Gustav Fock (18 November 1893 – 12 March 1974) was a German music historian, editor early music and organologist (musical instrumentologist). He is considered the most important Schnitger researcher of his time.

Life and work

Born in Neuenfelde, Fock was a captain's son from a family of seafarers in 1893. His father's name was Claus Hinrich Fock and he died early in 1913. His mother was Greta, née Fortriede, Tiedemann († 1969). Claus Hinrich Fock was the owner and skipper of the two-masted ships called "Cadet" and later "Greta".

His lifelong fascination for Arp Schnitger - who was also born in Neuenfelde - and his encounter with Schnitger's organ there awakened his lifelong fascination for this organ builder. He attended the Royal Music Institute of Berlin in Berlin-Charlottenburg in 1919/20, then studied musicology with Max Seiffert at the Humboldt-Universität zu Berlin and with Fritz Stein in Kiel, where he was granted his doctorate in 1931 on "Hamburgs Anteil am Orgelbau im niederdeutschen Kulturgebiet". Afterwards he was Studienrat for music at Hamburg grammar schools until his retirement (1958). He lived in Hamburg-Blankenese until his death in 1974 at the age of 80.

Musically, Fock was particularly influenced by his teacher Max Seiffert. The organ movement also exerted its influence on him. He wrote numerous music-historical treatises, especially on North German and Dutch organ culture. From 1942 to 1949 he investigated the music history of St. Michaelis, Lüneburg, but was unable to complete this work.[1] Fock veranstaltete Orgelfahrten, um die historischen Orgeln einem breiten Publikum zu erschließen.[2] He was particularly interested in the Schnitger organ (Hamburg).[3]

In 1955 and 1960, Fock discovered two manuscripts of the Zellerfelder Tabulatur,[4] One of the most important sources for the organ works of Jan Pieterszoon Sweelinck and his school.[5] Of particular importance are the chorale arrangements and Magnificat settings by Heinrich Scheidemann, some of which were unknown until that time, and which he also published. His life's work is a monograph on "Arp Schnitger and his school", which only appeared posthumously in the year of his death. A publication of the manuscript, completed in 1940, had been delayed during the Second World War and lost due to bombing. Fortunately, Fock's meticulously compiled collection of material was preserved. Fock's treatise is the fundamental work on Arp Schnitger, his predecessors and successors, and all of Schnitger's organ buildings.[6]

In addition to his publishing activities, Fock was a performing musician and was responsible as a conductor for several first performances, especially of Telemann cantatas, which he also published.

Fock's comprehensive musical estate archive integrates the scholarly estate of Max Seiffert. Since 1987, the largest part has been in the Staats- und Universitätsbibliothek Hamburg [de]. The rest was located in Osterholz-Scharmbeck under the care of Harald Vogel and was to be systematically processed and digitised with the help of the University of the Arts Bremen.[7] The collection was handed over to the Arp Schnitger Society in Golzwarden in 2011, which handed it over to the State Archives in Oldenburg.[8]

Publications

as editor

References

  1. ^ Zur Musik und Glasmalerei in St. Michaelis Lüneburg, 2004.
  2. ^ Orgelfahrt in den Frühling. In Hamburger Abendblatt, 21 May 1962, p. 13; retrieved 15 February 2021 (PDF).
  3. ^ Zur Geschichte der Schnitgerorgel in St. Jakobi in Hamburg, 1961.
  4. ^ Werner Breig: Die Orgelwerke von Heinrich Scheidemann. Franz Steiner, Wiesbaden 1963, p. 6 (online).
  5. ^ Fock: Zellerfelder Orgeltabulaturen. In MGG 14th pp. –1207.
  6. ^ Konrad Küster: Musik am Deich. 500 Jahre Orgelkultur in den Marschen (PDF; 368 kB) p. 23; retrieved 15 February 2021.
  7. ^ A Centre for the Queen of Instruments Press release of the HfK Bremen; retrieved on 3 July 2020.
  8. ^ Göteborg Organ Art Center: Arp Schnitger Orgel Datenbank; retrieved 15 February 2021.

Further reading

External links

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