| In Search of the Miraculous | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | February 2010 | |||
| Recorded | September - October, 2009 | |||
| Genre | Jazz | |||
| Length | 51:25 | |||
| Label | Tzadik TZ 7379 | |||
| Producer | John Zorn | |||
| John Zorn chronology | ||||
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In Search of the Miraculous is an album by composer John Zorn released as a part of Tzadik's Archival series in 2010.[1]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
| All About Jazz | favorable[3] |
| Free Jazz Collective | [4] |
| PopMatters |   [5] |
Allmusic awarded the album 4 stars.[2] Writing for All About Jazz, Warren Allen stated "Some may find it difficult to embrace the mystical/minimalist aesthetic captured here, but there is so much art present. For Zorn as a composer, the writing is an important step in the development of his file card music. For the musicians, the songs contain deeply passionate performances that sound effortless, even where they are certainly not. And for the listener, there are pleasures to be found either just in listening or in trying to unwind some of the layers within this suite of music. This is simply an album to lose oneself within".[3]
The Free Jazz Collective called it "A typical atmospheric piece of music, with quite repetitive piano phrases based on klezmer scales. Very lyrical and nice, sometimes with odd rhyhms... Despite this stellar list of Tzadik musicians, the music itself has a kind of déjà-vu effect, even if some of the playing is more emphatic than on other albums".[4] PopMatters correspondent Benjamin Aspray was also unimpressed noting "his new record features many of the virtues that set even his lesser works above the vast majority of experimental music. The compositions are balanced just right between being intricate and hanging loose, and the piano-led ensemble assembled here plays through them with precision and restraint. The production is crisp and clear; the vibes shimmer on top of sinewy basslines, and no one overtakes anyone else. In other words, the whole thing is very, very professional. And that’s, unfortunately, all it really is... knowing John Zorn, he wanted the opportunity to force himself into even less expected musical territory. He’s succeeded, and shown the world that he can make faceless, functional music with the best of the world’s shopping network jingle-writers. Now, hopefully, he realizes that being boring is, well, boring, and goes back to what he does best: being awesome".[5]
All compositions by John Zorn.
