Artistic styles and media
Since his art medium is the human body, some question whether or not the body is the art or the painting on the body. "As the body moves, the painted subject takes another shape or meaning."[citation needed] Huang Yan's creations can also be considered performance art, even though he himself has never performed. In Chinese culture, nudity and the human body are still considered taboo.[2] Landscapes symbolize the intellectual values of the erudite class. Painting them on body parts not only makes it avant-garde, but it is a new way of using traditional Chinese art and of representing the relationship between man and nature, a very Taoist concept.[3]
Although his art is considered taboo, his goal is not to be offensive; his art is very symbolic and a way to express his beliefs. Other contemporary artists such as Ai Weiwei are bitter towards the government and used the "Fuck Off Exhibition" to express their anger and beliefs about society and government. However, some of Huang Yan's most offensive art include photographs of naked women. One of his photographs includes a painted woman running across the Great Wall of China, a very provocative act in Chinese culture.[5]
Each of his photographs have a black or white, brightly lit background. Up close, one may notice small details such as peasant workers, small homes, and more. The symbolism in his art is very important, the "deep cultural roots changing with the demands of modernity."[3]
Zhang Zhaohui commented on Huang's art, saying that his art was developed upon Andy Warhol's art. He says that Huang's art does not tell a story, but instead is in a pursuit of values towards traditional Chinese cultures "within contemporary society itself, both Chinese and international."[6]
Huang also has a series of works where he draws faces and eyes on sofas and couches. Another one of his mediums is porcelain. He created a series of porcelain portraits of Mao Zedong, but these were stopped by the authorities before they could leave the country to be a part of an exhibition in Paris, France. The Chinese authorities deemed them disrespectful to Mao Zedong.[7]
By using controversial art mediums, Huang is challenging the limits of Chinese traditional landscape paintings. His wife Zhang Tiemei is an artist who has been trained classically and often will execute the painting as they work together. If the face, leg, or arm moves then the meaning of the landscape can have a new twist to it. Art is part of the Chinese culture, and by painting traditional art Huang is reminding society to never forget what Chinese art means to them as a part of their heritage. It is where Huang enjoys expressing both his Zen and his Buddhist ideas.[8]
In his Chinese Landscape-Tattoo series and his Four Seasons series Huang incorporates man and nature. Other Chinese artists such as Cang Xin, Li Wei, Liu Ren, Ma Yanling and Wu Yuren, are also using the human body as an art medium to explore contemporary Chinese art: "Some photos are humorous, others disconcerting, but all are fascinating reflections of life in China today."[citation needed] Cang Xin, for example, uses his own tongue to taste places that represent Chinese culture in a series called Experiences of the Tongue, while Ma Yanling features photos with women bound in silk ribbons in a series titled Silk Ribbons.[9]
