Good Old Boys is the fourth studio album by American musician Randy Newman, released on September 10, 1974 on Reprise Records, catalogue number 2193. It was Newman's first album to obtain major commercial success, peaking at number 36 on the Billboard 200 and number 58 in Canada.[1] The premiere live performance of the album took place on October 5, 1974, at the Symphony Hall in Atlanta, Georgia, with guest Ry Cooder and Newman conducting the Atlanta Symphony Orchestra.
Genesis
Good Old Boys was initially envisioned as a concept album about a character named Johnny Cutler, an everyman of the Deep South. Newman made a demo of these songs on February 1, 1973: they were released as the bonus disc for the 2002 reissue, titled Johnny Cutler's Birthday.
The kernel of this concept survived into the released album, although as Newman's take on viewpoints from the inhabitants of the Deep South in general, rather than from a single individual character. As on his previous release, Newman addressed generally taboo topics such as slavery and racism, most stringently on the opening song "Rednecks", a simultaneous satire on institutional racism in the Deep South and the hypocrisy of the northern states in response.
As with all of Newman's early albums, some material Newman wrote had been previously recorded by other artists. In this case, "Guilty" had been initially recorded and released by Bonnie Raitt on her 1973 album Takin' My Time.
A lengthy analysis of Good Old Boys, including a detailed description of the Dick Cavett Show broadcast that inspired "Rednecks", is included in Steven Hart's essay "He May Be a Fool But He's Our Fool: Lester Maddox, Randy Newman, and the American Culture Wars", included in the collection Let the Devil Speak: Articles, Essays, and Incitements.
In 2014, Turntable Publishing released the ebook Song of the South: Randy Newman's Good Old Boys, by David Kastin, a full-length critical study of the album's sources, evolution, and reception. In the Sixth Edition of his classic Mystery Train, Greil Marcus cited Kastin's book as an "effectively-illustrated...excavation of the entire severed corpus of the work and a deep dive into the history—musical, social economic, sectional, and water-born—Newman both drew from and recast."
Singles
On the same day as the album, the track "Guilty" was released as Reprise single 1324, with "Naked Man" on the B-side, and on January 29, 1975, the track "Louisiana 1927" was released as Reprise single 1387, with "Marie" on the flip. Neither single appeared on the Billboard Hot 100.
On May 21, 2002, an expanded edition of the album was issued by Rhino Records on compact disc, including a bonus track demo of "Marie" and a second disc containing the February, 1973 demos entitled Johnny Cutler's Birthday. Included in these demo recordings are Newman's verbal descriptions of sound effects and other characters, the songs as a whole describing a narrative in the vein of integrated musicals dating from the 1940s. "Doctor, Doctor" is an early version of "Back on My Feet Again". The song "Marie" was used in the family film Paulie in 1998.
All tracks were written and arranged by Randy Newman (with the exception of "Every Man a King"); strings arranged by Nick DeCaro on "Marie" and "Rollin'"; Moog and ARPsynthesizers programmed by Malcolm Cecil and Robert Margouleff.
Track listing
All tracks are written by Randy Newman except where noted
