In communications and electronic engineering, an intermediate frequency (IF) is a frequency to which a carrier wave is shifted as an intermediate step in transmission or reception. The intermediate frequency is created by mixing the carrier signal with a local oscillator signal in a process called heterodyning, resulting in a signal at the difference or beat frequency. Intermediate frequencies are used in superheterodyne radio receivers, in which an incoming signal is shifted to an IF for amplification before final detection is done.
Conversion to an intermediate frequency is useful for several reasons. When several stages of filters are used, they can all be set to a fixed frequency, which makes them easier to build and to tune. Lower frequency transistors generally have higher gains so fewer stages are required. It's easier to make sharply selective filters at lower fixed frequencies.
There may be several such stages of intermediate frequency in a superheterodyne receiver; two or three stages are called double (alternatively, dual) or triple conversion, respectively.
Intermediate frequencies are used for three general reasons. At very high (gigahertz) frequencies, signal processing circuitry performs poorly. Active devices such as transistors cannot deliver much amplification (gain). Ordinary circuits using capacitors and inductors must be replaced with cumbersome high frequency techniques such as striplines and waveguides. So a high frequency signal is converted to a lower IF for more convenient processing. For example, in satellite dishes, the microwave downlink signal received by the dish is converted to a much lower IF at the dish so that a relatively inexpensive coaxial cable can carry the signal to the receiver inside the building. Bringing the signal in at the original microwave frequency would require an expensive waveguide.
In receivers that can be tuned to different frequencies, a second reason is to convert the various different frequencies of the stations to a common frequency for processing. It is difficult to build multistage amplifiers, filters, and detectors that can have all stages track the tuning of different frequencies, but it is comparatively easy to build tunable oscillators. Superheterodyne receivers tune in different frequencies by adjusting the frequency of the local oscillator on the input stage, and all processing after that is done at the same fixed frequency: the IF. Without using an IF, all the complicated filters and detectors in a radio or television would have to be tuned in unison each time the frequency was changed as was necessary in the early tuned radio frequency receivers (TRF). A more important advantage is that it gives the receiver a constant bandwidth over its tuning range. The bandwidth of a filter is proportional to its center frequency. In receivers like the TRF in which the filtering is done at the incoming RF frequency, as the receiver is tuned to higher frequencies, its bandwidth increases.
The main reason for using an intermediate frequency is to improve frequency selectivity. In communication circuits, a very common task is to separate out, or extract, signals or components of a signal that are close together in frequency. This is called filtering. Some examples are: picking up a radio station among several that are close in frequency, or extracting the chrominance subcarrier from a TV signal. With all known filtering techniques the filter's bandwidth increases proportionately with the frequency. So a narrower bandwidth and more selectivity can be achieved by converting the signal to a lower IF and performing the filtering at that frequency. FM and television broadcasting with their narrow channel widths, as well as more modern telecommunications services such as cell phones and cable television, would be impossible without using frequency conversion.
Perhaps the most commonly used intermediate frequencies for broadcast receivers are around 455 kHz for AM receivers and 10.7 MHz for FM receivers. In special purpose receivers other frequencies can be used. A dual-conversion receiver may have two intermediate frequencies, a higher one to improve image rejection and a second, lower one, for desired selectivity. A first intermediate frequency may even be higher than the input signal, so that all undesired responses can be easily filtered out by a fixed-tuned RF stage.
In a digital receiver, the analog-to-digital converter (ADC) operates at low sampling rates, so input RF must be mixed down to IF to be processed. Intermediate frequency tends to be lower frequency range compared to the transmitted RF frequency. However, the choices for the IF are most dependent on the available components such as mixer, filters, amplifiers and others that can operate at lower frequency. There are other factors involved in deciding the IF, because lower IF is susceptible to noise and higher IF can cause clock jitters.
Modern satellite television receivers use several intermediate frequencies. The 500 television channels of a typical system are transmitted from the satellite to subscribers in the Ku microwave band, in two subbands of 10.7–11.7 and 11.7–12.75 GHz. The downlink signal is received by a satellite dish. In the box at the focus of the dish, called a low-noise block downconverter (LNB), each block of frequencies is converted to the IF range of 950–2150 MHz by two fixed frequency local oscillators at 9.75 and 10.6 GHz. One of the two blocks is selected by a control signal from the set top box inside, which switches on one of the local oscillators. This IF is carried into the building to the television receiver on a coaxial cable. At the cable company's set top box, the signal is converted to a lower IF of 480 MHz for filtering, by a variable frequency oscillator. This is sent through a 30 MHz bandpass filter, which selects the signal from one of the transponders on the satellite, which carries several channels. Further processing selects the channel desired, demodulates it and sends the signal to the television.
An intermediate frequency was first used in the superheterodyne radio receiver, invented by American scientist Major Edwin Armstrong in 1918, during World War I. A member of the Signal Corps, Armstrong was building radio direction finding equipment to track German military signals at the then-very high frequencies of 500 to 3500 kHz. The triode vacuum tube amplifiers of the day would not amplify stably above 500 kHz; however, it was easy to get them to oscillate above that frequency. Armstrong's solution was to set up an oscillator tube that would create a frequency near the incoming signal and mix it with the incoming signal in a mixer tube, creating a heterodyne or signal at the lower difference frequency where it could be amplified easily. For example, to pick up a signal at 1500 kHz the local oscillator would be tuned to 1450 kHz. Mixing the two created an intermediate frequency of 50 kHz, which was well within the capability of the tubes. The name superheterodyne was a contraction of supersonic heterodyne, to distinguish it from receivers in which the heterodyne frequency was low enough to be directly audible, and which were used for receiving continuous wave (CW) Morse code transmissions (not speech or music).
After the war, in 1920, Armstrong sold the patent for the superheterodyne to Westinghouse, who subsequently sold it to RCA. The increased complexity of the superheterodyne circuit compared to earlier regenerative or tuned radio frequency receiver designs slowed its use, but the advantages of the intermediate frequency for selectivity and static rejection eventually won out; by 1930, most radios sold were 'superhets'. During the development of radar in World War II, the superheterodyne principle was essential for downconversion of the very high radar frequencies to intermediate frequencies. Since then, the superheterodyne circuit, with its intermediate frequency, has been used in virtually all radio receivers.
[…] it can be assumed that the desired intermediate frequency is 465 Kc/s […] for this reason frequencies in the region of 450–465 Kc/s are very widely used […] Superheterodyne receivers, designed specifically for short-wave communication work, usually have a higher frequency for the I.F., from about 1,600 to 3,000 Kc/s, and may also incorporate double frequency changing. For example the receiver may change the incoming signal first to 3,000 Kc/s and then to 465 Kc/s or lower. […] Various frequencies are used for the I.F. amplifiers of radio receivers. A frequency of 110 Kc/s. has been widely used in Europe where the long wave band is in use. The gives extremely good selectivity but serious side band cutting. A frequency of 175 Kc/s. has been used for broadcast band reception both in America and Australia for a number of years but its use on the short-wave band is not very satisfactory. A frequency in the region on 250–270 Kc/s. has also been used to a limited extent as a compromise between 175 and 465 Kc/s. The most common frequencies for dual wave receivers are between 450 and 465 Kcs.[…] and, particularly if iron cored I.F. transformers are used, this frequency band is a very good compromise. For short-wave receivers which are not intended for operation at lower frequencies, an intermediate frequency of 1,600 Kc/s. or higher may be used. […] A frequency of 455 Kc/s. is receiving universal acceptance as a stanard frequency, and efforts are being made to maintain this freqeuncy free from radio interference. […](See also: Radiotron Designer's Handbook)
[…] As a result of the experience gained over a number of years in addition to the considerations stated previously the values selected for the intermediate frequencies of most commercial receivers have become fairly well standardized. For the majority of broadcast receivers tuning the bands 540–1600 Kc/s and 6–18 Mc/s, an i-f of about 455 Kc/s is usual. A frequency of 110 Kc/s has been extensively used in Europe where the long wave band of 150–350 Kc/s is in operation. Receivers for use only on the short wave band commonly the 40–50 Mc/s band generally use a 4.3 Mc/s i-f, and for the 88–108 Mc/s band they use 10.7 Mc/s. This latter value has been adopted as standard in U.S.A., and some other countries, for v-h-f receivers. […] Short wave receivers using 1600 Kc/s i-f transformers commonly employ two stages (3 transformers) although one stage is often used […] In wide band and communication receivers, two or more stages are commonly used. The intermediate frequency in general use is 455 Kc/s. Earlier receivers used 175 Kc/s but with the appearance of powdered iron cores and the development of high slope amplifier valves, the previous objection to the use of higher intermediate frequencies, i.e. lower gain, was nullified. […] It is recommended that superheterodyne receivers operating in the medium frequency broadcast band use an intermediate frequency of 455 Kc/s. This frequency is reserved as a clear channel for the purpose in most countries of the world. […] The European "Copenhagen Frequency Allocations" provide the following two intermediate frequency bands: 415–490 Kc/s and 510–525 Kc/s. […] An intermediate frequency of 175 Kc/s is also used. […] The American RTMA has standardized the following intermediate frequencies (REC-109-B, March 1950): Standard broadcast receivers—either 260 or 455 Kc/s. V-H-F broadcast receivers—10.7 Mc/s. (See also: Radiotron Designer's Handbook)
[…] Mixer […] perform frequency change so that multiply input FM signal by VCO output. F-91 introduce the secondary IF as 13.45 MHz. Band-pass filter […] has the same narrow bandwidth characteristic as the band-pass filter […] Input signal […] passed through the band-pass filter […] is multiplied by VCO output at mixer […] then change[d] to the original frequency. Original signal is detected by FM detector […] audio output is obtained. […] in spite of use the filter of fixed the center frequency, F-91 operate to the variable filter so that center frequency follow the input signal as equivalent. […] (4 of 40 pages) (NB. The Pioneer Elite F-91 and the very similar Pioneer Reference Digital Synthesizer Tuner F-717 (as sold in Japan) supported Active Real-time Tracing System (ARTS) in 1987, whereas the completely different but almost identically named Pioneer Digital Synthesizer Tuner F-717 and F-717L (as sold internationally in 1987) were based on the F-77 and did not support ARTS.)
[…] DYNAS system […] for car radio and home receiver applications […] system of FM-IF processing […] bandpass filters with a bandwidth down to about 20 kHz compared to 160 kHz for a conventional […] filter […] tracks the resonant frequency to the actual frequency […] (13+1 pages)