.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}@media all and (max-width:500px){.mw-parser-output .hidden-begin{width:auto!important;clear:none!important;float:none!important))You can help expand this article with text translated from the corresponding article in French. (April 2021) Click [show] for important translation instructions. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 6,130 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing French Wikipedia article at [[:fr:Front national des musiciens]]; see its history for attribution. You should also add the template ((Translated|fr|Front national des musiciens)) to the talk page. For more guidance, see Wikipedia:Translation.

The Front national des musiciens was an organization of musicians in Nazi occupied France that was part of the French Resistance. Active from the Spring of 1941 through the Autumn of 1944, the group's most prominent members were composers Elsa Barraine and Louis Durey, and conductor Roger Désormière. The organization had links to the French Communist Party resistance group.[1]

References

  1. ^ "Making music in Occupied Paris" by Nigel Simeone, Musical Times, Spring 2006