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((short description|Composition by Ralph Vaughan Williams))
((italic title))
((EngvarB|date=September 2013))
((Use dmy dates|date=September 2013))
((more citations needed|date=August 2013))
'''''English Folk Song Suite''''' is one of English composer [[Ralph Vaughan Williams]]' most famous works. It was first published for the [[military band]] as '''''Folk Song Suite''''' and its premiere was given at [[Kneller Hall]] on 4 July 1923, conducted by Lt Hector Adkins.<ref>Timothy Reynish, notes for ''British Wind Band Classics'', [[Chandos Records]] 9697, 1999 – [http://www.chandos.net/pdf/CHAN%209697.pdf PDF] ((webarchive|url=https://web.archive.org/web/20110927154135/http://www.chandos.net/pdf/CHAN%209697.pdf |date=27 September 2011 ))</ref> The piece was then arranged for full orchestra in 1924 by Vaughan Williams' student [[Gordon Jacob]] and published as ''English Folk Song Suite''. The piece was later arranged for [[British brass band|British-style brass band]] in 1956 by Frank Wright and published as ''English Folk Songs Suite''.<ref name=B&H18233>Published score by Boosey & Hawkes, 1956, ref. B&H 18233</ref> All three versions were published by [[Boosey & Hawkes]]; note the use of three different titles for the three different versions. The suite uses the melodies of nine English folk songs, six of which were drawn from the collection made by Vaughan Williams’ friend and colleague [[Cecil Sharp]].<ref>Garofalo, Robert J. [Ed] (2013) ''Folk songs in the English Folk Song Suite by Ralph Vaughan Williams'', Silver Spring: Whirlwind Music</ref><ref name="Garofalo">Garofalo, Robert and Graebe, Martin (2014) ‘Focus on Repertoire: Folk songs in Ralph Vaughan Williams' English Folk Song Suite’, ''WASBE World'', Vol 6, No 1</ref><ref>Harvey, Adam, English Folk Songs and Other Traditional Tunes in the Works of Ralph Vaughan Williams: A Checklist (2012) ''Journal of the Ralph Vaughan Williams Society'', no. 54</ref>

== Structure ==
The suite consists of three [[movement (music)|movements]]: [[March (music)|March]], [[Intermezzo]] and another March. The first march is called "[[Seventeen Come Sunday]]", the Intermezzo is subtitled "[[My Bonny Boy]]" and the final movement is based on four "Folk Songs from Somerset".

It originally had a fourth movement, "[[Sea Songs]]", which was played second, but the composer removed it after the first performance and published it separately, with his own orchestration.

=== March: "Seventeen Come Sunday" ===
''Seventeen Come Sunday'' opens after a four-bar introduction with the principal [[melody]] – the folk song "[[Seventeen Come Sunday]]"<ref name=Kennedy>[[Michael Kennedy (music critic)|Kennedy, Michael]]: ''A Catalogue of the Works of Vaughan Williams'', Oxford University Press, 1964, p. 103</ref> ([[List of folk songs by Roud number|Roud]] 277) – played by the woodwind section (flutes in orchestrated version). This melody is repeated, and the woodwind is joined by the brass (violins in orchestrated version). The [[musical phrasing|phrasing]] is irregular – the melody lasts for thirteen bars. Vaughan Williams appears to have used two alternative versions of this song from Cecil Sharp's collection, one from the Traveller Kathleen Williams in the Forest of Dean, and the other from his prolific source [[Lucy White]] of Hambridge, Somerset.<ref name="Garofalo"/><ref>Sharp, Cecil, and Marson, Charles (1905) ''Folk Songs From Somerset'', Series 2, Simpkin & Co., Ltd., pp 4-5.</ref>

This melody is followed by "Pretty Caroline"<ref name="Kennedy" /> (Roud 1448) as a quiet air for solo clarinet or solo cornet (clarinet only in orchestrated version), which is also repeated. This tune was derived from a recording made in 1908 by [[Ella Mary Leather]] from Ellen Powell of Westhope, Herefordshire, using a phonograph loaned to her by Vaughan Williams.<ref name="Garofalo"/> He later transcribed the song from the recording, which is publicly available online.<ref>((Cite web|title=Pretty Caroline / Noble man and the Thresherman – Ethnographic wax cylinders – World and traditional music ((!)) British Library – Sounds|url=https://sounds.bl.uk/World-and-traditional-music/Ethnographic-wax-cylinders/025M-C0037X1586XX-0100V0#_|access-date=2020-08-27|website=sounds.bl.uk))</ref>

A third melody, [[Dives and Lazarus (ballad)|"Dives and Lazarus"]]<ref name="Kennedy" /> (Roud 177, [[List of the Child Ballads|Child]] 56) then enters in the lower instruments. This tune comes from the collection of Vaughan Williams himself: he notated the song "The Red Barn", set to a variant of the well-known "Dives and Lazarus" melody, from a Mr John Whitby in Norfolk in 1905.<ref name="Garofalo"/> The arrangement here is particularly interesting for having a [[Compound time|6/8]] rhythm played as a counterpoint by the upper woodwinds, against the straight [[Simple metre|2/4]] rhythm of the saxophones and brasses. This third theme is repeated, then leads straight back to the second theme. Finally, the first theme is repeated in a [[Da capo|Da Capo al Coda]]. The [[musical form|form]] of this movement can be represented by A–B–C–B–A ([[Arch form]]).

{| class="wikitable"
| <score sound="1">
\header{
   title = "Seventeen Come Sunday"
}
\relative c'''
 {
  \key f \minor
    \time 2/4 \set Score.tempoHideNote = ##t \tempo "Allegro" 4 = 120
       r4 r8 c16\pp (bes16-.  aes8) f8-. g8-. es8-. f8-. f16-. f16-. f8-.
      g16-. aes16-.  bes8-. g8-. es8-. g8-.  bes8-. c8-. c8. (d16-.) es8-. c8-. es4--
      f4-- es8 (c16 d16)
      es4-- d8. (es16--) c8-. bes8-. g8-. f8-. c'8-. d8-.
      es8-. r16 g,16-. (aes8-.) f8-. f8-. r8\mf g16 (aes16 bes16 g16 es8-.) r8 f8-.\p c'8-. c16-. (bes16 aes16 bes16) g4 (f8-.)
  }
  </score>
"[[Seventeen Come Sunday]]"
|-
| <score sound="1">
\header{
   title = "Seventeen Come Sunday"
}
\relative c''
 {
  \key g \minor
    \time 2/4 \set Score.tempoHideNote = ##t \tempo  4 = 120
      r4 bes8 (d8 f4--_\markup{\italic "cantabile"}) f4 (d4 f4) g8 (f8 g4 g,4) bes8 (c8 d4 g8 f8 d8 c8 bes8. a16) bes4
  }
  </score>
Pretty Caroline
|}

=== Intermezzo: "My Bonny Boy" ===
"My Bonny Boy" (Roud 293) opens with a solo in F [[Dorian mode|Dorian]] for the oboe (sometimes doubled or played by solo cornet) on the tune of the folk song of the same name,<ref name="Kennedy"/> which is repeated by the low-register instruments. Midway through the movement, a ''Poco Allegro'' begins on "[[Green Bushes]]"<ref name="Kennedy"/> (Roud 1040), first sounded by a piccolo, E-flat clarinet, and oboe in a minor harmonic context, then repeated by the lower brass with major harmony. The first melody is played again in fragmented form before the close of the movement.

Vaughan Williams noted on his score that "My Bonny Boy" was taken from the book ''English County Songs''<ref>Broadwood, L. E. and Fuller Maitland, J. A. (1893), ''English County Songs'', London: J. B. Cramer & Co., Ltd.</ref> while the "Green Bushes" melody seems to have been adapted from two versions collected by Cecil Sharp, one in the Dorian and one in the Mixolydian mode, the modal ambiguity being reflected in the composer's harmonization.<ref name="Garofalo"/>

<score sound="1">
\relative c'{ \time 3/4 \key f\minor \set Score.tempoHideNote=##t \tempo 4=86 \set Staff.midiInstrument = #"oboe" \partial 4 f8\p (g8 aes4 g4 f4 f'4 es4 f4 c4. d8 es8 c8 aes4 g4) f8 (g8 aes4-- aes4-- aes8 c8 bes8 aes8 g8 aes8 bes4 c2)}

</score>

=== March: "Folk Songs from Somerset" ===
"Folk Songs from Somerset" is based on the melodies of four folk songs from the eponymous collection published in five volumes by [[Cecil Sharp]] with [[Charles Marson]], based on fieldwork they had carried out in the county during the early 1900s.<ref>Sharp, Cecil, and Marson, Charles, ''Folk Songs from Somerset'', series 1-5 (1904-1911), London: Simpkin and Co.</ref> It opens with a light introduction of four measures before a jaunty major melody, "[[Blow Away the Morning Dew]]"<ref name="Kennedy"/> (Roud 11, Child 112) collected from Lucy White and Lucy Hooper in Hambridge in 1903,<ref name="Garofalo"/><ref>Sharp, Cecil, and Marson, Charles, ''Folk Songs from Somerset'', vol. 1 (1904), pp. 16-17</ref> is introduced on solo cornet (clarinet in orchestration). This melody is then dovetailed around the band/orchestra before finishing with a [[Dynamics (music)|fortissimo]] reprise. A second melody in the Aeolian mode, "[[High Germany (folk song)|High Germany]]"<ref name="Kennedy"/> (Roud 904), from Mrs Lock of Mulcheney Ham<ref name="Garofalo"/><ref>Sharp, Cecil, and Marson, Charles, ''Folk Songs from Somerset'' (1904), vol. 1, pp. 42-43</ref> then takes over. This is played in the tenor and lower register with trombones prominent, while the remaining instruments provide an on-beat chordal accompaniment.

As this second melody dies away, the original melody is heard once again with a ''tutti'' reprise. This leads into the trio, with a [[key change]] and a [[meter (music)|time change]] to 6/8, introducing a more delicate modal air played by the woodwind with a light accompaniment. In the past this melody has been identified erroneously as "[[The Trees They Do Grow High]]" (Roud 31),<ref name="Kennedy" /> but more recent research has found a much closer correspondence with the song "Whistle, Daughter, Whistle" (Roud 1570), as sung by Walter Locock of Martock.<ref name="Garofalo"/><ref>Sharp, Cecil, and Marson, Charles, ''Folk Songs from Somerset'', vol. 3 (1906), pp. 20-21</ref> This melody continues until the [[time signature]] changes back to the original 2/4, with the entry of a robust major melody, [[John Barleycorn]] (Roud 164),<ref name="Kennedy" /> originally taken down by Sharp from Robert Pope of Minehead.<ref name="Garofalo"/><ref>Sharp, Cecil, and Marson, Charles, ''Folk Songs from Somerset'', vol. 3 (1906), pp. 9-11</ref> This enters in the lower instruments (trombones and double basses in orchestrated version) while the cornets play decorative features above. The trio is then repeated in full before a D.C. is reached and the first two themes are revisited. The form of this movement can be represented by A–B–A. ([[ternary form]])

{| class="wikitable"
| <score sound="1">
\relative c''{ \time 2/4  \set Score.tempoHideNote=##t \tempo 4=126 \set Staff.midiInstrument = #"trumpet" r4 r8 g8\p g8 (c8) c8-. c8-. c4. c8 d8 (e8) f8 d8 e4. c8-. e8-.  <<{r16 g16 g8}\\{r8 r8 c,8-.}>> d8-. <<{r16 f16 f8}\\{ r8 r8 b,8}>> c8-. b8-. a8-. g8-. f'4 (e8 d8) c8.\pp^"tutti" (d16) c8-. <c a>8-. <c a>8-. <b g>8-. <b g>8-. r8 g'4-- e8-. g8-. a4.^"solo" a8 g8. (e16) c8-. d8-. e8 (c8-.) a8-. f'8-. e8-. c8-. d8-. b8-. c8-.\ff  }
</score>
"Blow Away the Morning Dew"
|-
| <score sound="1">
\relative c'{ \clef bass \time 2/4  \set Score.tempoHideNote=##t \tempo 4=126 \set Staff.midiInstrument = #"trombone" \key g\minor \partial 8 d8\ff d8._\markup{\italic "marc"} g,16 g8 f8 bes8. c16 d8 d8 c8 c8 g8 g8 g4. f8 bes8 bes8 bes16 c16 d16 es16 f4 g8 g8 f8 d8 c16 d16 es8 d4. d16 c16 bes8 bes8 bes16 c16 d16 es16 f4 g8 g8 f8 d8 d16 c16 bes8 c4. \< \!g'8\f f8. g,16 g8 f8 bes8. c16 d8 d8 c8. bes16 g8 g8 g4. }

</score>
"High Germany"
|}

== Instrumentation ==

=== Original 1923 concert band version ===
* E-flat flute and piccolo, concert flute and piccolo, E-flat clarinet, solo B-flat clarinet, ripieno 1st B-flat clarinet, 2nd B-flat clarinet, 3rd B-flat clarinet, E-flat alto clarinet, B-flat bass clarinet, oboes and C clarinets, 1st bassoon, 2nd bassoon, E-flat alto saxophone, B-flat tenor saxophone, E-flat baritone saxophone, B-flat bass saxophone and contrabass clarinet, 1st B-flat cornets, 2nd B-flat cornets, B-flat trumpets, 1st and 2nd horns in F (E-flat in the score), 3rd and 4th horns in F (E-flat in the score), 1st trombone, 2nd trombone, bass trombone, B-flat baritone, euphonium, basses, timpani, drums (cymbals, bass drum, snare drum, triangle).

The suite was published in 1923 by [[Boosey & Hawkes]] as ''Folk Song Suite''.

The part titled "concert flute and piccolo", although singular, requires at least two players since the flute and piccolo parts are simultaneous for much of the suite, and the final movement includes split parts. Other parts that require two players are the oboes and B-flat trumpets. The E-flat clarinet part has divisis in the final movement only, most of which is already doubled in the solo/first B-flat clarinet voice, making the second E-flat clarinet not entirely necessary. Solo and 1st B-flat cornets are printed on one part (originally titled "1st cornet"), but one player is required for solo and one for 1st. The part for B-flat baritone is actually for a baritone [[saxhorn]], no longer present in the military band (not the euphonium) and this part disappears from later editions of the set, with the only evidence being cued notes on the euphonium part.

=== 2008 revised concert band version ===
* Concert flute and piccolo, oboe, E-flat clarinet, solo B-flat clarinet, 1st B-flat clarinet, 2nd B-flat clarinet, 3rd B-flat clarinet, E-flat alto clarinet, B-flat bass clarinet, 1st bassoon, 2nd bassoon, E-flat alto saxophone, B-flat tenor saxophone, E-flat baritone saxophone, B-flat bass saxophone and contrabass clarinet, solo and 1st B-flat cornets, 2nd B-flat cornet, B-flat trumpets, 1st and 2nd horns in F, 3rd and 4th horns in F, 1st trombone, 2nd trombone, bass trombone, euphonium, tuba, string bass, 1st and 2nd percussion (timpani, cymbals, bass drum, snare drum, triangle).

[[Boosey & Hawkes]] published a revised edition of the piece in 2008. This edition features a computer-engraved full score and parts, incorporating corrections to engraving errors evident in the original edition. Other changes include the addition of [[Rehearsal letter|rehearsal numbers]] to the score and parts, the titles of the folk songs added where they occur in the music, the horns notated in F in the score instead of in E-flat, the separation of the string bass from the tuba into its own part, and the percussion split into two parts.

((Listen|type=music|filename=Ralph Vaughan Williams - English Folk Song Suite.ogg|title=''English Folk Song Suite''|description=Performed by the Ulm Philharmonic, conducted by [[James Allen Gähres]]))

=== 1924 orchestra version ===
* 2 flutes (2nd doubling piccolo), oboe, 2 B-flat clarinets, bassoon, 2 horns in F, 2 B-flat trumpets, 2 trombones, timpani, percussion (cymbals, bass drum, side drum, triangle), strings (violins, violas, cellos, and double basses).

The suite was arranged for full orchestra by [[Gordon Jacob]], one of Vaughan Williams' pupils, and published in 1924 by [[Boosey & Hawkes]] as ''English Folk Song Suite''.

=== 1956 brass band version ===
* E-flat soprano cornet, solo B-flat cornet, ripieno B-flat cornet and flugelhorn (one part, two players), 2nd B-flat cornet, 3rd B-flat cornet, solo E-flat horn, 1st E-flat horn, 2nd E-flat horn, 1st B-flat baritone, 2nd B-flat baritone, 1st B-flat trombone, 2nd B-flat trombone, bass trombone, B-flat euphonium, E-flat bass, B-flat bass, drums (side drum, bass drum, cymbals and triangle), Timpani.<ref name=B&H18233 />

The suite was arranged for Brass Band by Frank Wright and published by [[Boosey & Hawkes]] in 1956 as ''English Folk Songs Suite'' (this follows the orchestral version in adding 'English' to the title but it also pluralises 'Songs'). The music is transposed down (by a [[perfect fourth]]) presumably to make it fit more comfortably within the register of the brass band. The arrangement uses the standard [[British brass band]] scoring for 25 brass players and 2/3 percussionists (see [[British brass band]] for details of transpositions and numbers of players per part). [[Rehearsal letter|Rehearsal numbers]] were added to the score and parts but the individual folk tunes remain unnamed.<ref name=B&H18233 /> This edition remains a staple of the Brass Band repertoire.

== References ==
((Reflist|30em))

== External links ==

* [https://s9.imslp.org/files/imglnks/usimg/3/3b/IMSLP23820-PMLP54235-Vaughan-Williams_-_English_Folk_Song_Suite.pdf First Edition Score] from [[International Music Score Library Project|IMSLP]]
* Recording by the [[United States Marine Band]]
** [https://www.youtube.com/watch?v=5f9yAI2D1PE 1. Seventeen Come Sunday]
** [https://www.youtube.com/watch?v=QBZQLZ4wsF0 2. My Bonny Boy]
** [https://www.youtube.com/watch?v=UAwSHZfIAL8 3. Folk Songs from Somerset]
((Ralph Vaughan Williams))
((Portal bar|Classical music))
((Authority control))

[[Category:Compositions by Ralph Vaughan Williams]]
<!--[[Category:Compositions by Gordon Jacob]] just transcription for orchestra-->
[[Category:Concert band pieces]]
[[Category:Compositions for brass band]]
[[Category:Orchestral suites]]
[[Category:1923 compositions]]
[[Category:Compositions using folk songs]]

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