You do not have permission to edit this page, for the following reasons:

This IP address has been blocked from editing Wikipedia.
This does not affect your ability to read Wikipedia pages.
Most people who see this message have done nothing wrong. Some kinds of blocks restrict editing from specific service providers or telecom companies in response to recent abuse or vandalism, and can sometimes affect other users who are unrelated to that abuse. Review the information below for assistance if you do not believe that you have done anything wrong.

The IP address or range 54.163.0.0/16 has been blocked (disabled) by ‪Blablubbs‬ for the following reason(s):

The IP address that you are currently using has been blocked because it is believed to be a web host provider or colocation provider. To prevent abuse, web hosts and colocation providers may be blocked from editing Wikipedia.
You will not be able to edit Wikipedia using a web host or colocation provider because it hides your IP address, much like a proxy or VPN.
We recommend that you attempt to use another connection to edit. For example, if you use a proxy or VPN to connect to the internet, turn it off when editing Wikipedia. If you edit using a mobile connection, try using a Wi-Fi connection, and vice versa. If you are using a corporate internet connection, switch to a different Wi-Fi network. If you have a Wikipedia account, please log in.
If you do not have any other way to edit Wikipedia, you will need to request an IP block exemption.

How to appeal if you are confident that your connection does not use a colocation provider's IP address:
If you are confident that you are not using a web host, you may appeal this block by adding the following text on your talk page: ((unblock|reason=Caught by a colocation web host block but this host or IP is not a web host. My IP address is _______. Place any further information here. ~~~~)). You must fill in the blank with your IP address for this block to be investigated. Your IP address can be determined here. Alternatively, if you wish to keep your IP address private you can use the unblock ticket request system. There are several reasons you might be editing using the IP address of a web host or colocation provider (such as if you are using VPN software or a business network); please use this method of appeal only if you think your IP address is in fact not a web host or colocation provider.

Administrators: The IP block exemption user right should only be applied to allow users to edit using web host in exceptional circumstances, and requests should usually be directed to the functionaries team via email. If you intend to give the IPBE user right, a CheckUser needs to take a look at the account. This can be requested most easily at SPI Quick Checkuser Requests. Unblocking an IP or IP range with this template is highly discouraged without at least contacting the blocking administrator.

This block will expire on 17:28, 10 March 2024.

Even when blocked, you will usually still be able to edit your user talk page, as well as email administrators and other editors.

For information on how to proceed, please read the FAQ for blocked users and the guideline on block appeals. The guide to appealing blocks may also be helpful.

Other useful links: Blocking policy · Help:I have been blocked
Your IP address is in a range that has been blocked on all Wikimedia Foundation wikis. The block was made by ‪Jon Kolbert‬. The reason given is Open proxy/Webhost: See the help page if you are affected .
- Start of block: 18:27, 12 November 2023
- Expiry of block: 18:27, 12 November 2028
Your current IP address is 54.163.179.242. The blocked range is 54.163.0.0/16. Please include all above details in any queries you make. If you believe you were blocked by mistake, you can find additional information and instructions in the No open proxies global policy. Otherwise, to discuss the block please post a request for review on Meta-Wiki. You could also send an email to the stewards VRT queue at stewards@wikimedia.org including all above details.

You can view and copy the source of this page:

((Short description|British music group))
((EngvarB|date=December 2017))
((Use dmy dates|date=December 2017))
((refimprove|date=June 2013))
((Infobox musical artist
| name             = Fun-Da-Mental
| image            = 
| alt              = 
| caption          = 
| image_size       = 
| background       = group_or_band
| alias            = 
| origin           = United Kingdom
| genre            = ((flatlist|
*[[Hip hop music|Hip hop]]
*[[Ethnic electronica|ethno-techno]]
*[[World music#World fusion|world fusion]]
*[[British hip hop|UK((nbsp))hip((nbsp))hop]]
))
| years_active     = 1991–present
| label            = [[Mammoth Records]]<br>[[Nation Records]]<br>[[Beggars Banquet Records]]<br>Five Uncivilised Tribes
| associated_acts  = [[Southern Death Cult]]<br>[[Transglobal Underground]]<br>Detrimental (Lallaman & Goldfinger)
| current_members  = [[Aki Nawaz|Aki "Propa-Gandhi" Nawaz]]<br>Dave "Impi-D" Watts<br>[[Mushtaq Omar Uddin|MC Mushtaq]]<br>Hot Dog Dennis<br>Nick "Count Dubulah" Page<br>Amir Ali<br>Shamil Khan<br>Nadeem Shafi aka Scalper<br>Lloyd Sparkes
| past_members     = DJ Obeah<br>Inder "Goldfinger" Mantharoo<br>Bad-Sha Lallaman
))
'''Fun-Da-Mental''' is a British multi-ethnic [[Hip hop music|hip-hop]]–[[Ethnic electronica|ethno-techno]]–[[world fusion]] music group formed in 1991.<ref name="Donnell2002">((cite book|author=Andy Wood|chapter=Fun-Da-Mental|editor-link=Alison Donnell|editor=Alison Donnell|title=Companion to Contemporary Black British Culture|chapter-url=https://books.google.com/books?id=VfdpdZ9DwH0C&pg=PA120|year=2002|publisher=Routledge|isbn=978-1-134-70025-7|page=120))</ref> The group is notable for its energetic fusion of Eastern and Western musical forms, for its outspoken political stance, and for its strong Islamic affiliation and advocacy. Fun-Da-Mental's political stance has led to the group earning the label "the Asian [[Public Enemy (band)|Public Enemy]]". The group's work has led to international attention and collaborations with artists from [[Pakistan]], South Africa and [[Siberia]].

==Membership==
The core member of the group is [[Aki Nawaz|Aki "Propa-Gandhi" Nawaz]] (real name Haq Qureshi).

==History==

===Inception and original line-up (1991–1993)===

By 1991, Qureshi had become more interested in the artistic and political possibilities of hip hop, although he initially believed that hip hop's politics were "much more sorted" than was its music.<ref name=autogenerated3 />

The band was formed in the wake of the 1990s British Asian merging of hip hop and [[Bhangra (music)|bhangra]] music, during which time various "conscious rapper" groups began to emerge. Common themes expressed in this style of hip hop were very politically based within the sense of race and the Asian identity.<ref>((Cite book |url=https://www.worldcat.org/oclc/35029532 |title=Dis-orienting rhythms : the politics of the new Asian dance music |date=1996 |publisher=Zed Books |others=Sanjay Sharma, John Hutnyk, Ashwani Sharma |isbn=1-85649-469-1 |location=London |oclc=35029532 |page=42|chapter=Noisy Asians or 'Asian Noise'?))</ref>

This line-up of Fun-Da-Mental played the [[Notting Hill Carnival]] in August 1991 and continued to record and play concerts over the next two years. From 1992 onwards, Fun-Da-Mental began to release singles, beginning with "Janaam" and following up with "Gandhi's Revenge". 1993's "Wrath of the Blackman" (created around a sample taken from a [[Malcolm X]] speech)<ref name=autogenerated2>Hesmondhalgh, David and Caspar Melville. "Urban Breakbeat Culture: Repercussions of Hip-Hop in the United Kingdom." In Global Noise: Rap and Hip-Hop Outside the USA. Middletown: Wesleyan University Press, 2001. p. 95.</ref> further established the group's assertive anti-racist sentiments.

===Split of original line-up (1993)===
In 1993, tensions within Fun-Da-Mental came to a head.

According to Aki, the other factor was business-related. Nawaz has admitted that he had been too immersed in the group's creative and promotional work that he had not paid attention to the group's sales figures, meaning that he had neither noticed nor revealed to other group members  Lallaman and Inder Goldfinger Matharu, conversely, had believed that Fun-Da-Mental's press profile had translated into significant sales and were appalled to find out that the group was not making money.<ref name="innerviews">((cite web|url=http://www.innerviews.org/inner/fdm.html|title=Fun-Da-Mental – Inclusive insights|last=Prasad|first=Anil|year=2004|work=Innerviews (webzine)|accessdate=5 June 2010|url-status=dead|archiveurl=https://web.archive.org/web/20101126053526/http://innerviews.org/inner/fdm.html|archivedate=26 November 2010|df=dmy-all))</ref>
Lallaman and Inder Goldfinger Matharu subsequently formed '''Detrimental''' which built on Fun-Da-Mental's approach. Despite releasing the ''Xenophobia'' album in 1996, Detrimental ultimately failed to last as long as its parent group.

===Second line-up and ''Seize the Time''===
This line-up released the first full-length Fun-Da-Mental album, 1994's ''[[Seize the Time (Fun-Da-Mental album)|Seize the Time]]'' (on [[Mammoth Records]]). The album name itself was derived from the [[Black Panthers]] slogan, and the group's lyrics and texts promoted a fervently anti-racist political slant. The group drew strongly on the history and philosophy of the Black Power movement in the United States, albeit focused through a British Asian/Afro-Caribbean context and globally aimed left-wing politics.<ref name=autogenerated6 />

The response to the group's approach was varied. Some young British Muslims saw the group as providing a refreshing new meaning and interpretation of the fundamentals of Islam.<ref>((Cite web|url=http://www.trouserpress.com/entry.php?a=fun-da-mental|title=TrouserPress.com :: Fun-Da-Mental|website=Trouserpress.com|accessdate=October 11, 2019))</ref>

Fun-Da-Mental were subsequently given an opportunity to travel to South Africa. This inspired the single 'Gold Burger', described by the group as a tribute to oppressed peoples delivered on a global scale, and featuring samples of the [[ANC]] choir. The group also took the opportunity to perform with Cape Town's [[Prophets of Da City]], one of the few hip-hop groups who rap in Afrikaans.<ref name=autogenerated1>((Cite web |url=http://www.fun-da-mental.co.uk/ |title=Archived copy |access-date=30 April 2006 |archive-url=https://web.archive.org/web/20060420143517/http://www.fun-da-mental.co.uk/ |archive-date=20 April 2006 |url-status=dead ))</ref>

The uncensored version of the lead single "Dog Tribe" features a recording of a phone call from a member of the UK radical right-wing [[Neo-Nazi]] terrorist organization [[Combat 18]], who uses the racial slurs [[nigger]] and [[Paki (slur)|Paki]]. A voice sample of this part of the song quietly appears after the end credits in [[Squaresoft]]'s 1996 [[SNES]] video game ''[[Front Mission Series: Gun Hazard]]''.<ref>((cite web |title=Front Mission: Gun Hazard |url=https://tcrf.net/Front_Mission:_Gun_Hazard |website=[[The Cutting Room Floor (website)|The Cutting Room Floor]] |accessdate=1 April 2019))</ref>

===Further releases===
''Seize the Time'' was followed by a 1995 remix album ''With Intent to Pervert the Course of Injustice!'' released on Nawaz's own record label, [[Nation Records]].

In 1998 Fun-Da-Mental released their second album of original material – the more punk/funk-inclined ''Erotic Terrorism'' – on [[Beggars Banquet Records]]. This was followed by 1999's ''Why America Will Go to Hell'' and the world-music-inspired ''There Shall Be Love!'' (2001). In 2003, Fun-Da-Mental released the ''Voice of Mass Destruction'' EP.

The release of the album into a tense political climate led to harsh criticism of, and verbal attacks on, Nawaz and Fun-Da-Mental. ''[[The Observer]]'''s review of the album ''All is War (The Benefits of G-Had)'' said "Strip away the outrage, then, and what's left is an album pieced together with great consideration. To provoke not just a reaction but thought and debate."<ref>[http://observer.guardian.co.uk/omm/10bestcds/story/0,,1818107,00.html "Fun-Da-Mental, All is War"], Chris Campion, ''[[The Observer]]'', 16 July 2006.</ref>

==Musical style==
Fun-Da-Mental's music combines and juxtaposes Eastern and Western musical and cultural influences. These include British dance club electronics and American militant hip-hop inspirations, plus [[Music of India|Indian]], [[Afro-Caribbean music|Afro-Caribbean]], and [[worldbeat]] [[Sampling (music)|samples]]. The band's music also includes "a vast mix of Indian classical and popular film music, Moroccan Eastern drum beats, [[Qawwali]] sounds, Islamic chants, and the interweaving of dialogue from famous Hindi movies."<ref>Sharma, Sanjay. "Noisy Asians or 'Asian Noise'?"</ref>

Musically, Fun-Da-Mental have borrowed extensive samples from Indian film music, particularly from the string sections.  Through their juxtaposition with hip-hop rhythm tracks and angry raps, such samples are reconfigured, and a new hybrid Asian identity is emphasised.  The band's use of "Indian Sounds" is symbolic of certain experiences for second-generation British Asians.<ref name=autogenerated3>Hesmondhalgh, David and Caspar Melville. "Urban Breakbeat Culture: Repercussions of Hip-Hop in the United Kingdom." Global Noise: Rap and Hip-Hop Outside the USA, 86–110. Middletown: Wesleyan University Press, 2001.</ref>

==Political approach==
Fun-Da-Mental are an explicitly political and controversial band with an outspoken concern with social justice (particularly in regard to Britain's treatment of its Asian and Afro-Caribbean citizens) and have been described as "articulat(ing) eclectically a kind of militant Islamic-influenced, pro-Black anti-racist identity politics."<ref name=autogenerated6 /> The group takes pride in its militant stance, stating "We are hard politically, uncompromising musically and we won't be led by marketing angles.  We try to give people a bit of confidence.  People have to start educating themselves, respecting themselves."<ref name=autogenerated1 /> Because of their political stance, the group have earned the label "the Asian [[Public Enemy (band)|Public Enemy]]."<ref name=autogenerated2 />

The name of the group itself deliberately invokes the idea of [[Islamic fundamentalism]]((Citation needed|date=April 2022)), while the hip-hop-inspired hyphenation implies and indicates another purpose, that of combining pleasure ('fun') with thought ('mental').

Sometimes criticised for writing "extreme" or "hard left-wing" lyrics, the band's stated aim is to try to educate the British youth about the presence of Islam and about the causes of extreme behaviour. Fun-Da-Mental frequently sample the voices and rallying speeches of historically significant protest leaders from the past such as [[Gandhi]], [[Malcolm X]], [[Louis Farrakhan]] and the [[Black Panthers]]. The group have also promoted the merits of militancy and self-defense through the lyrics of their songs.<ref>((Cite journal
  | last = Ed. Mitchell
 | first = Tony
 | title = Global Noise
 | place = Middletown
 | publisher = Wesleyan University
 | year = 2001
 )).
</ref>

((Quote box
| bgcolor=#EEEEEE
| quoted=true
| quote  =""It's the white folks who need to rebel against their own ignorance – racism is their problem, economic terrorism is their problem, pollution is their problem – everything that is going wrong they have a hand in, they have an influence in – with all that is wrong in the world they are lucky to be dominating."
| source =Aki Nawaz<ref>((cite web|url=http://asianvibrations.com/cgi-bin/getFeature.cgi?featureNum=10|title=Aki Nawaz and Dave Watts of Fundamental|author=Gaurav|date=2 July 2002|publisher=AsianVibrations.com|access-date=13 September 2007|archive-url=https://web.archive.org/web/20061022023613/http://www.asianvibrations.com/cgi-bin/getFeature.cgi?featureNum=10|archive-date=22 October 2006|url-status=dead|df=dmy-all))</ref>
| width  =30%
| qalign =center
| salign =center
| align  =right
))
Despite their apparent allegiance to black nationalism, Fun-Da-Mental's greatest recognition and fan base has been amongst white audiences and institutions, with more response from white student populations than from the less-educated urban poor generally addressed by hardcore rap.((Citation needed|date=May 2009)) As a result, the group has gained considerably more coverage in the student-oriented British music press than any other British hip-hop act.<ref name=autogenerated3 />

===Promotion and discussion of Islam===
Fun-Da-Mental's lyrics consistently express the group's Islamic and ethnic pride, as well as the political issues which Muslims face within Britain. Exploring the position that Muslims are oppressed within Western culture because of their religion, the group aims to express the hardships and rejection which Western Muslims experience at the hands of their governments, and to assert through their lyrics the beauty of being Muslim. Nawaz has also directly incorporated quotations from the [[Qur'an]] into Fun-Da-Mental tracks. The band's symbol is a crescent, which not only invokes the sense of Islam but also of the Pakistani flag. Notably, Aki Nawaz's mother was one of the leading activists for [[Benazir Bhutto]]'s [[Pakistan Peoples Party]].<ref name=autogenerated3 />

((Quote box
| bgcolor=#EEEEEE
| quoted=true
| quote  =""It's always been about destroying all the stereotypical ideas about us and others and fighting against the preconceived misconceptions of a host society that has been poisoned by the past"
| source =Aki Nawaz<ref name=autogenerated1 />
| width  =30%
| qalign =center
| salign =center
| align  =left
))Fun-Da-Mental has also been one of the first British music groups to actively and fiercely defend the Muslim community by example. In particular, Fun-Da-Mental have set out to appeal to and voice the concerns of the alienated Muslim youth of British towns such as Bradford (Nawaz's birthplace and the original hometown of the group). Consequently, Fun-Da-mental has reached a significant number of British Muslim youths who identify with the situations and topics covered in the group's lyrics, slogans and presentation.<ref name=autogenerated3 /><ref>((Cite web|url=http://muslimcafe.tv/pages/guests.php?guest=36|archive-url=https://web.archive.org/web/20080322023214/http://muslimcafe.tv/pages/guests.php?guest=36|url-status=dead|archive-date=22 March 2008|title=Muslim Cafe - guest list - Aki Nawaz - Aki Nawaz a.k.a. Propa-Gandhi is a British rapper and musician, lead singer of the punk rap band Fun-Da-Mental. Born in Pakistan, he grew up in Bradford in the 1970s, and is best known for his controversial lyrics relating to the immorality of Western governments and suicide bombers. In the 1980s, using his proper name Haq Qureshi, he played drums with the rock band Southern Death Cult, a forerunner to The Cult, with Ian Astbury on vocals. In 1991 Nawaz went on to found the Islamic rap group Fun-Da-Mental.In 2006, when Fun-Da-Mental's record All is War was about to be released through his own Nation Records, two company directors from his distributor Beggar's Banquet Records, Martin Mills and Andrew Heath, threatened to resign. The record was finally released on August 7th 2006 as a download album.Aki is a regular media commentator and speaker at anti-war and Muslim events.|date=22 March 2008))</ref>

As is common within any culture with a hybrid demographic, British-born youths of Islamic heritage were struggling to fit into either aspect of their given identity and were trying to find a place for themselves. Fun-Da-Mental made this hybrid identity accessible, and allowed the youth to explore themselves. They countered the strict views and opinions of mosque scholars and Muslim community leaders with their own political manifesto. "Fun-Da-Mental's expressions of pride in Islam appealed to Muslim youth who had been raised on British popular culture yet also felt wounded by British Islamophobia."<ref name=autogenerated4>Swedenburg, Ted. "Islamic Hip-hop vs. Islamophobia." In Global Noise: Rap and Hip-Hop Outside the USA, 57–85. Middletown: Wesleyan University Press, 2001.</ref>

Fun-Da-Mental's work has been compared by cultural researcher Sanjay Sharma to that of the [[Nation of Islam]] in its combination of pro-black (or pro-non-white) assertion and condemnation of racism. The group has taken direct inspiration from several black activists in the United States and their reassertion of history. A particular inspiration was Malcolm X, who notably became a Muslim as part of his political journey: the group sometimes cite his pronouncement that  "I am a soldier named Alaha, so put down the cross and pick up the X". In the song "President Propaganda", Fun-Da-Mental's lyrics rely on the rhetoric of the [[Nation of Islam]] to send anti-Western messages. The lines "you had us whipped, raped, and lynched/Took away the Quran, you gave us the Bible" allude to issues such as slavery and religious persecution.<ref name=autogenerated6>Sharma, Sanjay. "Noisy Asians or 'Asian Noise'?" In Disorienting Rhythms: The Politics of the New Asian Dance Music, ed. Sanjay Sharma, John Hutnyk, and Ashwani Sharma, 32–57. London: Zed Books, 1996.</ref>

==Discography==
===Albums===
{| class="wikitable"
! Year
! Title
|-
| 1994
| ''[[Seize the Time (Fun-Da-Mental album)|Seize the Time]]''
|-
| 1995
| ''With Intent to Pervert the Cause of Injustice'' [remixes]
|-
| 1998
| ''Erotic Terrorism''
|-
| 1999
| ''Why America Will Go to Hell'' [remixes]
|-
| 2001
| ''There Shall Be Love!''
|-
| 2003
| ''Voice of Mass Destruction'' [remixes]
|-
| 2006
| ''All Is War (The Benefits of G-Had)''
|-
| 2012
| ''An Influence Invisible''
|-
| 2015
| ''Philosophy of Nothing''
|}

===Singles===
{| class="wikitable"
! Year
! Title
|-
| 1992
| "Janaam"
|-
| 1992
| "Gandhi's Revenge"
|-
| 1993
| "Wrath of the Blackman"
|-
| 1993
| "Countryman"
|-
| 1994
| "Dog Tribe"
|-
| 1994
| "Cointelpro" (promo only)
|-
| 1994
| "Gold Burger"
|-
| 1995
| "Mother India"
|-
| 1996
| "Goddevil"
|-
| 1997
| "Ja Sha Taan"
|-
| 1998
| "Demonised Soul"
|-
| 2001
| "The Last Gospel"
|-
|}

==See also==
*[[Native Deen]]
*[[DAM (band)]]
*[[Dirty Kuffar]]
*[[Mecca2Medina]]

==References==
((Reflist))

==External links==
((external links|date=August 2023))
*[https://web.archive.org/web/20110707052808/http://www.fun-da-mental.co/ Official site]
*[http://arts.guardian.co.uk/news/story/0,,1807542,00.html Guardian article]
*[https://web.archive.org/web/20060806051441/http://enjoyment.independent.co.uk/music/features/article1211733.ece Independent article]
*[http://news.bbc.co.uk/2/hi/entertainment/5126152.stm BBC news item] includes video interview.
*[http://observer.guardian.co.uk/omm/10bestcds/story/0,,1818107,00.html Observer album review]
*[https://web.archive.org/web/20061022023613/http://www.asianvibrations.com/cgi-bin/getFeature.cgi?featureNum=10 AsianVibrations.com Interview]
*[http://www.redpepper.org.uk/civ/x-aug06-saini.htm Red Pepper article]
*[http://www.socialistworker.co.uk/article.php?article_id=9369 Socialist Worker article]
*[http://www.londragazete.com/?newsid=8674&category=119 Londra Gazete article]
*[http://www.oxfordmail.net/news/headlines/display.var.876569.0.radical_singer_takes_to_stage.php Oxford mail article]
*[http://entertainment.timesonline.co.uk/article/0,,14932-2297528,00.html Times Online article]
*[https://web.archive.org/web/20070929131314/http://www.indianexpress.com/sunday/story/9096.html Indian Express article]
 

((Authority control))

[[Category:English hip hop groups]]
[[Category:Asian Underground musicians]]
[[Category:Worldbeat groups]]
[[Category:World fusion groups]]
[[Category:Political music groups]]
[[Category:Beggars Banquet Records artists]]
[[Category:Nation Records artists]]

Pages transcluded onto the current version of this page (help):

Fun-Da-Mental (edit)
Template:Ambox (view source) (template editor protected)
Template:Authority control (view source) (template editor protected)
Template:Br separated entries (view source) (template editor protected)
Template:Category handler (view source) (protected)
Template:Citation needed (view source) (protected)
Template:Cite book (view source) (protected)
Template:Cite journal (view source) (protected)
Template:Cite web (view source) (protected)
Template:DMCA (view source) (template editor protected)
Template:Dated maintenance category (view source) (template editor protected)
Template:Dated maintenance category (articles) (view source) (template editor protected)
Template:Delink (view source) (protected)
Template:EngvarB (view source) (template editor protected)
Template:External links (view source) (template editor protected)
Template:FULLROOTPAGENAME (view source) (template editor protected)
Template:Find sources mainspace (view source) (template editor protected)
Template:Fix (view source) (protected)
Template:Fix/category (view source) (protected)
Template:Flatlist (view source) (protected)
Template:Hlist/styles.css (view source) (protected)
Template:If empty (view source) (protected)
Template:Infobox (view source) (template editor protected)
Template:Infobox musical artist (view source) (template editor protected)
Template:Infobox musical artist/color (view source) (template editor protected)
Template:Infobox musical artist/hCard class (view source) (template editor protected)
Template:Main other (view source) (protected)
Template:More citations needed (view source) (template editor protected)
Template:Nbsp (view source) (protected)
Template:Nowrap (view source) (protected)
Template:Ns has subpages (view source) (protected)
Template:Pagetype (view source) (protected)
Template:Plainlist/styles.css (view source) (protected)
Template:Quote box (view source) (template editor protected)
Template:Quote box/styles.css (view source) (template editor protected)
Template:Refimprove (view source) (template editor protected)
Template:Reflist (view source) (protected)
Template:Reflist/styles.css (view source) (protected)
Template:SDcat (view source) (protected)
Template:Short description (view source) (protected)
Template:Short description/lowercasecheck (view source) (protected)
Template:Spaces (view source) (protected)
Template:Template other (view source) (protected)
Template:Tooltip (view source) (template editor protected)
Template:Tooltip/styles.css (view source) (template editor protected)
Template:Use dmy dates (view source) (template editor protected)
Template:Yesno (view source) (protected)
Template:Yesno-no (view source) (template editor protected)
Template:Yesno-yes (view source) (template editor protected)
Module:Arguments (view source) (protected)
Module:Authority control (view source) (template editor protected)
Module:Authority control/auxiliary (view source) (template editor protected)
Module:Authority control/config (view source) (template editor protected)
Module:Category handler (view source) (protected)
Module:Category handler/blacklist (view source) (protected)
Module:Category handler/config (view source) (protected)
Module:Category handler/data (view source) (protected)
Module:Category handler/shared (view source) (protected)
Module:Check for unknown parameters (view source) (protected)
Module:Citation/CS1 (view source) (protected)
Module:Citation/CS1/COinS (view source) (protected)
Module:Citation/CS1/Configuration (view source) (protected)
Module:Citation/CS1/Date validation (view source) (protected)
Module:Citation/CS1/Identifiers (view source) (protected)
Module:Citation/CS1/Utilities (view source) (protected)
Module:Citation/CS1/Whitelist (view source) (protected)
Module:Citation/CS1/styles.css (view source) (protected)
Module:Delink (view source) (protected)
Module:Disambiguation/templates (view source) (protected)
Module:EditAtWikidata (view source) (protected)
Module:Find sources (view source) (template editor protected)
Module:Find sources/config (view source) (template editor protected)
Module:Find sources/links (view source) (template editor protected)
Module:Find sources/templates/Find sources mainspace (view source) (template editor protected)
Module:If empty (view source) (protected)
Module:Infobox (view source) (template editor protected)
Module:Infobox/styles.css (view source) (template editor protected)
Module:InfoboxImage (view source) (template editor protected)
Module:Message box (view source) (protected)
Module:Message box/ambox.css (view source) (protected)
Module:Message box/configuration (view source) (protected)
Module:Namespace detect/config (view source) (protected)
Module:Namespace detect/data (view source) (protected)
Module:Navbar (view source) (protected)
Module:Navbar/configuration (view source) (protected)
Module:Navbox (view source) (template editor protected)
Module:Navbox/configuration (view source) (template editor protected)
Module:Navbox/styles.css (view source) (template editor protected)
Module:Ns has subpages (view source) (protected)
Module:Pagetype (view source) (protected)
Module:Pagetype/config (view source) (protected)
Module:Pagetype/disambiguation (view source) (protected)
Module:Pagetype/setindex (view source) (protected)
Module:Pagetype/softredirect (view source) (protected)
Module:SDcat (view source) (protected)
Module:Separated entries (view source) (protected)
Module:String (view source) (protected)
Module:TableTools (view source) (protected)
Module:Unsubst (view source) (protected)
Module:Wikitext Parsing (view source) (template editor protected)
Module:Yesno (view source) (protected)

Return to Fun-Da-Mental.

Retrieved from "https://en.wikipedia.org/wiki/Fun-Da-Mental"