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He was for decades one of the most popular singer-songwriters in Italy. His unique sound, song-crafting and especially his lyrics, often containing philosophical, religious, and culturally exotic references, as well as tackling or painting universal themes about the human condition earned him a unique spot on Italy's music scene, and the nickname of "Il Maestro"[5] His work includes songwriting and joint production efforts with several Italian and international musicians and pop singers, including the long-lasting professional relationship with Italian singers Alice and Giuni Russo. Together with Alice, Battiato represented Italy at the 1984 Eurovision Song Contest with the song "I treni di Tozeur".[6]
Biography
Early years and experimental period
Battiato was born in Ionia, the former name of the town of Giarre-RipostoSicily, Italy[7] After graduating from high school at the Liceo Scientifico "Archimede" in Acireale, and following the death of his father (truck driver and longshoreman in New York),[8] in 1964 he moved first to Rome, and then to Milan at age 19, and soon after won his first musical contract.
His single, "La Torre",[9] was released and Battiato appeared on TV to perform the song. He scored some success with the romantic song È l'amore. After some works as a guitarist and sound engineer for popular singers, he traveled to America for a small tour where he had considerable success. After that, Battiato met the experimental musician Juri Camisasca in 1970 and collaborated with Osage Tribe, an Italian psychedelic-progressive rock band. As a solo artist, he released the science-fiction single La convenzione (The convention), one of the finest Italian progressive rock songs of the 1970s.
Starting from 1971, Battiato devoted much of his efforts to experimental electronic music, producing a series of LPs that remained almost unknown at the time, but are now eagerly sought by collectors worldwide. Starting out with electronic progressive rock with some emphasis on vocals, his music became increasingly experimental, gradually moving into the realms of musique concrète and minimalism. Fetus, his first album, was produced in January 1972,[8] followed by Pollution (1973), Sulle Corde di Aries (1973), Clic (1974) and M.elle le "Gladiator" (1975).
In 1975, he moved to the Dischi Ricordi label, producing Battiato (1977), Juke Box (1978) and the experimental it:L'Egitto prima delle sabbie ("Egypt Before the Sands", 1978), which won the Stockhausen award for contemporary music. Battiato's early research about sound represented an important innovation as the basis of the THX and Stereophonic Sound.
National success
Battiato in 2005
After the Ricordi label failed to re-sign him, Battiato signed with EMI. He abandoned the progressive rock experiments of the previous years and moved to a more pop-oriented style which afforded him ever increasing popularity with both Italian and worldwide audiences. In this period his albums were usually in collaboration with the renowned musician and violinist Giusto Pio, whose two later albums were produced by Battiato.[10][citation needed]
After L'era del cinghiale bianco (The Era of the White Boar, 1979) Patriots was released, his first album of the 80s. That album was successful enough to reach the No 30 on the charts. It contains a few songs which have become Battiato's classics, such as "Le Aquile" (The Eagles) and "Prospettiva Nevskij" (Nevsky Prospect). This new era of his music marked the beginning of his collaboration with the singer Alice and the violinist Giusto Pio. His next album was La Voce del Padrone (The Master's Voice), with which he had even more success than with Patriots. His compositions sound both elegant, yet easy to listen to. This was the key to his growing fan base. The album contains many songs which became classics of Italian popular music and stayed at the number one position for six months, becoming the first Italian album with more than one million copies sold in a single month.[11][12] His commercial success was confirmed by L'arca di Noè (Noah's Ark) in 1982. Songs such as "L'era del cinghiale bianco" (1979), "Prospettiva Nevskij" (1980), "Centro di gravità permanente" ("Permanent Gravity Centrepoint", 1981), "Bandiera bianca" ("White Flag", 1981), and "Voglio vederti danzare" ("I Want To See You Dance", 1982) established his reputatin in his own country. Orizzonti perduti (Lost Horizons, 1983) was followed by the successful Mondi Lontanissimi (Faraway Worlds, 1985), which featured a solo version of the popular "I treni di Tozeur" ("The Tozeur Trains)", originally a duet with Alice performed at the 1984 Eurovision Song Contest.[6]
1988's Fisiognomica (Physiognomy) sold more than 300,000 copies and it confirmed Battiato's success. The album, considered by Battiato himself his best work for the balance between music and lyrics, contained the hit "Nomadi" ("Nomads"), originally recorded by Alice and written by his old friend Juri Camisasca, who in the meantime had retired to a Benedictine monastery. The album also included the songs "E ti vengo a cercare", which was performed by director/actor Nanni Moretti in his 1989 movie Palombella Rossa, and "Veni l'autunnu" with lyrics entirely in the Sicilian and Arabic languages.[citation needed]
In 1994 Battiato began to collaborate with the Sicilian philosopher Manlio Sgalambro, who was to write almost all the lyrics of his following albums. After the tentative L'ombrello e la macchina da cucire of 1995, in 1996 the duo published what is considered their best work so far, L'imboscata, containing the romantic hit "La cura" ("The care"), elected best Italian song of the year.[14]Gommalacca (1998, with an unusual stress on hard rock), Ferro battuto (2000) and Dieci stratagemmi (2004) continued on the same path, with variations mainly set by Battiato's unceasing desire for musical experimentation.[citation needed]
Later acts
In 2003 Battiato released his first feature film, Perduto amor (Lost love), for which he also composed the soundtrack. The movie won the Silver Ribbon for the best debutant director and was screened, out of competition as a Battiato request, with excellent critics in prestigious film festivals like Berlin, Cannes, Venezia, New York among others. His following movie was, Musikanten, an experimental work about Beethoven's last four years of life. The German musician was played by the Chilean director Alejandro Jodorowsky.
In November 2012, Battiato accepted an offer from newly elected Sicilian regional president Rosario Crocetta to become the regional Minister for Tourism and Culture, announcing he would not receive any salary for his position, but subsequently had to resign after a controversial statement in which he defined Sicily's corrupt political elite as "prostitutes".[15]
Final years
In the 2010s he issued Fleurs 1, Fleurs 3, and Fleurs 2, one after the other, in that specific order. They included covers of songs originally recorded by very famous Italian singers and singers-songwriters, as well as covers of French and English songs, plus three new songs. He went on releasing his music, always on a thin border between pop, rock and electronics, until 2010. He toured with Alice for the whole of 2016, but in 2017 he held his last concert in Catania. He would have continued his work, but he had to give up for health reasons. At the end of 2019, his manager announced his definitive retirement from the scene.[16][17]
Battiato died on 18 May 2021, at his home in Milo, Catania, surrounded by rumours about a neurodegenerative disease, osteoporosis or cancer. The real cause of death remains as a secret in order to respect Battiato's last request and family petition.[20]
The following year it was revealed that the artist had been suffering of multiple myeloma for years,
diagnosed in 2017.[21]
Discography
Franco Battiato in concert in Teatro Circo Price, Madrid 2013
