.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}You can help expand this article with text translated from the corresponding article in Hungarian. (December 2010) Click [show] for important translation instructions. View a machine-translated version of the Hungarian article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 584 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Hungarian Wikipedia article at [[:hu:Hidas Frigyes]]; see its history for attribution. You should also add the template ((Translated|hu|Hidas Frigyes)) to the talk page. For more guidance, see Wikipedia:Translation.
Frigyes Hidas

Frigyes Hidas (Hungarian: [ˈfriɟɛʃ ˈhidɒʃ]; 25 May 1928 – 7 March 2007) was a Hungarian composer.

Hidas was born and died in Budapest, where he studied composition at the Franz Liszt Academy of Music with János Visky. After his studies, he was the musical director of the National Theater in Budapest from 1951 to 1966 and also held the same role at the city's Operetta Theater from 1974 to 1979.

Following this, Hidas was a freelance composer. His oeuvre covered almost every genre, including operas, ballets, concertos, other orchestral works, chamber music, and vocal and choral music. He was one of the foremost names in the world of contemporary chamber and concert band music for wind instruments. In addition, he enjoyed various commissions from opera houses, radio stations, universities, ballet companies, and musical association and federations. He received many prizes and other forms of recognition for his musical services.

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