Gallery
-
-
Lake Maggiore, Christmas card -
-
-
-
No.2, Gentians and Dryads
Baroness Helga von Cramm (1840–1919) was a German and Swiss painter, illustrator and graphic artist.
Baroness Helga von Cramm was the eldest child of Wolf Frederick Adolf von Cramm-Burchard (1812–1879) and his wife Hedwig (1819–1891), daughter of Philipp Lebrecht von Cramm-Oelber.[citation needed] Her father had served in the Brunswick Cuirassiers, was an equerry and a hereditary Chamberlain and Lord of the Kings Bedchamber of William VIII of Braunschweig). Later he retired to his estate at Rhode.[citation needed]
In 1885 she married landed Brunswickian politician Erich Griepenkerl (1813–1888), son of Friedrich Konrad Griepenkerl (1782–1849) and brother of Wolfgang Robert Griepenkerl (1810–1868).[1] However, he died three years later. On 19 November 1896, Helga Griepenkerl arrived in New York City having sailed from Bremen to New York via Southampton on the Lahn.
A Manchester Guardian review of her work read: "... oils and watercolours of foreign landscapes, particularly Egyptian; Switzerland, the Canary Islands, the Black Forest, and Genua. The subjects are many of them striking, and travellers are likely to appreciate the pictures as mementoes of beautiful scenes. The treatment is not piquant, but it has considerable suavity."[citation needed]
In the United Kingdom she exhibited at the Society of Women Artists,[2] Royal Scottish Academy, Royal Institute of Painters in Water Colours, Dudley Gallery, Fine Art Society, Glasgow Institute, Grosvenor Gallery, Royal Hibernian Academy of Arts, and Royal Society of British Artists.[citation needed]
She also exhibited at the Graves Gallery in 1908.[3]
The poet Frances (Fanny) Ridley Havergal (1836-1879) and her sister Maria (1821-1887) met von Cramm in Champéry, in the south-western Swiss canton of Valais, in late summer 1876. This led to von Cramm illustrating collections of Havergal's poems between 1879 and 1880.
The meeting is described in the Memorials of Frances Ridley Havergal.[4]
Their meeting also resulted in a sonnet by Havergal:
To Helga. (September 19, 1876, Champéry)
COME down, and show the dwellers far below
What God is painting on each mountain place!
Show His fair colours, and His perfect grace,
Dowering each blossom born of sun and snow :
His tints, not thine ! Thou art God's copyist,
O gifted Helga ! His thy golden height,
Thy purple depth, thy rosy sunset light,
Thy blue snow-shadows, and thy weird white mist.
Reveal His works to many a distant land!
Paint for His praise, oh paint for love of Him!
He is thy Master, let Him hold thy hand,
So thy pure heart, no cloud of self shall dim.
At His dear feet lay down thy laurel store,
Which crimson proof of thy redemption bore.
In The autobiography of Maria Vernon Graham Havergal, the "steep path to Eisenfluh, from whence Helga painted her marvellous [sic] Moonlight on the Jungfrau..." appears. In the same volume a diary entry reads: 24th May 1879, Our friend, the Baroness, left us; but she was not uneasy about Frances. ... Helga's pictures were by her bed... [Fanny said] 'Strangely sweet! tell Helga her pictures take my thoughts away from the pain, -up there' .
