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Ethan Mordden (born 1947)[1] is an American author and musical theater researcher.
Mordden was born in Pennsylvania and raised in Venice, Italy, and Long Island, New York. He is a graduate of Friends Academy and the University of Pennsylvania. He first sought a career in show business, working as a music director on off-Broadway and in regional theatre, and enrolling in the BMI Lehman Engel Musical Theater Workshop run by Lehman Engel. As both composer and lyricist, Mordden wrote musicals based on William Shakespeare's Measure For Measure and on Max Beerbohm's Zuleika Dobson, but he ultimately ended up earning his living as a writer of English prose. In the 1970s, he was assistant editor to Dorothy Woolfolk on DC Comics such as The Dark Mansion of Forbidden Love.
His stories, novels, essays, and non-fiction books cover multiple topics including American musical theater, opera, film. In his fiction, he wrote about the emergence and development of contemporary American gay culture as manifested in New York City. He has also written for The New Yorker, including three works of fiction, Critic At Large pieces on Cole Porter, Judy Garland, and the musical Show Boat,[2] and reviews of a biography of the Barrymores and Art Spiegelman's graphic novel Maus.[citation needed] He later became a book reviewer for The Wall Street Journal.
His best-known fictional works are the interrelated series of stories known collectively as the "Buddies" cycle. In book form, these began with 1985's I have a Feeling We're not in Kansas Anymore. The fifth in the series, 2005's How's Your Romance?, is subtitled Concluding the "Buddies" Cycle. Together, the stories chronicle the times, loves, and losses of a close-knit group of friends, men who cope with the challenges of growing up and growing older.
Mordden’s 1995 novel How Long Has This Been Going On? follows the lives of a diverse group of men and women from 1949 to 1991 while moving from Los Angeles to the Midwest, then from San Francisco to the Northeast. All but one of the principal characters are gay or lesbian. Another one of Mordden's works of fiction, The Venice Adriana (1998), is built around the life and art of the opera soprano Maria Callas. Mordden's A Bad Man Is Easy To Find, published in 1989 under the pseudonym of M. J. Verlaine is a series of interrelated short stories about the lives of women, and has only one minor gay character. In 2008, Mordden published The Jewcatcher, a surrealistic novel set in Berlin from the end of the Weimar Republic to the last day of the European war. The many principal characters are a combination of Mordden's inventions and real-life figures such as Adolf Hitler, Marlene Dietrich, Raoul Wallenberg, Claus von Stauffenberg, and President Paul von Hindenburg. In 2012, Mordden published his first volume of gay fiction in eight years, The Passionate Attention of an Interesting Man. In the form of a novella and four short stories, the book explores relationships in which one man dominates another. In 2015, Mordden returned to writing historical fiction with One Day in France, set in Limoges and Oradour-Sur-Glane when the latter, a peaceful village, was destroyed and its inhabitants brutally murdered by a squad of the Nazi Schutzstaffel. In 2021, Mordden published another novel, You Can't Be Too Young or Too Pretty, a black comedy about a murder cult preying on college students in an unnamed American town.
Mordden's nonfiction includes seven volumes detailing the history of the Broadway musical from the 1920s through the 1970s (followed by an eighth volume going up to 2003 in a different style from the seven-title series), guides to orchestral music and operatic recordings, and a cultural history of the American 1920s entitled That Jazz. He has also published Demented, an examination of the phenomenon of the operatic diva, and a coffee-table book on the works of Rodgers and Hammerstein. His 2012 book Love Song: The Lives of Kurt Weill and Lotte Lenya is a dual biography chronicling the romance and professional collaboration of Kurt Weill and Lotte Lenya, and in 2013 he published Anything Goes: A History of American Musical Theatre.[3] He has written a number of books on film, including analyses of the influence of Hollywood studios and of the role of female film stars.
The New York Times spoke of Mordden as being among a group of "ruminators on popular culture" animated by "the gun-moll gesticulations of Pauline Kael, for whom responsiveness was everything."[4]
