Gustave Baumann | |
|---|---|
 | |
| Born | June 27, 1881 |
| Died | October 8, 1971 (aged 90) |
| Nationality | German, American |
| Alma mater | Königliche Kunstgewerbeschule München |
| Known for | Printmaking, marionettes, painting |
Gustave Baumann (June 27, 1881 – October 8, 1971) was an American printmaker and painter, and one of the leading figures of the color woodcut revival in America.[1] His works have been shown at the New York Metropolitan Museum of Art, The Cleveland Museum of Art, the National Gallery of Art in Washington DC, and the New Mexico Museum of Art.[2] He is also recognized for his role in the 1930s as area coordinator of the Public Works of Art Project of the Works Progress Administration.[3]
Gustave Baumann was born in Magdeburg, Germany, and moved to the United States in 1891 with his family. By age 17 he was working for an engraving house while attending night classes at the Art Institute of Chicago. He returned to Germany in 1904 to attend the Kunstgewerbeschule in Munich where he studied wood carving and learned the techniques of wood block prints. After returning to the United States, he began producing color woodcuts as early as 1908, earning his living as a graphic artist.
He spent time in Brown County, Indiana as a member of the Brown County Art Colony, developing his printmaking technique. He followed the traditional European method of color relief printing using oil-based inks and printing his blocks on a small press. This contrasted with the trend at the time of many American artists to employ hand rubbed woodblock prints in the Japanese traditional style.[4] By this time he had developed his personal artist's seal: the opened palm of a hand on a heart. His Mill Pond is the largest color woodcut produced at the time. These were shown at the 1915 Panama–Pacific International Exposition where Baumann won the gold medal for color woodcut.[5]
In 1918, he headed to the Southwest to inquire into the artists' colony of Taos, New Mexico. Thinking it too crowded and too social, he boarded the train which stopped in Santa Fe.[5] Its art museum had opened the previous year and its curator, Paul Water, persuaded Baumann to stay in Santa Fe.[6]
In Santa Fe, Baumann befriended many local artists and took part in various community celebrations. He made the head of the first Zozobra and carved and performed with marionettes.[7] He was a member of the Society of American Graphic Artists and the Taos Society of Artists. Baumann married Jane Devereaux Henderson on June 25, 1925. Their daughter, Ann, was born on July 31, 1927.[8] He remained in Santa Fe for more than fifty years until his death there in 1971.[9]
In addition to his popular color woodcuts, Baumann also made oil paintings and furniture. His work depicted southwestern landscapes, ancient Indian petroglyphs, scenes of pueblo life, and gardens and orchards.
Refer to Gala Chamberlain's book In A Modern Rendering: The Color Woodcuts of Gustave Baumann: A Catalog Raisonne (2019) to see an array of works completed by Gustave Baumann during his lifetime. This book documents over 429 distinct images. Highlights include:
Baumann's work is held in the permanent collections of the Albuquerque Museum,[11] Akron Art Museum,[12] Art Institute of Chicago,[13] Indianapolis Museum of Art[14] New Mexico Museum of Art,[15][16] Stark Museum of Art,[17] among other venues.
