Ian Dalrymple
Born 26 August 1903Johannesburg, South Africa
Died 28 March 1989London, England
Ian Dalrymple (26 August 1903 – 28 March 1989) was a British screenwriter , film director , film editor and film producer .
Biography Born in Johannesburg , South Africa , he was educated at Rugby and Trinity College , Cambridge University . [ 1] He worked in advertising then went into the film industry.[ 2]
Editor Initially, he worked as an editor at Gainsborough Pictures working his way up to head editor. He then went to become head editor at Gaumont-British pictures from Rome Express onwards.[ 3]
Screenwriter He went into screenwriting with great success.[ 4] He was nominated for an Oscar for his contribution to the script of Pygmalion .[ 5]
Dalrymple went to work on Korda's propaganda film The Lion Has Wings (1939). One of its directors, Michael Powell, called Dalrymple "an extremely able and very nice man and a wonderful organiser."[ 6]
Crown Film Unit During World War II , from 1940-43 he was a producer for the Crown Film Unit, the government run agency for information and propaganda films, in particular working, and forming a close friendship, with Humphrey Jennings .[ 1]
Dalrymple said in 1941 their goal was:
We say in film to our own people 'This is what the boys in the services, or the girls in the factories, or the men and women in Civil Defence, or the patient citizens themselves are like, and what they are doing. They are playing their part in the spirit in which you see them in this film. Be of good heart and go and do likewise'. And we say to the world, 'Here in these films are the British people at war' ... It has seen the truth and it can make up its own mind.[ 7]
Korda In 1943 Dalrymple went to work for Alex Korda as production supervisor. [ 8] [ 9]
Wessex In 1946 he formed Wessex Productions as his own company, making his films at Pinewood Studios . In his company were Pat Jackson and Jack Lee from the Crown Film Unit. They made The Woman in the Hall (1947) and Esther Waters , the latter making a star of Dirk Bogarde .[ 10] In 1949 Wessex moved from Rank to London Films.[ 11]
He reunited with Jennings for Family Portrait but Jennings then died in an accident.[ 12]
In the late 1960s he was film adviser to Decca and supervisor of film projects at Argo.[ 1]
He died in London on 28 March 1989.
Selected filmography The First Born (1928) - titles
Balaclava (1928) – editor
The Crooked Billet (1929) - editor
Taxi for Two (1929) – co-writer, editor
Symphony in Two Flats (1930) - editor
The Ringer (1931) aka The Gaunt Stranger - editor
Third Time Lucky (1931) - editor
The Man They Couldn't Arrest (1931) - editor
The Ghost Train (1931) - editor
Michael and Mary (1931) - editor
The Office Girl (1931) aka Sunshine Susie - editor
The Hound of the Baskervilles (1932) - editor
Lord Babs (1932) - editor
Night and Day (1932) aka Jack's the Boy - editor
Love on Wheels (1932) - editor
There Goes the Bride (1932) - editor
Rome Express (1932) - editor (uncredited)
The Faithful Heart (1932) aka Faithful Hearts - editor
Marry Me (1932) - editor
Midshipmaid Gob (1932) aka The Midshipmaid - editor
After the Ball (1932) - editor
The Lucky Number (1932) - production personnel
The Ghoul (1933) - editor
A Cuckoo in the Nest (1933) - as producer, production personnel
Soldiers of the King (1933) aka The Woman in Command - as editor
The Good Companions (1933) – as co-writer, production personnel
It's a Boy (1933) - production personnel, assistant producer
Falling for You (1933) - production personnel
I Was a Spy (1933) - production personnel, assistant producer
Leave It to Smith (1933) - production personnel
Channel Crossing (1933) - production personnel, producer
Friday the Thirteenth (1933) - production personnel
Britannia of Billingsgate (1933) - production personnel
Orders Is Orders (1934) - production personnel
Jack Ahoy (1934) - editor
Evergreen (1934) - editor
Little Friend (1934)- editor
The Iron Duke (1934) - editor
Jury's Evidence (1935) – as co-writer
Turn of the Tide (1935) – as editor
Her Last Affaire (1935) - editor, writer
Jury's Evidence (1936) - writer
The Brown Wallet (1936) - writer
Radio Lover (1936) - writer
Action for Slander (1937) - additional dialogue
Storm in a Teacup (1937) – as writer, director
Action for Slander (1937) – as co-writer
South Riding (1938) – as co-writer
Pygmalion (1938) – as co-writer (uncredited)
The Citadel (1938) – as co-writer
The Divorce of Lady X (1938) – as co-writer
Q Planes (1939) aka Clouds Over Europe – as co-writer
Clouds Over Europe (1939) - writer
Cheer Boys Cheer (1939) as co-writer
French Without Tears (1939) – as co-writer
The Fugitive (1939) aka On the Night of the Fire - associate producer
The Lion Has Wings (1939) - story, assoc producer
A Window in London (1940) aka Lady in Distress – as co-writer
London Can Take It! (1940) (documentary short)
Sea Fort (1940) (documentary) - director, writer
Old Bill & Son (1941) – as co-writer and director
Pimpernel Smith (1941) – as co-writer
The Heart of Britain (1941) (documentary short) - as producer
Target for Tonight (1941) (documentary) – as producer
Words for Battle (1941) (documentary short) - as producer
Listen to Britain (1942) (documentary short) – as producer
Coastal Command (1942) (documentary) – as producer
Ferry Pilot (1942) (documentary short) - as producer
Builders (1942) (documentary short) - as producer
Wavell's 30,000 (1942) (documentary short) - as producer
Malta G.C. (1942) (documentary short) - as producer
Fires Were Started (1943) (documentary) - as producer
Undersea Raider (1943) (documentary short) - as producer[ 13]
We Sail at Midnight (1943) (documentary short) - as producer
Before the Raid (1944) (documentary short) - as producer
Western Approaches (1944) aka The Raider (documentary short) - as producer
The Woman in the Hall (1947) – as producer and co-writer
Esther Waters (1947) – as producer and director
Once a Jolly Swagman (1948) aka Maniacs on Wheels – as producer
Dear Mr. Prohack (1949) – as producer and co-writer
All Over the Town (1949) – as producer
Family Portrait (1950) (documentary short) – as producer - directed by Jennings[ 14]
The Wooden Horse (1950) – as producer and uncredited director
The Changing Face of Europe (1951) (documentary) - executive producer
Royal Heritage (1952) (documentary short) - producer
The Heart of the Matter (1953) – as producer and co-writer
Three Cases of Murder (1954) – as producer and co-writer
Raising a Riot (1955) – as producer and co-writer
A Hill in Korea (1956) – co-writer, executive prooducer
The Admirable Crichton (1957) aka Paradise Lagoon – as producer
A Cry from the Streets (1958) – as Producer
Hunted in Holland (1961) - writer, producer
Mix Me a Person (1962) – as co-writer, executive producer
Calamity the Cow (1967) - producer
Chaucer's Tale (1971) (documentary short) - producer
References
References
^ a b c The Crown prince of documentary
Dalrymple, Ian. The Guardian 5 May 1989: 37.
^ PINEWOOD HAS THE COMMUNITY SPIRIT
Graves, Charles. The Sphere; London Vol. 188, Iss. 2455, (Feb 8, 1947): 208.
^ Technicians of the unknown cinema: British critical discourse and the analysis of collaboration in film production
Stollery, Martin. Film History; Sydney Vol. 21, Iss. 4, (Dec 2009): 373-393.
^ "London Life in New British Films" . Glen Innes Examiner . Vol. 15, , no. 1960. New South Wales, Australia. 15 July 1939. p. 2. Retrieved 7 May 2019 – via National Library of Australia.((cite news ))
: CS1 maint: extra punctuation (link )
^ HOLLYWOOD NAMES AWARD CANDIDATES New York Times 6 Feb 1939: 13.
^ Powell and Pressburger: the war years
Badder, David. Sight and Sound; London Vol. 48, Iss. 1, (Winter 1978): 8.
^ Fires were started
Richards, Jeffrey. History Today; London Vol. 45, Iss. 4, (Apr 1995): 29.
^ REPORT ON THE DOINGS OF A KNIGHT
By C.A. LEJEUNE. New York Times 22 Aug 1943: X3.
^ BUSY BRITONS: Two Down and One to Go
By C.A. LEJEUNE. New York Times 24 June 1945: 27.
^ LONDON TALKS OF QUOTAS By C.A. LEJEUNE. New York Times 22 Dec 1946: 49.
^ "BRITISH FILM MAKERS LOOKING TO AUSTRALIA" . Sunday Times (Perth) . No. 2689. Western Australia. 11 September 1949. p. 4 (Sunday Times Comics). Retrieved 7 May 2019 – via National Library of Australia.
^ KILLED IN FALL FROM CLIFF
The Manchester Guardian 26 Sep 1950: 4.
^ At the New York
H. H. T. New York Times 11 Feb 1953: 33.
^ THE FESTIVAL FILMS
Sight and Sound, suppl. Supplement; London Vol. 19, Iss. 10, (Mar 1, 1951): 40.
External links
1928–1950
Benjamin Glazer (1928)
Hanns Kräly (1929)
Frances Marion (1930)
Howard Estabrook (1931)
Edwin J. Burke (1932)
Victor Heerman and Sarah Y. Mason (1933)
Robert Riskin (1934)
Dudley Nichols (1935)
Pierre Collings and Sheridan Gibney (1936)
Heinz Herald, Geza Herczeg, and Norman Reilly Raine (1937)
Ian Dalrymple , Cecil Arthur Lewis , W. P. Lipscomb , and George Bernard Shaw (1938)
Sidney Howard (1939)
Donald Ogden Stewart (1940)
Sidney Buchman and Seton I. Miller (1941)
George Froeschel , James Hilton , Claudine West , and Arthur Wimperis (1942)
Philip G. Epstein , Julius J. Epstein , and Howard Koch (1943)
Frank Butler and Frank Cavett (1944)
Charles Brackett and Billy Wilder (1945)
Robert Sherwood (1946)
George Seaton (1947)
John Huston (1948)
Joseph L. Mankiewicz (1949)
Joseph L. Mankiewicz (1950)
1951–1975 1976–2000 2001–present
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