Local promoter Randy Hauser became aware of Alice in Chains at a concert, and offered to pay for demo recordings. However, one day before the band was due to record at the Music Bank studio in Washington, police shut down the studio during the biggest marijuana raid in the state's history.[9] The final demo – dubbed The Treehouse Tapes – found its way to managers Kelly Curtis and Susan Silver, who also managed the Seattle-based Soundgarden. Curtis and Silver passed the demo to Columbia Records' A&R representative Nick Terzo, who set up an appointment with label president Don Ienner. Based on The Treehouse Tapes (sold by the band at shows), Ienner signed Alice in Chains to Columbia in 1989.[9]
Alice in Chains became a top priority for the label, who released the band's first official recording in July 1990: the promotional EPWe Die Young. Its lead single and title song became a hit on metal radio. After its success, the label rushed Alice in Chains' debut album into production with producer Dave Jerden.[10] "I told Jerry Cantrell, ‘Metallica took Tony Iommi and sped him up. What you've done is you've slowed him down again,’" Jerden recalled. "He looked at me and said, ‘You got it.’ That's how I got the gig."[11]
Drummer Sean Kinney claims to have played this album with a broken hand:
I almost didn't play on the record - they started rehearsing with the drummer from Mother Love Bone, Greg Gilmore. I was sitting there playing with one hand, guiding him through it. Dave Jerden came in and they started to try to do it. He was like, 'Screw it - pull the plug. This is not going to be the same.' Luckily, we took a tiny bit of time off. I had that cast on for a while, and was like, 'I can't miss this.' I cut my cast off in the studio and kept a bucket of ice by the drum set. Kept my hand iced down and played with a broken hand. I tried not to do that again - your first big break, and you fuck it up.[12]
Guitarist Jerry Cantrell stated the album was intended to have a "moody aura" that was a "direct result of the brooding atmosphere and feel of Seattle."[15] Regarding the music for "Man in the Box", Cantrell said in the 1999 Music Bank box set, "That whole beat and grind of that is when we started to find ourselves; it helped Alice become what it was."[14] The idea of using a voice box in the song came from producer Dave Jerden, who was driving to the studio one day when Bon Jovi's "Livin' on a Prayer" started playing on the radio.[16]
Cantrell also credited "I Can't Remember" for helping the band find its sound.[14] "It Ain't Like That" came out of a riff that Cantrell cited as a mistake, however he called it "a cool mistake."[14]
Cantrell called "Love, Hate, Love" the "masterpiece of that record," adding about the song that Staley's vocals are "amazing" and that it features one of his favorite guitar solos he ever performed.[14]
Regarding the lyrical content, Cantrell said he wrote "We Die Young" after "riding the bus to rehearsal and [seeing] all these 9, 10, 11 year old kids with beepers dealing drugs. The sight of a 10 year old kid with a beeper and a cell phone dealing drugs equaled "We Die Young" to me."[14] In a recorded interview with MuchMusic USA, vocalist Layne Staley stated that the lyrics for "Man in the Box" are about censorship in the mass media, and "I was really stoned when I wrote it."[17]
Discussing "Bleed the Freak", Cantrell stated that the lyrics represent "us against the world, those people who put you down."[14]
Cantrell wrote "Sunshine" about his mother's death.[18]Facelift was dedicated to her memory.[19]
Staley's "Sexual chocolate, baby!" scream at the end of "Real Thing" was a reference to the film Coming to America starring Eddie Murphy, whose character was the singer of a band called Sexual Chocolate.[20]
Packaging and title
In an interview with Video Metal Sheet in 1991, Jerry Cantrell said that the original idea for the album cover was "an embryonic-type thing" representing the birth of the band. But it ended up taking more of a scary overtone and fitting quite well with the music.[21]
The band discussed several ideas for the album art with photographer Rocky Schenck. One of those ideas was making it appear as if they were emerging from an eyeball. Columbia Records did not give the band a large budget for the photoshoot, but Schenck liked them so much that he was willing to make it work. The budget was barely enough for a one-day shoot, but Schenck stretched it out for over three days. The first day of shoot took place on May 2, 1990, at the swimming pool of the Oakwood Apartments in Burbank, California. The pool was covered with a thin piece of plastic to give the idea that the band was emerging from an eyeball. They had to swim under the plastic, rise to the surface and breathe in as they emerged, so the plastic distorted their faces. One of the photos from that session included a shot of Layne Staley wrapped in plastic with the other members holding him, which was used as the cover for the "We Die Young" single.[22]
Schenck was experimenting with in-camera multiple exposures, where he would create a distorted image by exposing different parts of a single frame of film one exposure at a time, a technique that he had been using for years in his videos and art photography. The band had seen Schenck's portfolio of black and white portraits of haunted, distorted faces, and asked him to duplicate the technique. Schenck did not want to duplicate the original black and white photo, so he tried the same technique in color using photos of each band member's face. A photo of bassist Mike Starr was chosen as the album cover. After seeing the photo, the band decided to name the album Facelift.[22] The original concept for the cover was to have all four members' faces superimposed into one startling expression, which appeared years later in the Music Bank box set.[22]
Facelift included the singles "We Die Young", "Man in the Box", and "Sea of Sorrow", all of which had accompanying music videos. The album was a critical success, with "Hollywood" Steve Huey of AllMusic citing Facelift as "one of the most important records in establishing an audience for grunge and alternative rock among hard rock and heavy metal listeners."[2]
Facelift was not an instant success, selling under 40,000 copies in the first six months of release, until MTV added "Man in the Box" to regular daytime rotation.[29]
"Man in the Box" hit number 18 on the Mainstream Rock charts, with the album's follow up single, "Sea of Sorrow", reaching number 27,[30] and in six weeks Facelift sold 400,000 copies in the United States.[29]
In June 2017, Ozzy Osbourne listed Facelift as one of his "10 Favorite Metal Albums".[34]
In April 2019, the album was ranked No. 14 on Rolling Stone's "50 Greatest Grunge Albums" list.[35]Soundgarden lead guitarist Kim Thayil also picked Facelift as one of his favorite Grunge albums.[36]
Tour
The band continued to hone its audience, opening for such artists as Iggy Pop,[37]Van Halen, Poison,[15] and Extreme.[29] In early 1991, Alice in Chains landed the opening slot for the Clash of the Titans with Anthrax, Megadeth, and Slayer, exposing the band to a wide metal audience.[38] During the tour the band found themselves subject to some hostile audiences; however, Anthrax bassist Frank Bello recalls them earning the respect of others by standing up for themselves: "If there was a guy starting shit, Layne would jump into the audience and beat the FUCK outta that guy!"[39] Michael Christopher of PopMatters observed "With 1990's Facelift, before Nirvana blew the scene wide open, Seattle’s Alice in Chains were getting a metal push, thrown on tour with the likes of Slayer and Megadeth, repeatedly booed off stage in a genre where they didn’t belong."[40] The band later released the video compilation Live Facelift, which was filmed at the Moore Theatre in 1990.
Track listing
All music written by Jerry Cantrell, except "It Ain't Like That", written by Cantrell, Mike Starr and Sean Kinney, and "Confusion", written by Cantrell and Starr.
All lyrics written by Cantrell, except where noted.
"Killing Yourself", recorded during the Facelift sessions, was featured as the B-side to the 1990 "We Die Young" vinyl single. It has never been issued on CD.
Demos for the songs "I Can't Have You Blues", "Whatcha Gonna Do", "Social Parasite", "Bleed the Freak", "Sea of Sorrow", and "Killing Yourself" were featured on Alice in Chains' 1988 demo tape.[14] Remixes of these recordings were later included on the band's 1999 box set, Music Bank. A demo of "We Die Young" from the same sessions was released exclusively on the 1999 Nothing Safe: Best of the Box compilation.
Further 1988 demos of the songs "Chemical Addiction", "Fairytale Love Story", "Queen of the Rodeo", "Bite the Bullet", "King of the Kats", "I Can't Remember", "Sunshine", "The Real Thing", and a cover of David Bowie's "Suffragette City" circulate on various bootlegs in poor quality. A live version of "Queen of the Rodeo" features on the 2000 live album Live as well as the Music Bank box set. Regarding the songs featured on the 1988 demo tape, Cantrell said, "I guess with all those songs we were 'discovering' ourselves."[14]
^ abMoses, Michael (September 1991). "Alice in Chains: Who is Alice and Why is She in Chains?". Rockbeat magazine. ((cite journal)): Cite journal requires |journal= (help)
