Trinidadian playwright, actor and theatre historian
Errol Gaston Hill (5 August 1921 – 16 September 2003) was a Trinidadian-born playwright, actor and theatre historian, "one of the leading pioneers in the West Indies theatre".[1] Beginning as early as the 1940s, he was the leading voice for the development of a national theatre in the West Indies. He was the first tenured faculty member of African descent at Dartmouth College in the United States, joining the drama department there in 1968.
Career
Errol Gaston Hill was born in Trinidad on 5 August 1921. to Thomas David Hill and Lydia (née Gibson) Hill.[2] He studied in London, England at the Royal Academy of Dramatic Arts, and went on to join Dartmouth College, becoming the first tenured faculty member of African descent there.[2]
Hill was an actor and announcer with the British Broadcasting Corporation in London, and subsequently went to teach at the University of West Indies, in Kingston, Jamaica, and Port-of-Spain, Trinidad, as creative arts tutor (1953–58 and 1962–65). Between 1958 and 1966 he was also working as a playwright. He was a teaching fellow at the University of Ibadan, Ibadan, Nigeria (1965–67), and then an associate professor of drama at Richmond College of the City University of New York, 1967–68. He was a professor at Dartmouth College in Hanover, New Hampshire, from 1968 to 1989. After 1972 he devoted himself to scholarship and writing.
His early work focused on creating a body of plays uniquely suited for audiences and actors in the West Indies. His later published work brought to light the many accomplishments and trials of black stage actors.
Hill's works include the play Man Better Man (1964) and the non-fiction books The Trinidad Carnival (1972), The Theater of Black Americans (1980), and the Cambridge Guide to African and Caribbean Theatre (1994).[2][3] He also wrote some poetry, published in anthologies and regional literary journals.[1]
