Gallows formed in 2005[4] and released their debut album Orchestra of Wolves in 2006 on In at the Deep End Records. The album received acclaim and caught the attention of Bad Religion's Brett Gurewitz, who released it in the US on Epitaph Records, with new tracks including a cover of Black Flag's "Nervous Breakdown". In an interview Gurewitz named Orchestra of Wolves as one of his favourite albums of 2007, praising it as being the best hardcore album since Refused's The Shape of Punk to Come.
Gallows in 2007, left to right: Gili-Ross, Barratt, Frank Carter, Steph Carter, and Barnard
Gallows' third single, a cover of The Ruts' "Staring at the Rude Bois", was their first UK top 40 single, appearing at number 31 on the chart on 25 November 2007, the track features guest vocals by Lethal Bizzle. The song was featured in the 2008 Jim Carrey film Yes Man.[6] The band in February released a single, "Just Because You Sleep Next to Me Doesn't Mean You're Safe", the video for which was filmed at Emo's in Texas.[7]
In January 2008, the band's show at the House of Blues in Anaheim, California was cancelled after Disney, reportedly after listening to Orchestra of Wolves, chose to ban them from performing.[8]
On 18 August 2008, the song Gold Dust was made available on the band's MySpace profile. They stated that the song would not appear on the second studio album, saying it was "...just a little treat for everyone that's been asking for new Gallows songs for a while."[9]
Grey Britain (2008–2011)
Former singer Frank Carter (left) and bassist Stuart Gili-Ross (right) in 2007
On 5 December 2008, Thrash Hits revealed that the title of Gallows' second album would be Grey Britain.[10] The album was released on 2 May 2009.
In December 2009, Gallows mutually parted ways with Warner Brothers.[16]
On 6 June 2010, Gallows played at Rage Against the Machine's victory parade at Finsbury Park in London, UK. They supported Rage Against the Machine and Gogol Bordello at the O2 in Dublin on 7 June 2010.
Gallows played at the Soundwave Festival during late February and early March 2010. They performed on the second stage at the Warrior's Dance Festival at the National Bowl on 24 July 2010,[17] played at the 2010 UK Sonisphere Festival,[18] as well as co-headlining Kent's Hevy Festival on 7 August 2010.[19] They also played Reading and Leeds Festivals 2010 on the Lock Up stage under the pseudonym of The Rats.[20]
Frank Carter left Gallows in July 2011, issuing a statement that the band "have hit a crossroads in our writing process and unfortunately myself and the rest of the boys have different ideas regarding the sound of Gallows going forward. Gallows have decided they are going to continue on without me and I wish the boys the best of luck for the future."[21]
Frank's brother and bandmate Steph remarked: "As you all know, we've been in the studio for the past few months working on a follow-up to Grey Britain. It pains me to say that as of 1 August Frank will no longer be a member of Gallows. Creatively, we could not agree on a direction for the new record and came to the conclusion that parting ways was for the best. Frank will be releasing music with his new project Pure Love later this year and we all wish him best. He is and will always be our brother, as well as an integral part of the start of our career."[21] The band made their last festival appearance with Frank at the Sonisphere festival, and he played his final show with Gallows at London ULU on 23 July 2011.[22]
Frank Carter eventually formed another project under the name Frank Carter and the Rattlesnakes, returning to his hardcore punk roots.
Former Alexisonfire guitarist/vocalist Wade MacNeil replaced Carter as Gallows' singer in August 2011, shortly after Alexisonfire announced their disbandment.[23] The band's first recording with MacNeil, the 40-second "True Colours", was released as a free digital download.[24] The 4-song Death Is Birth EP, recorded in Los Angeles with The Bronx guitarist Joby Ford as producer, was released that December through Thirty Days of Night Records.
Gallows began recording their third album, and first with MacNeil, in April 2012.[25] They launched their own record label, Venn Records, through which to release it.[26] The eponymously titled Gallows was released 10 September 2012, and was distributed by Bridge Nine Records in North America.[27][28] In February 2013 the band announced that they would be continuing as a four-piece, with Steph Carter leaving to focus on his other band, Ghost Riders in the Sky.[29] In July 2014 Gallows played a string of festival shows throughout Europe including Sonisphere Festival at Knebworth, and once again retreated to the studio in Watford to write and record their fourth album.
Desolation Sounds (2014–2015)
In the summer of 2014 the band completed their fourth album, titled Desolation Sounds, with the release originally planned for November.[30][31] However, the release date was pushed back, with the album instead being released on 13 April 2015. The album's first single 'Bonfire Season' was debuted on the Radio 1 Rock Show with Daniel P Carter on 11 January, with a release date of 9 February being given for the EP, which will also feature a remix and two bonus cover tracks.
Hiatus, other projects and return (2015–2023)
Gallows played their final show in support of Desolation Sounds on 31 May 2015 at the Rockavaria festival. Following the end of the tour, McNeil reunited with Alexisonfire for a run of live shows, while Barnard joined the band Krokodil and formed a new band, Gold Key. Barratt also founded a new band, Funeral Shakes.
On 16 October 2018 the band's Twitter account posted an 11-second video featuring their logo and dissonant noise.[32] A week later, the band were announced as one of the first eight bands to be part of the 2019 Slam Dunk Festival line-up.[33] Following their appearance at the festival, the band resumed their hiatus.
On 21 September 2023, ex-guitarist Steph Carter was featured on an episode of Sean Smith's Sappenin' Podcast and revealed that the band's original lineup had spoken about reuniting for a handful of shows. The plans unfortunately did not materialise due to undisclosed disagreements within the band.[34]
"—" denotes releases that did not chart. "n/a" denotes singles that are not from albums.
Other appearances
The following Gallows songs were released on compilation albums. This is not an exhaustive list; songs that were first released on the band's albums, EPs, or singles are not included.
^Lymangrover, Jason. "Gallows – Great Britain". AllMusic. Retrieved 22 May 2015. ...[Gallows] rethought their plans ... [for] Grey Britain, and ultimately came to a decision to revamp their sound with a metal edge. There's the same screaming angst and relentless speed that was celebrated in their first outing, but now Carter's shrieks are backed by double kick drums and explosive speed metal guitar riffs that have more in common with Slayer and early Metallica than Black Flag or the Exploited. Shifting into metalcore territory is a tricky decision, since a lot of their initial appeal was due to the fact that they were making their own personal stamp on revitalizing punk — a genre that's becoming increasingly saturated with commercialism.
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