Lives

BBC Private Passions, Classic Arts Production, On 14 April 2001 Michael Berkeley's guest was Elizabeth Fritsch

Victoria and Albert Museum, London, Ceramic Points of View: 'Optical Pot', by Elizabeth Fritsch Video Podcasts[18]

References

  1. ^ Emmanuel Cooper, Ten Thousand Years of Pottery (British Museum Press, 2000) ISBN 0-7141-2701-9
  2. ^ "Elizabeth Fritsch Ceramics Collection". Prifysgol Aberystwyth University. Archived from the original on 8 July 2011. Retrieved 23 November 2010.
  3. ^ Ceramics Masterclass by Louisa Taylor, published Thames and Hudson Ltd; 01 Edition (6 Aug. 2020), ISBN 978-0500295717
  4. ^ "Elizabeth Fritsch | Artists | Collection | British Council − Visual Arts".
  5. ^ Fritsch, Elizabeth. "Biography". Archived from the original on 12 February 2005. Retrieved 23 November 2010.
  6. ^ "British Council Artist". Archived from the original on 5 April 2012. Retrieved 24 October 2011.
  7. ^ "Elizabeth Fritsch". Galerie Besson. Retrieved 23 November 2010.
  8. ^ Between Dimensions: The representation of the object Archived 2011-11-21 at the Wayback Machine, MIMA, 25 November 2011 – 24 February 2012
  9. ^ Dynamic Structures: Painted Vessels by Elizabeth Fritsch, published by the National Museum of Wales, October 2010, ISBN 978-0-7200-0611-7
  10. ^ "Jerwood Applied Arts Prize 2001: Ceramics". Archived from the original on 3 October 2018. Retrieved 3 October 2018.
  11. ^ The Gazette: Official Public Record: 1995
  12. ^ "Royal College of Art: Senior Fellows". Archived from the original on 27 October 2020. Retrieved 3 October 2018.
  13. ^ Post Office Stamps:1987
  14. ^ Cardiff Elizabeth Fritsch collection at the National Museum
  15. ^ V&A Collections Saxophone and Piano Duo, Pair of vases 1978 (made)Stoneware, with matt C.160-1979 Gallery location: Studio Ceramics, room 142, case 1, shelf 2
  16. ^ A Box Bottle ca. 1974 Stoneware Dimensions: H. 15, W. 9 inches (38.1 x 22.9 cm.)
  17. ^ Elizabeth Fritsch: The Fine Art Society, London, in association with Joanna Bird Pottery. Published by The Fine Art Society, in association with Joanna Bird Pottery, for the exhibition Elizabeth Fritsch, 12 – 27 Nov 2008, ISBN 978-0-905062-57-0
  18. ^ 'Ceramics Points of View' collaboration between The National Electronic and Video Archive of the Crafts and the V&A. Elizabeth Fritsch, 'Optical Pot', stoneware, height 311mm, width 232mm, 1980. Museum no. C.13-1981
Categories