.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}You can help expand this article with text translated from the corresponding article in German. (June 2017) Click [show] for important translation instructions. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 9,029 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing German Wikipedia article at [[:de:Gioas re di Giuda]]; see its history for attribution. You should also add the template ((Translated|de|Gioas re di Giuda)) to the talk page. For more guidance, see Wikipedia:Translation.

Gioas re di Giuda (Joas, king of Judah) is an Italian-language oratorio libretto by Pietro Metastasio written in 1735 for imperial court composer Georg Reutter the younger and later set by at least 25 composers.[1] The plot is based on the life of King Joash of Judah.

Settings

The 1823 setting of an anonymous libretto by Simone Mayr, Innalzamento al trono del giovane re Gioas, is only thematically based on Metastasio's original.

References

  1. ^ Howard E. Smither, A History of the Oratorio: Vol. 3: the Oratorio in the Classical Era. 2012 -0807836613 "In Metastasio, Opere, 2:1322–25, Brunelli lists the following numbers of composers in the eighteenth and nineteenth centuries who set Metastasio's oratorios: Betulia, 33; Isacco [de], 27; Giuseppe [de], 25; Gioas, 24; Abel [de], 22; La passione, 19; ..."
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