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Perforations on Standard (left) and Super (right) 8 mm film

Film perforations, also known as perfs and sprocket holes, are the holes placed in the film stock during manufacturing and used for transporting (by sprockets and claws) and steadying (by pin registration) the film. Films may have different types of perforations depending on film gauge, film format, and intended usage. Perforations are also used as a standard measuring reference within certain camera systems to refer to the size of the frame.

Some formats are referred to in terms of the ratio "perforations per frame/gauge size" to provide an easy way of denoting size. For instance, 35mm Academy is also known as 4 perf-35mm; VistaVision is 8 perf-35mm; the long-time standard Todd-AO 70 mm film is 5 perf-70mm; and IMAX is 15 perf-70mm. This description does not indicate whether the film transport is horizontal or vertical, but uncertainty is precluded because there are currently no horizontal systems using the same number of perforations on the same gauge as a vertical one.


One of the characteristics of perforations is their "pitch". This is the measurement of the distance between the tops of two sequential perforations. For motion picture 35 mm film and 16 mm film, there are two different pitches—short pitch (camera stocks intended for duplication or printing, and for most intermediate applications) and long pitch (camera stocks intended for direct projection, print stocks, and special intermediate applications, as well as 135 still camera film). For 35 mm film these are 0.1866" and 0.1870" (4.740 mm and 4.750 mm); for 16 mm film they are 0.2994" and 0.3000" (7.605 mm and 7.620 mm).

This distinction arose because early nitrocellulose film base naturally shrank about 0.3% in processing due to heat, so film printing equipment was designed to account for a size difference between its (processed) input and (unprocessed) output. When cellulose acetate film was developed, which does not shrink, two forms were produced for compatibility with existing equipment.[1]


The shapes and dimensions of 35 mm sprocket holes

Additionally, for 35 mm film only, there are several different shapes for these perforations.


BH (Bell and Howell) perforations are used on camera negative film and have straight tops and bottoms with outward curving sides; they have been in use since the beginning of the 20th century. The BH perforation is a circle of approximately diameter 0.110" (2.79 mm), with flattened sides giving a height of approximately 0.073" (1.85 mm).[2][3] The corners used to be sharp, but were slightly rounded in 1989 by 0.005" (0.127 mm) to give them greater strength. The BH1866 perforation, or BH perforation with a pitch of 0.1866", is the modern standard for negative and intermediate (interpositive / internegative) lab film. The BH1870 perforation, or BH perforation with a pitch of 0.1870", was the original standard for positive prints intended for direct projection (release prints).


KS (Kodak Standard) perforations were introduced in the 1920s to improve the life of projected film stock by eliminating the sharp corners which were prone to tearing.[2][1] and thus are occasionally used for high-speed filming, but failed to displace BH perforations for filming operations prior to projection. KS perfs are rectangular with rounded corners, and measure 0.0780" (1.981 mm) in height by 0.1100" (2.794 mm) in width.[4]

KS perforations were once recommended for negative and intermediate films, too, but only the Eastern Bloc countries (the Soviet Union and its satellites) adopted KS for these uses. The Western Bloc countries maintained BH perforations for negative and intermediate films, but adopted KS perforations for positive print films and for amateur films which were on a 35 mm wide base.

This was one of the very few instances where a Western Bloc recommendation and standard was adopted by the Eastern Bloc, but was wholly rejected by the very bloc which proposed its adoption.[citation needed] To this day, all Western Bloc professional cameras employ BH perforations, and so also do the intermediate applications (interpositives and internegatives, also known as the IP/IN process).

One aspect of this particular adoption was that it effectively prevented amateur camera films from being "diverted" to professional uses, as KS-perforated camera film will indeed pass undamaged through a Western Bloc professional camera, but it cannot maintain the required registration accuracy as the KS perforation is too tall relative to the professional camera's BH-sized registration pin(s).

The increased height also means that the image registration was considerably less accurate than with BH perfs, which remain the standard for negatives.[5] The KS1870 perforation, or KS perforation with a pitch of 0.1870", is the modern standard for release prints as well as for 135 still camera film.

65/70 mm, the other "professional" standard, was created many years after KS perforations had been recommended for negative as well as positive applications, and was adopted for positive applications. Consequently, 65/70 mm uses only KS perforations for all applications, negative, intermediate and positive.


The Dubray Howell (DH) perforation was first suggested in 1931 to replace both the BH and KS perfs with a single standard perforation which was a hybrid of the two in shape and size, being like KS a rectangle with rounded corners and a width of 0.1100" (2.79 mm), but with BH's height of 0.073" (1.85 mm).[6] This gave it longer projection life and also improved registration. One of its primary applications was usage in Technicolor's dye imbibition printing (dye transfer).[7] The DH perf never caught on, and Kodak's introduction of monopack Eastmancolor film in the 1950s reduced the demand for dye transfer,[5] although the DH perf persists in intermediate films to this day,[8] such as long-pitch interpositives contact-printed from short-pitch negatives.


In 1953, the introduction of CinemaScope—with its wider picture area and its use of four-track magnetic sound (four strips of magnetic tape coated on the film)—required another type of perforation. CinemaScope perforations are similar to KS perforations, but almost square in shape to accommodate the magnetic stripes.[9] These perfs are commonly referred to as CinemaScope (CS) or "Fox hole" perforations, or simply "Foxholes" (because, initially, all CinemaScope films were made by 20th Century Fox). Their dimensions are 0.0730" (1.85 mm) in width by 0.0780" (1.98 mm) in height. [10] Due to the size difference, CS perfed film cannot be run through a projector with standard KS sprocket teeth, but KS prints can be run on sprockets with CS teeth. CS-perforated stock has fallen out of use since the 1970s when 35 mm prints with magnetic sound became uncommon.

17.5 mm

Standard 17.5 mm magnetic film uses 35 mm magnetic film which has been slit lengthwise into two equal widths and lengths before use. The "heads" of one-half of the 35 mm donor become the "heads" of one 17.5 mm length while the "tails" of one-half of the 35 mm donor become the "heads" of the other 17.5 mm length. 17.5 mm magnetic film was used as a secondary "shop standard" at Paramount and Universal for location dialogue recording ; it was most often run at 45 feet/minute, one-half of the usual 35 mm magnetic film speed, thereby achieving a 4-to-1 increase in economy although at a significant sacrifice in sound fidelity, but adequate for monophonic dialogue. For stereophonic dialogue, conventional 35 mm magnetic film was used.

For final mixing, the 17.5 mm dialog was usually initially copied to a 35 mm center track or full coat magnetic film element, whereby the dialog track entered the conventional mixing process as a second-generation 35 mm duplicate.

17.5 mm film, in this context, is for magnetic sound elements only, and only for very cost-conscious producers.

16 mm

All 16 mm perforations are rectangles with rounded corners and are 0.0500" (1.27mm) high by 0.078" (1.9812mm) wide. The tolerance for these perforation dimensions was reduced to 0.01 mm in 1989, which allowed 16 mm camera manufacturers to slightly enlarge their registration pins and thus improve image registration and steadiness tolerances to less than 1/750th of the image height of the 16 mm frame.

8 mm

Standard 8 mm film uses 16 mm film that is perforated twice as frequently (half the pitch of normal 16 mm) and then split down the middle after development. Super 8 uses much narrower perfs on film which is already 8 mm wide. Super 8 pitch is 0.1667" and perfs are 0.045" high by 0.036" wide.


All of the systems described above place the perforations down either one side (Standard and Super 8, Super 16) or both sides (35 mm and 65/70 mm). Standard 16 mm can be either single or double perf; some older cameras require double perf, but most can handle either. Because most cameras can handle both, and because of the increased popularity of Super 16 film, most 16 mm stock manufactured today is single perf unless requested otherwise.

Some obsolete formats such as 9.5 mm film and some variants of 17.5 mm film used a single perforation in the middle of the frame line between each image. This is however considered a liability, since any sprocket or claw error will likely damage the center of the frame itself rather than the outer edges.

Damage and inspection

Damaged or broken perforations can lead to a tear in the film as it runs through the projector.[11] Film is commonly checked for broken sprocket holes before presentation, a process known as "spooling". Mechanical devices exist for this purpose, but the classic method is to place the finger and thumb of a gloved hand on the edges of the film, which is mounted on a winding bench, and to slowly run the film through the fingers, feeling for snags.[12]

See also


  1. ^ a b "Why Do Sound Negative Films Use Kodak Standard Perforations?". Kodak. Archived from the original on March 3, 2012. Retrieved 2015-04-23. With the advent of lower shrinkage acetate film, pre-print films had to be perforated with a shorter pitch to work well on contact printers designed for the 0.3 percent shrinkage of nitrate.
  2. ^ a b Zavada, Roland J. (April 1998). "'Managing' the Moving Image From an Engineering Point of View Part 2: A Perspective on Perforations" (PDF). Mage Technology: 2–5. Archived from the original (PDF) on March 4, 2016. Retrieved 2015-04-23.
  3. ^ Case, Dominic (1985). Motion Picture Film Processing. Boston: Focal Press. ISBN 0-240-51243-X.
  4. ^ ANSI/SMPTE 139-1996. SMPTE STANDARD for Motion-Picture Film (35mm) – Perforated KS. Society of Motion Picture and Television Engineers. White Plains, NY.
  5. ^ a b ScreenSound Australia, "Technical Glossary of Common Audiovisual Terms: Perforations". Retrieved August 11, 2006. Archived August 21, 2006, at the Wayback Machine
  6. ^ Hart, Douglas C. The Camera Assistant: A Complete Professional Handbook. Focal Press: Boston, 1996.
  7. ^ Gray, Peter. "Sprocket Holes". Retrieved August 11, 2006. Archived September 4, 2006, at the Wayback Machine
  8. ^ "KODAK VISION Color Intermediate Film / 5242, 7242, 2242, 3242 KODAK Publication No. H-1-5242t CAT 123 9607" (PDF). Eastman Kodak Company. August 2006. p. 6. Retrieved 10 June 2015.
  9. ^ Kodak Motion Picture Film (H1) (4th ed). Eastman Kodak Company. ISBN 0-87985-477-4
  10. ^ ANSI/SMPTE 102-1997. SMPTE Standard for Motion-Picture Film (35mm) – Perforated CS-1870. Society of Motion Picture and Television Engineers. White Plains, NY.
  11. ^ "Film preservation" (PDF). Archived from the original (PDF) on 2008-07-03. Retrieved 2007-12-31.
  12. ^ FilmForever description of inspection process