Gabriel Rockhill | |
|---|---|
 Rockhill in Paris, 2017 | |
| Born | 1972 |
| Alma mater | Grinnell College School for Advanced Studies in the Social Sciences Paris 8 University Emory University |
| Occupation | Philosopher |
| Employer | Villanova University |
Gabriel Rockhill (born 1972) is a French-American philosopher, writer, cultural critic, and activist. He is Professor of Philosophy at Villanova University,[1] Director of the Critical Theory Workshop/Atelier de Théorie Critique, and former Directeur de programme at the Collège International de Philosophie.[2]
Best known for his innovative scholarly work in the fields of history, aesthetics and politics, he is also a regular contributor to public intellectual debate, and his writings have circulated widely in venues such as CounterPunch, Black Agenda Report, the New York Times, Libération and the Los Angeles Review of Books.
As an undergraduate Rockhill attended Grinnell College in Iowa, graduating in 1995.[3] He then moved to Paris to study philosophy, where he studied with many leading French intellectuals. He earned a master's degree under the direction of Jacques Derrida and Luce Irigaray from the School for Advanced Studies in the Social Sciences, and a Ph.D. under the direction of Alain Badiou from Paris 8 University, where Étienne Balibar led the committee for the dissertations evaluation. Rockhill also holds a Ph.D. in philosophy from Emory University.[3]
Rockhill has advanced a new model for thinking the historical relationship between art and politics. Rather than understanding them as two spheres separated by an insurmountable divide or linked by a privileged bridge, he demonstrates through historical and materialist analysis that they are not fixed entities with a singular relation, but rather social practices and "concepts in struggle." In books like Radical History & the Politics of Art (Columbia University Press, 2014) and Interventions in Contemporary Thought: History, Politics, Aesthetics (Edinburgh University Press, 2016), he proposes a significant departure from extant philosophical debates on what is commonly called "art" and "politics" in the name of a radically historicist analysis of the political dimensions inherent in the modes of production, circulation and reception of aesthetic practices. Engaging with a diverse array of intellectual, artistic, and political traditions, his work carefully maps interactions between different aspects of aesthetic and political practices as they intertwine and sometimes merge in specific fields of struggle.
In his earlier work, Logique de l'histoire: pour une analytique des pratiques philosophiques (Éditions Hermann, 2010), he developed an alternative logic of history and historical change, which emphasizes the geographic and social dimensions of history, as well as a novel account of social practices and a multidimensional theory of agency. His most recent book, Contre-histoire du temps présent: interrogations intempestives sur la mondialisation, la technologie, la démocratie (CNRS Éditions, 2017; published in English as Counter-History of the Present: Untimely Interrogations into Globalization, Technology, Democracy, Duke University Press, 2017) expands this work to a critical analysis of the dominant image of the present moment, thereby dismantling what he refers to as the "historical and political imaginary of the contemporary conjuncture."
Since 2008, Rockhill has directed the Critical Theory Workshop/Atelier de Théorie Critique in Paris. Originally conceived as a study abroad program for Villanova University, it currently operates as an independent nonprofit that hosts an annual Summer School at the School for Advanced Studies in the Social Sciences.
In addition to his scholarly publications, Rockhill has written a number of essays of political critiques that tie the United States' Central Intelligence Agency and other Western capitalist nation-states' security apparatus of having influenced the anti-communist politics of Western intellectual thought, including the Frankfurt School, Michel Foucault, and Slavoj Žižek. These online articles for prominent left literary publications have been subject to widespread debate and have been translated into multiple languages.[4][5][6][7]
