.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}You can help expand this article with text translated from the corresponding article in German. (March 2009) Click [show] for important translation instructions.
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Though originally trained as a printer, he taught himself to draw and paint. At the age of about 30 years old, he began to sculpt.
His early works were predominantly terra-cotta and plaster, but by 1945, he was sculpting almost exclusively with stone. His earlier sculptures were very abstract and geometrical, and also quite large in size. In the mid-1950s, Aeschbacher began using mostly volcanic rock as a medium, and his sculptures became more fluid and smaller. By the late 1950s, his sculptures again became angular and large, with pieces as large as 15 feet (4.6 m) tall.[1]
