Ernst Fischer | |
|---|---|
_1952_OeNB_653618.jpg) Fischer in 1952 | |
| Born | 3 July 1899 Komotau, Bohemia, Austria-Hungary (now Chomutov, Czech Republic) |
| Died | 31 July 1972 (aged 73) Deutschfeistritz, Styria, Austria |
| Pen name | Ernst Peter Fischer Peter Wieden Pierre Vidal Der Miesmacher |
| Occupation | Journalist, writer, politician |
| Language | German |
| Education | University of Graz |
| Notable works | The Necessity of Art (1959) |
| Spouse | |
| Children | Marina Fischer-Kowalski |
| Relatives | Walter Fischer (brother) |
Ernst Fischer (3 July 1899 – 31 July 1972), also known under the pseudonyms Ernst Peter Fischer, Peter Wieden, Pierre Vidal, and Der Miesmacher, was a Bohemian-born Austrian journalist, writer and politician.
Ernst Fischer was born in Komotau, Bohemia, in 1899 as the son of the Imperial and Royal colonel and teacher of mathematics and descriptive geometry at military schools Josef Fischer and his wife Agnes. He served on the Italian Front in the First World War, studied philosophy in Graz and did unskilled labour in a factory before working as a provincial journalist and then on the Arbeiter-Zeitung from 1927. In 1932, he married Ruth von Mayenburg. Initially a social democrat, Fischer became a member of the Communist Party of Austria (Kommunistische Partei Österreichs or KPÖ) member in 1934 after being disillusioned in liberal democracy for not being able to withstand fascism.
In 1934, after Fischer and his wife were involved in the Austrian Civil War, they had to leave Austria.[1] They went to Czechoslovakia, where he began working for the Comintern as an editor.[2] In 1938, they went to Moscow, where Fischer continued to work for the Comintern. They lived at Hotel Lux,[3] a luxury hotel that had been built in 1911,[4] and was taken over by the Communist Party after the October Revolution. Following Adolf Hitler's seizure of power, the hotel became a refuge for communist exiles, especially Germans.[5] The Fischers lived there from 1938 until 1945.[4]
When Fischer and his wife arrived at Hotel Lux, the Stalinist purges were still taking place and the exiles living at the hotel were living in a climate of fear and terror. The autumn after their arrival, Fischer came home from work one evening, looking terrified. Gustl Deutsch, an Austrian who had been arrested and had imprisoned, had managed to smuggle him a note to alert him to the danger facing Fischer. Under torture, Deutsch had named Fischer as being involved in a plot against Stalin's life. Although the charges were completely false, by being accused, Fischer was in grave danger and he immediately sought help from Georgi Dimitrov, one of the leaders of the Comintern. Dimitrov replied, "I will be able to save you, but the others...?"[6]
After the war, Fischer remained an important figure in the KPÖ until 1969. He served as Communist minister of information in the first post-war government of Renner (27 April 1945 – 20 December 1945). He published articles in Weg und Ziel, monthly journal of the KPÖ.[7]
Fischer and his wife were divorced in 1954.[1]
His book, Erinnerungen und Reflexionen ("Memories and Reflections"), was released around the same time his ex-wife's book came out, Blaues Blut und rote Fahnen. Revolutionäres Frauenleben zwischen Wien, Berlin und Moskau ("Blue Blood and Red Flags. Revolutionary Female Life Between Vienna, Berlin and Moscow"). The two books covered the same period.[1]
Fischer is particularly famous in the West for his book The Necessity of Art (1959). In this Fischer took many of the commonplace concepts of Marxist artistic theory up to that point - art as labor, collective vs individual, formalism and socialist realism - and develops them in a wide-ranging essay on the history of art from magic and religion to the Romantics, critical realism and art in the service of building socialism (critically) not just state propaganda.
The book has influenced many writers since the late 1950s, in particular Kenneth Tynan and John Berger. John Berger wrote a new introduction to the recent Verso Books edition.
Fischer was expelled from the Communist Party in 1968 for being against the suppression of the Prague Spring. Being a former associate of moderate wing of the KPÖ, Fischer gradually moved to the "undogmatic Marxists" in Austria and even renounced the concept of a dictatorship of the proletariat.[8] He continued to publish the monthly journal Wiener Tagebuch with Franz Marek and played a role in the public sphere primarily as an undogmatic Marxist theorist.
Fischer died on 31 July 1972 in Deutschfeistritz.
