Florence Carlyle | |
|---|---|
 Florence Carlyle, c. 1890. | |
| Born | 1864 Galt, Canada West |
| Died | May 2, 1923 (aged 58–59) Crowborough, England |
| Known for | Painter |
| Partner | Juliet Hastings |
Florence Emily Carlyle (September 24, 1864 – May 2, 1923) was a Canadian figure and portrait painter, known especially for her handling of light and fabric.[1] Her work is included in the collection of the National Gallery of Canada.[2]
Florence Carlyle was born September 24, 1864, in Galt, Canada West,[3] to Emily Youmans Carlyle and William Carlyle.[4] The second eldest of seven children, Florence was known throughout her life as "Bird" by family and friends.[5] In 1871 the Carlyle family moved to Woodstock, Ontario, where her father, William Carlyle, worked as the county inspector of schools for Oxford County.[6][7] While living in Woodstock, Emily created an art studio for local children who were interested in developing their artistic skills under the guidance of hired artists.[8] Sensing her daughter's artistic talent, Emily arranged for Florence to have private drawing and painting lessons with William Lees Judson.[8] William's uncle (and Florence's great-uncle) was the Scottish historian and philosopher Thomas Carlyle;[9] and William was said by a contemporary writer to have inherited "much of the cleverness and the abstraction" of his celebrated forebear.[10]
In 1883 Florence and her younger sister, Lilian, exhibited several of their works at the Ladies' Department of the Toronto Industrial Exhibition.[11] It was this exhibition that gave Florence widespread recognition as Princess Louise and her husband, the Marquis of Lorne purchased one of her paintings of white lilies on china.[12] This event was heavily covered by The Globe, Daily Mail, and Woodstock's paper at the time.[13]
After realizing that she needed to go abroad to further develop her artistic skill, 26-year-old Carlyle moved to Paris, France November 3, 1890.[15] Carlyle journeyed to Paris with her artistic mentor, Paul Peel, his sister Margaret Peel, and their father John Peel. However, once in Paris she rented a flat on her own.[15] Upon first arriving in Paris, Carlyle found it difficult to find an artistic academy that admitted women and furthermore, did not segregate men and women in classes.[16] At first Carlyle attended the Académie Julian, but after a disagreement with Adolphe-William Bouguereau, she switched to the less prestigious Académie Delécluse.[17] By 1892 Carlyle would return to Académie Julian to finish her studies.[17] In 1893 she exhibited her painting Une Dame Hollandaise at the Salon of the Société des Artistes Français, where it "received favourable attention.[18] Carlyle returned to Woodstock, where her family still resided in 1896.[19]
She had studios in London and Woodstock, and in 1897 became the first woman to be elected an Associate of the Royal Canadian Academy. In 1899, she established a studio in New York City.[20] In 1904, her oil painting The Tiff was selected to appear in the Canadian exhibition at the Louisiana Purchase Exposition, where it won a silver medal.[21][22] The Montreal Gazette described this painting (now in the permanent collection of the Art Gallery of Ontario)[14] as "a strong piece of work depicting a lover's quarrel", and praised its execution as "clear cut and decisive."[23]
The last twenty years of her life were spent in Crowborough, Sussex, England, where she and her partner, Juliet Hastings, bought an English cottage they called "Sweet Haws".[24]
Carlyle died at Crowborough in the spring of 1923. Most of her work is in the collection of the Woodstock Art Gallery in Woodstock, Ontario (55 works).[25]
At the Cowley Abbott Auction, Important Canadian Art (Sale 2), December 1, 2022, lot #112, The Studio (purchased by the Art Gallery of Ontario), oil on canvas, 35.25 x 21.5 ins (89.5 x 54.6 cms), Auction Estimate: $25,000.00 - $30,000.00, realized a price of $102,000.00.[26]
