With its stark focus on a life of poverty and desperation, the film is considered a masterpiece of social realism.[3] Film historians suggest it was the first Danish film to gain serious international attention since the work of Carl Theodor Dreyer.[4] It is one of the ten films listed in Denmark's cultural canon by the Danish Ministry of Culture.[3]
Plot
In 1890 Kristiania (Oslo), an impoverished and lonely writer named Pontus (Per Oscarsson) comes to the city from the country. He stands on a bridge, overlooking running water, writing but clearly starving. He visits a pawnbroker several times. He sells his waistcoat for a few cents, then gives the money to a beggar. Other money that falls into his hands he also gives away. He has written an article that a newspaper editor (Henki Kolstad) agrees to publish if he makes some corrections, but Pontus is too proud to accept an advance when offered, so he leaves elated but still hungry. He begs a bone for his fictitious dog, which he gnaws on secretly in an alley. He often has the chance to make things better for himself, but his pride gets in the way, such as when he declines the much-needed help of a worried friend.
When he is unable to pay his rent, the landlady (Else Heiberg) evicts him. Another landlady shortly does the same. Hunger is constantly overwhelming Pontus and he drifts between hallucination and reality while struggling to survive. He suffers humiliations which lead him to the edge of insanity. He applies for an accounting job but is rejected, and fails a physical exam to be a fireman because he wears glasses. One hallucination revolves around Ylajali (Gunnel Lindblom), an apparently refined woman he has met on the street. Despite their mutual flirtations, nothing ever evolves between them. On a sudden impulse, Pontus takes a job as a crew member on an outbound freighter. His destination is unknown.
^ ab"Sult"(PDF). Kulturkanonen (in Danish). Kulturministeriet. January 2006. pp. 91–92. Archived from the original(PDF) on 8 April 2017. Retrieved 7 April 2017.
