Fake Can Be Just as Good | ||||
---|---|---|---|---|
Studio album by | ||||
Released | March 11, 1997 | |||
Recorded | October 1996 | |||
Studio | John & Stu's (Seattle, Washington) | |||
Genre | ||||
Length | 36:45 | |||
Label | Touch and Go | |||
Producer |
| |||
Blonde Redhead chronology | ||||
| ||||
Singles from Fake Can Be Just as Good | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
NME | 7/10[4] |
Fake Can Be Just as Good is the third studio album by American alternative rock band Blonde Redhead. It was released on March 11, 1997 by Touch and Go Records.[5][6]
All tracks are written by Blonde Redhead (Kazu Makino, Amedeo Pace and Simone Pace)
No. | Title | Length |
---|---|---|
1. | "Kazuality" | 4:25 |
2. | "Symphony of Treble" | 4:10 |
3. | "Water" | 4:42 |
4. | "Ego Maniac Kid" | 4:12 |
5. | "Bipolar" | 5:02 |
6. | "Pier Paolo" | 5:38 |
7. | "Oh James" | 3:32 |
8. | "Futurism vs. Passéism" | 5:04 |
Total length: | 36:45 |
No. | Title | Length |
---|---|---|
9. | "Kazuality" (single version) | 3:14 |
10. | "Symphony of Treble" (single version) | 3:53 |
Total length: | 43:52 |
Credits are adapted from the album's liner notes.[7]
Blonde Redhead
Additional musicians
Production