The song has been said to be musically reminiscent of the Beatles' hit single "Penny Lane".[4] It moves forward by way of regular chords, produced by Lennon and George Harrison's electric guitar. George Martin plays Pianet and piano, on the latter bypassing the keyboard and directly striking the strings.[5] These heavily accented and repetitive lines cause the song to sound as if it is based on a drone. Harrison added an Indian tambura part to the final verse, which further accentuates this impact. The sound of the percussion introduced in this section combines with the tambura to create an Indian mood.[6]
McCartney's bassline, in counterpoint to this droning, was described by music critic Ian MacDonald as "dreamy" and "well thought out as a part of the production by McCartney".[7] It was recorded after the main track was completed, as were many of the bass lines on Sgt Pepper's Lonely Hearts Club Band.[8] Starting out in the verse with a pedal on the root note (G) that leaps two octaves, McCartney moves to a marching quarter-note (walking) bass line for the first (and only the first) chorus. In stark contrast, all subsequent choruses are played using a fluid, swing feel, full of anticipated notes that propel the song forward despite the quarter-note droning of the guitar and keyboard.
According to Beatles biographer Hunter Davies and MacDonald, the initial idea for the song's title came from a phrase often spoken by Jimmie Nicol, the group's stand-in drummer for the Australian leg of their 1964 world tour.[3][7] The title and music suggest optimism, but some of the song's lyrics have a more negative tone. In this sense, it reflects the contrasting personas of the two songwriters. In response to McCartney's line, "It's getting better all the time", Lennon replies, "Can't get no worse!"[9] In a December 1983 interview, McCartney praised this contribution as an example of things he "couldn't ever have done [him]self".[10] In a 1969 interview, Lennon cited "Getting Better" as an example of "pure Beatles" music, whereby, with the four band members developing a song, "we've all written it and we've all turned it into sort of pure Beatle."[11]
In a 1980 interview in Playboy with John Lennon and Yoko Ono, Lennon, when asked about the song, said that the song's lyrics came personally from his own experience abusing women in relationships in the past. He states: "It is a diary form of writing. All that 'I used to be cruel to my woman / I beat her and kept her apart from the things that she loved' was me. I used to be cruel to my woman, and physically – any woman. I was a hitter. I couldn't express myself and I hit. I fought men and I hit women. That is why I am always on about peace, you see. It is the most violent people who go for love and peace. Everything's the opposite. But I sincerely believe in love and peace. I am a violent man who has learned not to be violent and regrets his violence. I will have to be a lot older before I can face in public how I treated women as a youngster."[12]
Lennon's LSD incident
One of the recording sessions for "Getting Better" is infamous for an incident involving Lennon. During the 21 March 1967 session in which producer George Martin added a piano solo to "Lovely Rita", Lennon complained that he did not feel well and could not focus.[13][14] He had accidentally taken LSD when he meant to take an upper.[15] Unaware of the mistake, Martin took him up to the roof of EMI Studios for some fresh air, and returned to Studio Two where McCartney and Harrison were waiting. They knew why Lennon was not well, and upon hearing where Lennon was, rushed to the roof to retrieve him and prevent a possible accident.[14][16][17]
^Everett 1999, p. 123. "In the United Kingdom Sgt. Pepper's Lonely Hearts Club Band ... was rush-released six days ahead of its official date, June 1."
Emerick, Geoff; Massey, Howard (2006). Here, There and Everywhere: My Life Recording the Music of the Beatles. New York: Penguin Books. ISBN1-59240-179-1.
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