This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these template messages) This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.Find sources: "Film promotion" – news · newspapers · books · scholar · JSTOR (January 2021) (Learn how and when to remove this template message) This article possibly contains original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed. (January 2021) (Learn how and when to remove this template message) This article is written like a personal reflection, personal essay, or argumentative essay that states a Wikipedia editor's personal feelings or presents an original argument about a topic. Please help improve it by rewriting it in an encyclopedic style. (May 2022) (Learn how and when to remove this template message) This article's tone or style may not reflect the encyclopedic tone used on Wikipedia. See Wikipedia's guide to writing better articles for suggestions. (May 2022) (Learn how and when to remove this template message) (Learn how and when to remove this template message)

Film promotion is the practice of promotion specifically in the film industry, and usually occurs in coordination with the process of film distribution. Sometimes this is called the press junket or film junket. Film promotion generally includes press releases, advertising campaigns, merchandising, franchising, media and interviews with the key people involved in making the film, such as the films actors and directors.[1] This process is an important part of any release because of the inherent high financial risk; film studios will invest in expensive marketing campaigns to maximize revenue early in the release cycle. Marketing budgets tend to equal about half the production budget. Publicity is generally handled by the distributor and exhibitors.


In theatres/cinemas

Trailers are a mainstay of film promotion because they are delivered directly to movie-goers. These trailers are presented to the public at the theatre or on the television at home. Generally, they tell the story of the movie in a highly condensed fashion, compressing maximum appeal into two and half minutes.

Television and radio




Promotional tours and interviews

Film actors, directors, and producers appear for television, cable, radio, print, and online media interviews, which can be conducted in person or remotely. During film production, these can take place on set. After the film's premiere, key personnel make appearances in major market cities or participate remotely via satellite videoconference or telephone. The purpose of interviews is to encourage journalists to publish stories about their "exclusive interviews" with the film's stars, thereby creating "marketing buzz" around the film and stimulating audience interest in watching the film.

When it comes to feature films picked up by a major film studio for international distribution, promotional tours are notoriously grueling. Key cast and crew are often contracted to travel to several major cities around the world to promote the film and sit for dozens of interviews. In every interview, they are supposed to stay "on message" by energetically expressing their enthusiasm for the film in a way that appears candid, fun, and fresh. They are expected to disclose just enough behind-the-scenes information about the filmmaking process or the filmmakers' artistic vision to make each journalist feel like he or she got a nice scoop, while at the same time tactfully avoiding disclosure of anything embarrassing, humiliating or truly negative that may be detrimental to the film's box office gross and profit or influence a critic's review as well as the public's opinion.

Audience research

There are seven distinct types of research conducted by film distributors in connection with domestic theatrical releases, according to "Marketing to Moviegoers: Second Edition."[8] Such audience research can cost $1 million per film, especially when scores of TV advertisements are tested and re-tested. The bulk of research is done by major studios for the roughly 170 major releases they mount each year that are supported by tens of millions of advertising buys for each film. Independent film distributors, which typically spend less than $10 million in media buys per film, don’t have the budget or breadth of advertising materials to analyze, so they spend little or nothing on pre-release audience research.

When audience research is conducted for domestic theatrical release, it involves these areas:

Marketing can play a big role in whether or not a film gets the green light. Audience research is a strong factor in determining the ability of a film to sell in theaters, which is ultimately how films make their money. As part of a movie's Marketing strategy, audience research comes into account as producers create promotional materials. These promotional materials consistently change and evolve as a direct consequence of audience research up until the film opens in theaters.[10]

IBIS made a study with information using 97% of America's economy regarding the market size of movie and Video production. They calculated that the United States market size, measured by revenue of the Movie & Video Production industry, is $18.2bn in 2022.

See also


  1. ^ "what is a press junket ?". Stone Circle. Archived from the original on 18 August 2013. Retrieved 22 December 2015.
  2. ^ Billington, Alex (December 28, 2007). "Cool Theater Displays: Wall-E and Indiana Jones 4".
  3. ^ Murray, Rebecca (July 7, 2004). "Interviews with Shia LaBeouf and Paul Teutul Jr. About "I, Robot"".
  4. ^ Cohn, David (December 12, 2005). "TV Writes Must Sell, Sell, Sell". Wired Magazine.
  5. ^ Gross, Doug (May 30, 2011). "Mysterious 'Girl with the Dragon Tattoo' trailer leaked online". Archived from the original on July 7, 2012.
  6. ^ Magzan, Lara (November 25, 2002). "The Business of Bond". CNN Money.
  7. ^ Magazine, Smithsonian; Nowakowski, Teresa. "You Can Rent Barbie's DreamHouse on Airbnb". Smithsonian Magazine. Retrieved 2023-07-26.
  8. ^ Marich, Robert (2009). Marketing to Moviegoers (2nd ed.). Southern Illinois University Press. pp. 30–31. ISBN 978-0809328840.
  9. ^ Marich, Robert (2013). Marketing to Moviegoers: A Handbook of Strategies and Tactics (3rd ed.). Southern Illinois University Press. pp. 54–55.
  10. ^ McDonald, Paul, and Janet Wasko. The Contemporary Hollywood Film Industry. Malden, MA: Blackwell Pub., 2008. 55